Note from Elizabeth: Five years ago today, Johnpaul Harris’ sculpture of UNC football legend Charlie “Choo Choo” Justice was unveiled at the west entrance to Kenan Stadium. Not only was our volunteer Jack Hilliard there, he was involved (along with Hugh Morton) in the creation of the statue. Jack shares some of his recollections in this post.

The voice on the phone was familiar. “Hello Jack, this is your friend Hugh Morton.” He was answering my request for photographic help with one of my projects. The conversation lasted about 10 minutes but as we began to wrap it up Hugh said: “I’m going to be dong something next Tuesday that you might be interested in. I’m going to take a group of Justice-era players over to Johnpaul Harris’ studio in Asheboro to check out his progress on the Justice statue. Would you like to join us?” It took me about 1/100 of a nanosecond to make up my mind. We were all to meet at the McDonald’s on Highway 64 in Asheboro at 10 on Tuesday morning June 1, 2004. “We’ll caravan over to the studio . . . I can take you there, but couldn’t begin to tell you how to get there,” he said.

When I walked into the restaurant on Tuesday morning it was like a gathering of my boyhood heroes . . . Rizzo, Neikirk, Morton, Pupa, and Cox.  A few moments later Weiner joined the group. Boyhood heroes indeed, but the thing is, I never outgrew that . . . these guys are still my heroes.

The 10 mile drive to Harris’ studio took about 15 minutes — Highway 64 to 49 and back into rural Randolph County. Johnpaul and Ginger Harris’ home/studio is unique. (It was once described in a magazine article as a cross between “Swiss Family Robinson” and “Sanford and Son”). We were greeted and taken in to view the 8 foot 6 inch clay model. All of the Justice-era players made comments and Harris took lots of notes. Then Morton took out his camera and began taking pictures. When all of the players’ pictures had been taken, he turned to me and said, “OK, Jack, let’s get one of you.” It was like that Walter Cronkite – Ted Baxter scene from the Mary Tyler Moore Show when Cronkite tells Baxter, “you can call me Walter.” I wasn’t dressed properly for a picture, but I wasn’t about to miss the opportunity to have a my very own personal “Photo by Hugh Morton.” When that photo arrived in the mail a couple of days later, it was placed in a very special scrapbook to be treasured forever.

Over the next five months I made several trips back to the studio to watch a master at work, and in the process Johnpaul and Ginger became great friends. In early September a statue dedication date was finalized.

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The Morton digital collection has now surpassed 2,000 items! (This 1960 image of John F. Kennedy and New Jersey Governor Robert B. Meyner just happened to be the 2,000th image added — I like to think they are applauding our efforts).

Want to be alerted as additional Morton photos are uploaded/updated? You can now “subscribe” to the Morton collection via an RSS feed. Note that you will need to have an account with a “feed reader,” such as Google Reader or Bloglines, to use the service. You’ll probably also have to clear out a few rounds of images that are not actually new to the collection, but are new to your reader. Once you’re up-to-date, you’ll only see those that are being newly added or updated.

Speaking of which — since launching the digital collection, we have received 165 comments, almost all of which have contained useful identifying information for Morton photographs in the digital collection. While that’s definitely A LOT, the comments have come from a very small number of people. We want to hear from you! Search or browse the collection by name, location, subject, or decade, then click on “feedback” at the top of the item page to share your knowledge.

Sometimes you have to make exceptions. A little more than a year ago, I was contacted by the designers assigned to decorate the interior of the then-under construction (and now newly opened) NC Cancer Hospital. They were seeking Hugh Morton photographs of the North Carolina landscape to be made into very large panels for public areas of the hospital. This was a great opportunity to place some of Hugh Morton’s photographs in highly visible locations within a prominent and important facility, and to assist our sister institution. The problem was, a little more than year ago, we were a little less than knowledgeable about what photographs were where in the collection. (That is one of the reasons the collection was closed to researchers until very recently). What to do?

We made an exception. I explained the status of the collection and its limited access at that point, but also asked the designer to go through Morton’s published books for images that we could try to find or approximate. Once they compiled that list, I turned it over to Elizabeth, who combed through photographs she could access to find suitable images. The design firm made their selections, Elizabeth turned over the material to the Carolina Digital Library and Archives scanning technician, and then we waited a year to see the results.

Earlier this month, Elizabeth and I had the opportunity to tour the building and see the installations. To say it is a beautiful building is not saying enough, and Morton’s photographs are wonderful splashes of color and place that contribute to the overall atmosphere inside.

The photographs you see here illustrate a few of those installations. In the photograph above, Elizabeth stands next to a very long panoramic composite mural that repeats slices of several Morton images. Below is the lobby and information desk inside the main entrance (featuring a Morton mountain panorama).

Here’s a couple of installations behind reception desks.  Sorry . . . the hospital is designed to let in lots of the outside light and views, so it was impossible to photograph during the day without getting reflections!

Shown above with her back to the camera is our tour guide Ellen de Graffenreid, Director of Communications & Marketing for the UNC Lineberger Comprehensive Cancer Center. (Thank you, Ellen!)

If this next image isn’t too tiny on your computer screen, you can play “Where’s Elizabeth?”!

It was particularly satisfying to tour this impressive facility and see how Hugh Morton’s photographs add to the overall aesthetic of the building, especially since he was a victim of cancer himself.

Hugh Morton cultivated many relationships in his various roles as photographer, publicist, land developer, and civic pillar. He became friends with paragons of athleticism (Michael Jordan, Ted Williams), beloved celebrities (Charles Kuralt) and, in the instance that is relevant to this blog post, people of great geopolitical significance. One of these people, General William Westmoreland, first met Morton on November 11, 1963 during a Veterans Day Celebration for the USS North Carolina.  A few months after, he was appointed by President Johnson as commander of the U.S. Military forces in Vietnam, a post that lasted until 1968.

Military Man

Westmoreland is known primarily as a military man, and his public image was a stern one—sharp features, piercing eyes, powerful eyebrows, and a visible discomfort in plainclothes. He is shown here looking as natural and imposing as a granite cliff in his formal military attire at the Grandfather Mountain Highland Games. Given his military demeanor, then, it must have seemed a daunting task to Hugh Morton when he was asked by Westmoreland’s Public Relations firm to take pictures of him living an entirely domestic life. Westmoreland needed PR assistance with a $120 million libel suit he filed against CBS in response to their 1982 documentary, The Uncounted Enemy: A Vietnam Deception. This documentary, narrated by journalist Mike Wallace, accused Westmoreland of manipulating military intelligence to claim there were fewer communists in South Vietnam, thereby creating the impression that the war was being won. Westmoreland was upset at this assault on his character, and mounted a lawsuit against CBS and Mike Wallace.
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Note from Elizabeth: Today is University Day here at UNC-Chapel Hill, the oldest state university in the country. To help us celebrate, volunteer Jack Hilliard remembers some University Days past. (Further recollections of the Kennedy event and the full text of his speech can be found on the fabulous Chapel Hill Memories blog).

The TV viewing room on the first floor of Teague Dorm at UNC was small, but a dozen or so of us crowded our way inside. We had come to watch a speech by President John F. Kennedy, one that would be extremely important to several of us who were scheduled to graduate in less than six months. It was October 22, 1962, and we were being “recruited” by the big four — not Carolina, Duke  State, and Wake, but the other big four — Army, Navy, Air Force, and Marines. As I sat waiting for the address, my mind wandered back to one year and 10 days before, when I sat waiting for this same President to speak.

October 12, 1961 was a beautiful fall day in Chapel Hill. About 32,000 of us had gathered in Kenan Stadium to observe University Day 1961 — the University’s 168th birthday. The highlight of the morning was an address by President John Kennedy, scheduled for 11 AM. Thirty minutes before the President arrived, the official 40-person White House Press Corp arrived and joined the local media in scrambling for good viewing positions. Among those scramblers was a man who had covered University events for more than 20 years — Hugh Morton.

At 11:05 AM, President Kennedy’s caravan arrived at the west end of the stadium, having completed a journey down Highway 54, which had been closed and well guarded by 50 North Carolina Highway Patrolmen. The President, with Governor Terry Sanford at his side, rode in an open top limousine. At 11:12, the academic procession, led by Faculty Marshal John Coriden Lyons, started toward the east end of Kenan Stadium. Greensboro Record staff writer Charlie Hamilton described what he saw:

“A warm sun whose heat was cooled intermittently by soft breezes, beat down upon the scene, as the President, in cap and gown and flanked by state, national, and university officials, made his way beneath the west goal post and down the gridiron to the speaker’s rostrum.”

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Though September 9 was the official 100-year anniversary of the first class offered by the School of Journalism and Mass Communication at UNC-Chapel Hill, celebrations and events continue to mark this milestone for one of the country’s best-regarded journalism programs. One such event is an exhibit currently on display here in Wilson Library’s North Carolina Collection Gallery, Consecrated to the Common Good, which features the above photo of Hugh Morton (as well as other notable alumni including W. Horace Carter).

Morton’s legacy is alive and well at the J-School thanks to the Hugh Morton Distinguished Professorship established by his wife Julia to help the school recruit or retain an outstanding educator and provide scholarly, research or instructional support for that person. Julia Morton is quoted in an article on the Carolina Development website as saying:

“My main purpose for establishing this professorship is because there really is no other ‘watchdog’ standing between the citizens of North Carolina and Raleigh and Washington, so it’s important that today’s journalism students know how to ask the hard questions,” Julia Morton said. “What’s more, I can think of no better way to honor Hugh than to enable others to experience and appreciate what he held dear—Grandfather Mountain, the state of North Carolina and the UNC experience.”

We hope you can join us in the Gallery next Thursday, October 15 at 5pm for a reception and exhibit viewing, to be followed by a lecture by Tom Bowers, J-School professor emeritus and author of Making News: One Hundred Years of Journalism & Mass Communication at Carolina.

This is a question I was asking myself from the time I started working on the Morton collection until recently, when I happily discovered the answer. A particular batch of Morton negatives labeled “Singleton C. Anderson, Rocky Pt.” caught my attention when I was making my first survey of Morton’s photographs. I noticed them because 1) they were striking black-and-white images from the circa 1950 period, and 2) they depicted African Americans in a non-athletic setting (somewhat unusual in Morton’s work).

Some quick Google searches at the time were fruitless; I suspected the images showed scenes from a Rosenwald School, but I didn’t have time to look into it any further. But the images, and Anderson, stuck with me. I just had a feeling they were important. So when I came upon them again recently during processing, I figured “what the heck,” and tried another Google search. Jackpot!

The site I found, Under the Kudzu, is run by educator and writer Claudia Stack, who is now in the process of creating a feature-length documentary film focused on the Rosenwald school movement as shown through two schools in Pender County, NC: the Canetuck Rosenwald School, a primary school, and the Pender County Training School, a high school. PCTS was located in, yes, Rocky Point. I emailed Claudia immediately and attached jpegs of the images included in this blog post. The next day, I got this reply:

I am ASTOUNDED at these images . . . I have been researching PCTS and Singleton C. Anderson’s profound impact on the region for the past six years, but images are very hard to come by. That is partly, I think, because he was a humble man, and partly because a tragic house fire claimed the life of his wife, Vanetta Anderson, and also all of their papers and pictures.

So, who in fact WAS Singleton C. Anderson?

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Note from Elizabeth: This post was written by volunteer Jack Hilliard as a tribute to Kenan Stadium in honor of its recent facelift. For a great related article about Hugh Morton and Charlie Justice, check out this column by Lee Pace on TarHeelBlue.com.

What two things do each of the following have in common: opera star Norman Cordon, Hollywood actress Georgia Carroll, CBS News correspondent Charles Kuralt, UNC Football Great Charlie “Choo Choo” Justice, actor-comedian Andy Griffith, Rev. Billy Graham, Presidents John F. Kennedy and Bill Clinton, Rameses VI, NC Governors Terry Sanford and J. Melville Broughton, Hall of Fame football coaches Carl Snavely and Jim Tatum from UNC and Wallace Wade from Duke, musician Arthur Smith, and Massachusetts Senator Edward M. Kennedy?

Need a clue?  There is a UNC-Chapel Hill connection . . . Each appeared and/or performed in Kenan Memorial Stadium, and Hugh Morton photographed them in that majestic venue.

The 1966 UNC Football Media Guide called Kenan “A Southern Showplace.” Built in 1927 for $375,000 on the outskirts of the campus, the arena now sits nearer center campus following 82 years of campus growth. Over those years, it has been the stage for July 4th fireworks displays, concerts featuring Bruce Springsteen; Blood, Sweat and Tears; Grand Funk Railroad; Joe Cocker; and Chapel Hill favorite James Taylor. In mid-May, UNC graduation ceremonies are held in the stadium with speakers like Bill Cosby, Madeleine Albright, and Desmond Tutu.

The Stadium has played host to high school marching band competitions (see above), campus beauty contests, homecoming and reunion celebrations, and two U.S. Presidents (John Kennedy in 1961, and Bill Clinton in 1993). During World War II (when the entire campus welcomed the Navy Pre-Flight School), the Stadium was the home for military graduation parades. A memorial was held in the Stadium for FDR in April, 1945 and for JFK in May, 1964. Around that same time, a popular campus rumor was that the Stadium might need to be used for Dr. Robert B. House’s Classics 31 class and Dr. J. Primrose Harland’s Archeology 85 because they were so large!

But, most people think of Kenan Stadium as a football arena. It is indeed that — the home of the North Carolina Tar Heels.
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A few weeks ago, Elizabeth pointed out a few unidentified jazz photographs and asked me if I could write up a post on them to see who they might be. One photograph, seen here, ended up being easily identified: it is big band leader Tony Pastor (1907-1969), “The Man Who Pastorized Swing.”

The background was the giveaway. On the upper left are the bottom of the numbers “941,” and on the right are an “R” and the rounded edge of another letter. A quick check through the UNC yearbook Yackety Yack revealed the bands who played at UNC dances for that year. That tidbit and some name “Googling” matched the face in the Morton photograph with the face of Pastor in other portraits on the Web for the easy ID.

Pastor’s band was the headline act for the Spring 1941 Junior and Senior dances on Friday and Saturday, 16-17 May 1941. Pastor’s troupe performed four dance sets, and the 5:00-5:25 dance was broadcast “coast-to-coast” over the NBC radio network via WPTF in Raleigh. As far as we can tell, this is the only surviving negative of Pastor’s performances at Chapel Hill. Pastor also performed three gigs at the Carolina Theater in Durham that Thursday at 3:00, 7:00, and 9:30. The tickets for the matinee shows were 28 cents, while the evening show cost 44 cents.

The drummer in the background of Morton’s photograph is either Johnny Morris or Morrison (I’ve see both in print but I think it’s Morris). One of Pastor’s signature tunes was “Paradiddle Joe,” which featured the drummer. YouTube has a  version with Henry “Riggs” Guidotti on the kit. Not pictured is Eugenie Baird, who joined Pastor’s band just two weeks before coming to Durham and Chapel Hill.

How did the students rate Pastor? Well, the Daily Tar Heel wrote a review on 1 June 1941 of the bands who came to campus for dances. They decided that Pastor, “even to those addicted to Paradiddle Joe and Let’s Do It, was disappointing. By Saturday night his blasting, commercial arrangements were grating on everybody near enough to the bandstand to hear him.”

Though you wouldn’t know it from looking at today’s Daily Tar Heel, Hugh Morton took this legendary photo of the legendary Michael Jordan. It’s maybe Morton’s best-known (and least-credited) image, and appears on p. 191 of Hugh Morton’s North Carolina. As Morton tells it,

Michael Jordan was airborne in Carmichael Auditorium against Virginia, and this is my most published action shot of him at Carolina. I told him ahead of time that I hoped he would have a good game, and as he brushed by after making this basket he asked, “Was that good enough?”

Good enough and then some! Some say Jordan was the best that ever played. Certainly good enough to insure his induction into the Naismith Memorial Basketball Hall of Fame today, just as soon as he became eligible.