Thank you for visiting

V2H_visits

On November 1st, A View to Hugh quietly celebrated its 2nd birthday and during its years of life, this blog has received many visitors. So in this holiday season, we’d like to thank you for being a regular or occasional visitor. Have you ever wondered how many others of you in the blogosphere have been to this site during the first two years?  Well, 323,012, if web statistics can be believed!

“How many visits has A View to Hugh received in two years?” would seemingly be an easy question to answer, but it isn’t. Let’s use an analogy to show why. You may take a trip to see family and stay with them for the holidays. If so, let’s say during your stay that you go to the grocery store, the shopping mall, church, and a friend’s house, and that each time you left each of those places you went back to your family’s house, your primary place of visitation.

When you return home and people ask you what you did for the holiday, you would likely say something like, “I visited my family”—that is, you made one trip to visit your family. But if Webalizer, a Web usage statistics program, was keeping tabs on your comings and goings, you went to your family’s house five times—your first arrival and each time you went back to your primary visitation place.  Every time you entered your family’s front door would be counted as a “hit.” (In other words, if your family’s house was the home page for a View to Hugh, you made five “hits.”) So, our 323,012 total includes not only initial hits on the blog’s home page, but all hits to the home page.

Counting all those hits is useful to people managing Web servers. For those more interested in gauging readership, however, that tally is meaningless — especially since we know that it includes hits made by computers “crawling” Web sites, such as Google indexing for faster search results. To counter that hyperinflated number, Webalizer tallies “visits,” defined as “a sequence of requests from a uniquely identified client that expired after a certain amount of inactivity.” (The are a host of other issues related to Web statistics, but for fear of putting you to sleep, if you want to read more I’ll refer you to Wikipedia and Google where you may search the terms “Web analytics” and “Web statistics” some restless night).

Going back to the example of visiting your family: once you got there and entered any door, all your subsequent departures and returns, running in and out of the front and back doors, etc., would all be counted as one “visit” after you left their home and didn’t return for a predetermined length of time.

If you recorded all of your family visits over the course of your life, you could make a chart to see how they fluctuated over time. That’s what the chart above illustrates for A View to Hugh: the trend for the number of visits during our first two years (blue line) in comparison to our sister blog, North Carolina Miscellany (red line). At the end of two years we’ve surpassed 25,000 visits per month. That number is still inflated compared to the actual number of individual people reading the blog. (Ever read an entry on your computer at work then check it out again at home?  There’s two visits!)  What the chart does show without a doubt is the continual growth of interest in A View to Hugh, the library’s most frequently visited blog. And for that, we again express our deep appreciation to you, our readership.

P.S. If you did venture into deeper reading about Web analytics, the chart above uses the “total entry pages” calculation.

P.P.S. Happy holidays!

Granville Oral Roberts, 1918-2009

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Many news outlets have been reporting the death on Tuesday of pioneer televangelist Oral Roberts. You probably know some of the more interesting and controversial stories about Roberts, including his claims of being able to raise people from the dead and of receiving visions from a 900-foot Jesus; or his famous 1987 fundraising stunt where he told viewers that unless he raised $8 million, “God would ‘call him home.’” (He raised $9.1 million).

But you may not have known that Roberts made at least a few visits to Grandfather Mountain, NC, most notably as a speaker at the 1976 “Singing on the Mountain” gospel festival. Roberts shot a nationally-televised prime time special at Grandfather that year, featuring Roy Clark (among others).

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Roberts apparently enjoyed the golfing opportunities afforded by the Grandfather Golf and Country Club (if you look very closely at the image above, you can see he’s wearing a “GGCC” sweater). One fall visit, Roberts got a personalized Hugh Morton tour of the natural wonders of the area. According to Julia Morton, “Mr. Roberts came to Linville to visit a friend of ours from Tulsa. Rain kept him from playing golf so Hugh entertained him by showing him the countryside.” It was during this visit that Morton took the lovely portrait of Roberts below.

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“Scores, Weather and Traffic, Up Next”

Note from Elizabeth: Hope you enjoy another great sports post from Morton volunteer Jack Hilliard!

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The Sunday afternoon weather forecast for Washington, DC and northern Virginia was for cold temperatures with sleet and snow. But that didn’t keep several thousand North Carolinians and Hugh Morton away from the Washington Redskins-Cleveland Browns football game in Griffith Stadium on December 10, 1950. Most of those Tar Heels were there to see UNC’s great All America Charlie “Choo Choo” Justice work his magic one more time. Morton was also there to see his friends Cleveland Quarterback “Automatic” Otto Graham, Redskins Halfback “Bullet” Bill Dudley, and Amoco Redskins Network announcer Harry “The Whiz” Wismer.

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Before the scheduled 2PM kickoff, the snow began falling.

It was the final game of the ’50 season and for Justice it was the completion of his first season of professional football. Cleveland was favored to win (they were 9 and 2 while the Redskins were 3 and 8). A season-high crowd of 32,000 watched the Redskins take the lead in the first quarter when Justice caught a touchdown pass from Sammy Baugh. Both teams alternated in scoring the first six of the game’s nine touchdowns with the Redskins striking first each time. At times the snowfall was so heavy, it was hard to see the players, especially the Browns who were wearing their white uniforms. Luckily, the weather didn’t prevent the halftime show.

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Morton project awarded NCHC grant

NCHCWe’ve just gotten some exciting news! I’m pleased to share that the North Carolina Collection has been awarded a grant by the North Carolina Humanities Council to support a web publishing project entitled Worth 1,000 Words: Essays on the Photographs of Hugh Morton. The grant funds will be used exclusively to hire a group of scholars and writers to produce thirteen essays (1,000-1,500-words long, based on 3-5 images), highlighting some of the predominant themes represented in the Hugh Morton photographic collection. The essays will be published online as part of this very blog, A View to Hugh. The plan is for a new essay to be posted approximately bi-weekly between January and July, 2010.

We think that the essays produced through the Worth 1,000 Words project will greatly enhance the discoverability of the collection, providing historical and cultural context and analysis of Hugh Morton’s fantastic images, while also demonstrating the value of visual resources for research and education. From the very beginning, we envisioned this project as interactive, hoping to take full advantage of the blog format. Our authors will not be writing into a void — you, as readers, will be able to comment, respond, object, ask questions . . . instead of just sitting there as static documents, the essays will provide jumping-off points for conversation, reflection, and exploration of our state’s culture and history.

We are thrilled that the Humanities Council has agreed to support this somewhat non-traditional publishing project, and would like to take this opportunity to express our appreciation to them!

View a list of essay authors and topics after the jump.
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“The sweet music of those bells…”

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Note from Elizabeth: Thanksgiving Day marks the 78th anniversary of the dedication of UNC-Chapel Hill’s Morehead-Patterson Bell Tower. Morton Collection volunteer Jack Hilliard explores the Bell Tower’s history below.

Late summer 1947 . . .”It was a dark and stormy night.”  Hugh Morton had set up his camera down the street from the Morehead-Patterson Bell Tower to photograph the University landmark during a thunderstorm. Little did he know at the time that one of the photographs from that session would wind up on the cover of two prominent North Carolina magazines simultaneously. That shot of the Tower (above), shrouded in haze with lightning flashing above, would be featured on the front cover of The Alumni Review issue of October, 1947, as well as The State magazine for October 25, 1947.

Over the years the Tower became a favorite photographic subject for Morton. His Bell Tower shots graced the cover of The State at least two more times, February 25, 1950 and January, 1974.

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In the early 1920s John Motley Morehead III proposed the idea of a Bell Tower to UNC President Harry Woodburn Chase. As part of the post-World War I building boom on campus, South Building was remodeled and Morehead suggested putting a bell tower on top of the building. The University “powers that be” wanted to maintain the historical integrity of the old structure, so they declined the offer. Then, in 1926, the administration drew up preliminary plans for what would become Wilson Library. Again, Morehead offered to pay for a bell tower on top of the library, but University Librarian Louis Round Wilson had already decided that “his” building would be domed.

Later, when University trustees moved the flagpole from McCorkle Place to Polk Place, Morehead again suggested a bell tower, and again the administration declined his offer. At this point Morehead enlisted the help of Rufus Lenoir Patterson II, prominent New York businessman, and the two families, along with University officials, came to an agreement that the Bell Tower would be placed between Wilson Library and Kenan Stadium.

On Thanksgiving Day, November 26, 1931, Governor O. Max Gardner delivered the acceptance address, concluding with these words:

I dedicate this tower and the sweet music of these bells to the future upbuilding of this institution and this state, knowing full well that on this campus the sons of North Carolina will be inspired by the harmony of these chimes and will here catch the vision and follow the gleam.

Later that afternoon, as was the Thanksgiving tradition in those days, Carolina played Virginia in Kenan Stadium.

Originally the bells were rung manually, but now the 14-bell carillon operates electronically, and has been heard as far away as Durham.  The largest bell, which tolls the hour, is engraved with the name of Governor John Motley Morehead, grandfather of the bell’s creator.

The 172-foot Morehead-Patterson Bell Tower actually rises about 200 feet, since it is built on a knoll, and it is surrounded by a hedge and lawn designed by William C. Coker, botany professor and creator of the campus Arboretum.

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The photograph on page 94 of Morton’s 2006 book, Hugh Morton: North Carolina Photographer, shows the Morehead-Patterson Bell Tower at sunset — the way it often looks as it serenades the dispersing crowd after a great Tar Heel victory in Kenan, like the 13 to 6 win on Thanksgiving Day 1931.

Jack Hilliard

Series 2 (People & Events) available!

Crowd at a football game

You knew Hugh Morton photographed legendary North Carolinians including Terry Sanford, Michael Jordan, Billy Graham, Andy Griffith, and Charles Kuralt; Azalea Queens and musicians of all stripes; and prominent national figures from John F. Kennedy to Al Gore. You definitely knew that he photographed Luther H. Hodges (NC Governor 1954-1961, and likely Morton’s most-photographed person, except for perhaps his family).

But, did you also know that Morton photographed both the Prince of Wales and Queen Elizabeth II? What about Ed Sullivan, or Rich Little? Jesse Jackson, Coretta Scott King, and Shirley Chisholm? And how about Newt Gingrich with a black bear? (A die-hard Democrat himself, Morton did in fact take pictures of some Republicans — Gingrich, Reagan, Nixon, and Helms, to name a few). Did you know he took striking portraits of rural people living in the NC mountains during the 1940s-1950s? And shot at least four different Cherokee Chiefs?

This is just a tiny morsel of the feast of riches that await you in Series 2 of the Morton Collection, now included in the online finding aid and available for in-person exploration. This is the largest series (oh, how I hope) and definitely the most difficult to process — take note that subseries 2.6, “People, Identified,” contains more than 700 different named individuals!

Take a look, and — as always — give us your feedback on what/how we’re doing.

When Sadie Hawkins Came to Town

Photomontage in The Daliy Tar Heel, 8 November 1941, page 1.

Photomontage in The Daliy Tar Heel, 11 November 1941, page 1.

13 November 1937 marks the creation of Sadie Hawkins Day by Al Capp in his cartoon strip Li’l Abner. The notion of girls chasing guys one day a year lept quickly from newspaper page to high schools and college campuses across the country.  Two years later, Life magazine covered the phenomenon in a photo essay entitled, “On Sadie Hawkins Day, Girls Chase Boys in 201 Colleges,” featuring photographs made at Texas Wesleyan University by Fort Worth Press photographer Wilburn Davis.

On Saturday, 8 November 1941, the UNC student body reveled in all-day Sadie Hawkins Day events.  Al Capp and his wife came to Chapel Hill to participate in the festivities . . . and so, too, did a photographer from LIFE magazine.  No surprise then that UNC student photographer Hugh Morton was also there with his camera. Thus far two Morton negatives from the day’s event have surfaced, and both are viewable online in the Morton digital collection.  One of those images is the full view used for the cut-out inset of the Capps with their faces poking out from headless cartoon characters in the photomontage seen above.

The photomontage appeared on the front page of The Daily Tar Heel for 11 November along with stories of the event.  The trademark “Photo by Hugh Morton” byline can be seen in the lower right corner, but since it doesn’t say “photos” in the plural it’s not clear if the others are also his photographs or if the credit referred to the entire montage. (The Capps portrait and other photographs of the day’s activities also appeared in The Alumni Review.)  The photographs show some of the goings-on for the day, mostly at Emerson Field, that included an “earth shaking tug of war, and Dogpatch games.”  A “Gingham Gallop,” which was a “girl-break tea dance,” with coeds having to wear gingham, cotton, or plaid and a hair ribbon capped off the celebration at Graham Memorial.

LIFE published its photographic story, “On Sadie Hawkins Day, North Carolina Co-eds Show How to Kiss Girl-shy Boys,” in its 24 November issue.  On 15 November The Daily Tar Heel editors took the photographs in the 24 November issue of LIFE to task in a brief commentary entitled, LIFE Misses The Boat.”  (Yes, those dates are correct!)  The story and photographs, they complained, were a “hill-billy layout.”

Campus opinion has it that the article misrepresented not only the festive day itself but the University.  It appeared that LIFE was seeking leg-art, used only posed pictures, none of the actual extemporaneous proceedings.

LIFE’s photographer, as a matter of fact, did not even appear at the tug of war games which developed into a good-sized mud-battle, nor at the big dance. If the magazine wanted sex, it didn’t have to travel this far south.

In fact, it quite seems that LIFE missed the boat.  The article lacked the verve and spice of the event—and terming Carolina men “girl-shy” is a prodigious masterpiece of understatement.

With such criticism, with which I agree, the surprise in this story is the photographer LIFE sent for the occasion: none other then venerable W. Eugene Smith.

My Personal “Photo By Hugh Morton”

11/5/04 dedication of Charlie Justice statue outside UNC's Kenan Stadium

Note from Elizabeth: Five years ago today, Johnpaul Harris’ sculpture of UNC football legend Charlie “Choo Choo” Justice was unveiled at the west entrance to Kenan Stadium. Not only was our volunteer Jack Hilliard there, he was involved (along with Hugh Morton) in the creation of the statue. Jack shares some of his recollections in this post.

The voice on the phone was familiar. “Hello Jack, this is your friend Hugh Morton.” He was answering my request for photographic help with one of my projects. The conversation lasted about 10 minutes but as we began to wrap it up Hugh said: “I’m going to be dong something next Tuesday that you might be interested in. I’m going to take a group of Justice-era players over to Johnpaul Harris’ studio in Asheboro to check out his progress on the Justice statue. Would you like to join us?” It took me about 1/100 of a nanosecond to make up my mind. We were all to meet at the McDonald’s on Highway 64 in Asheboro at 10 on Tuesday morning June 1, 2004. “We’ll caravan over to the studio . . . I can take you there, but couldn’t begin to tell you how to get there,” he said.

When I walked into the restaurant on Tuesday morning it was like a gathering of my boyhood heroes . . . Rizzo, Neikirk, Morton, Pupa, and Cox.  A few moments later Weiner joined the group. Boyhood heroes indeed, but the thing is, I never outgrew that . . . these guys are still my heroes.

Johnpaul Harris with model of Justice statue, ca. 2004

The 10 mile drive to Harris’ studio took about 15 minutes — Highway 64 to 49 and back into rural Randolph County. Johnpaul and Ginger Harris’ home/studio is unique. (It was once described in a magazine article as a cross between “Swiss Family Robinson” and “Sanford and Son”). We were greeted and taken in to view the 8 foot 6 inch clay model. All of the Justice-era players made comments and Harris took lots of notes. Then Morton took out his camera and began taking pictures. When all of the players’ pictures had been taken, he turned to me and said, “OK, Jack, let’s get one of you.” It was like that Walter Cronkite – Ted Baxter scene from the Mary Tyler Moore Show when Cronkite tells Baxter, “you can call me Walter.” I wasn’t dressed properly for a picture, but I wasn’t about to miss the opportunity to have a my very own personal “Photo by Hugh Morton.” When that photo arrived in the mail a couple of days later, it was placed in a very special scrapbook to be treasured forever.

Jack Hilliard with Charlie Justice statue at Johnpaul Harris' studio, 6/1/2004

Over the next five months I made several trips back to the studio to watch a master at work, and in the process Johnpaul and Ginger became great friends. In early September a statue dedication date was finalized.

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Morton digital collection update

John F. Kennedy and Robert B. Meyner, 1960

The Morton digital collection has now surpassed 2,000 items! (This 1960 image of John F. Kennedy and New Jersey Governor Robert B. Meyner just happened to be the 2,000th image added — I like to think they are applauding our efforts).

Want to be alerted as additional Morton photos are uploaded/updated? You can now “subscribe” to the Morton collection via an RSS feed. Note that you will need to have an account with a “feed reader,” such as Google Reader or Bloglines, to use the service. You’ll probably also have to clear out a few rounds of images that are not actually new to the collection, but are new to your reader. Once you’re up-to-date, you’ll only see those that are being newly added or updated.

Speaking of which — since launching the digital collection, we have received 165 comments, almost all of which have contained useful identifying information for Morton photographs in the digital collection. While that’s definitely A LOT, the comments have come from a very small number of people. We want to hear from you! Search or browse the collection by name, location, subject, or decade, then click on “feedback” at the top of the item page to share your knowledge.

Color and Places: Hugh Morton Photographs in the North Carolina Cancer Hospital

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Sometimes you have to make exceptions. A little more than a year ago, I was contacted by the designers assigned to decorate the interior of the then-under construction (and now newly opened) NC Cancer Hospital. They were seeking Hugh Morton photographs of the North Carolina landscape to be made into very large panels for public areas of the hospital. This was a great opportunity to place some of Hugh Morton’s photographs in highly visible locations within a prominent and important facility, and to assist our sister institution. The problem was, a little more than year ago, we were a little less than knowledgeable about what photographs were where in the collection. (That is one of the reasons the collection was closed to researchers until very recently). What to do?

We made an exception. I explained the status of the collection and its limited access at that point, but also asked the designer to go through Morton’s published books for images that we could try to find or approximate. Once they compiled that list, I turned it over to Elizabeth, who combed through photographs she could access to find suitable images. The design firm made their selections, Elizabeth turned over the material to the Carolina Digital Library and Archives scanning technician, and then we waited a year to see the results.

Earlier this month, Elizabeth and I had the opportunity to tour the building and see the installations. To say it is a beautiful building is not saying enough, and Morton’s photographs are wonderful splashes of color and place that contribute to the overall atmosphere inside.

The photographs you see here illustrate a few of those installations. In the photograph above, Elizabeth stands next to a very long panoramic composite mural that repeats slices of several Morton images. Below is the lobby and information desk inside the main entrance (featuring a Morton mountain panorama).

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Here’s a couple of installations behind reception desks.  Sorry . . . the hospital is designed to let in lots of the outside light and views, so it was impossible to photograph during the day without getting reflections!

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Shown above with her back to the camera is our tour guide Ellen de Graffenreid, Director of Communications & Marketing for the UNC Lineberger Comprehensive Cancer Center. (Thank you, Ellen!)

If this next image isn’t too tiny on your computer screen, you can play “Where’s Elizabeth?”!

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It was particularly satisfying to tour this impressive facility and see how Hugh Morton’s photographs add to the overall aesthetic of the building, especially since he was a victim of cancer himself.