William Clyde Friday (1920-2012)

The Hugh Morton collection is part of the North Carolina Collection in large part because William Friday, UNC President Emeritus and friend of Morton, heartily and frequently encouraged Morton that his historically important photographic collection should be here.  Robert Anthony, Curator of the North Carolina Collection, described Friday’s role as “key.”  Friday, who passed away Friday morning—University Day—will be memorialized today at 10:00 a.m. in Memorial Hall.  Morton collection volunteer and A View to Hugh contributor Jack Hilliard offers his memorial to William C. Friday in today’s post.

The University of North Carolina will bear the impress of this gifted and dedicated man for as long as it endures.— Archie K. Davis, President, North Caroliniana Society, May 4, 1984

Courage, manners and decency cost a person so little, but disregard them and see what you get.— William Friday, in a 1995 Associated Press interview.

On the day the University of North Carolina at Chapel Hill was to celebrate its 119th birthday, it mourned the loss of a legend.  Dr. William C. (Bill) Friday, the individual who personified higher education in this state, died at age 92. Virginia Taylor, his special assistant, said the former UNC president died in his sleep early Friday morning, October 12, 2012.

Bill Friday defined “The Greatest Generation,” during his service in World War II and the years that followed.  For thirty of those years, he was president of the consolidated university system.  During his tenure, he served with distinction under seven governors from Luther Hodges to James Martin. Under his leadership, higher education in the UNC system became a model for all to emulate.

He was just 35 years old and the assistant to outgoing UNC President Gordon Gray when he was offered the position of Acting President of the Consolidated University of North Carolina.  That was in 1956.  He didn’t expect to stay long, telling a reporter at the time:  “I expect that I will be in this place no more than a few months.”  He remained until 1986.  Although he retired in ‘86, he continued to be a vital part of his university.

Hugh Morton and Bill Friday

Hugh Morton and Bill Friday at a UNC versus Virginia basketball game.

At a reception and banquet in the Carolina Inn on June 7, 1996, Hugh Morton accepted the North Caroliniana Society award and in his remarks he said this about his old friend:

Bill Friday—I do not have to tell any of you—is probably the most respected person in our nation, not just North Carolina, in the field of higher education.  To have him as a friend over the years has meant a whole lot to me.

I remember vividly the words of UNC Athletic Director Dick Baddour on November 5, 2004 at the Charlie Justice statue dedication.  Baddour introduced Dr. Friday as “the most respected man in North Carolina.”

Last Wednesday, October 10th, in an interview with Rachel George of USA Today, Baddour said at the start of the NCAA investigation at UNC in the summer of 2010, “the telephone call to Bill Friday was the most difficult.”  For more than thirty years, Friday, co-founder of the Knight Commission on Intercollegiate Athletics, had fought for changes to prevent the exact type of violations ultimately found at UNC.  On Friday morning Baddour described Bill Friday as “an absolute giant.”

In the Washington Post last week, Friday said while the investigations and violations at UNC are troubling, the school must move forward and improve.  “It’s a very difficult thing to accept and I hope and pray that we’ve learned our lesson here, and I sure hope we have.  But it’s a symptom of the commercialization of college sports all over the nation.  I’m hoping that we can step forward and let’s move on and make the changes that are necessary, because change is necessary, and let’s go from here.”

“President Friday was the most significant educator in North Carolina in the 20th century,” said C. D. Spangler, Jr., who succeeded Friday as UNC president.  Tom Ross, the current University President, said, “Bill Friday lived a life that exemplified everything that has made our University—and the state of North Carolina—great.”

UNC Chancellor Holden Thorpe added, “Bill Friday was committed to providing access to high-quality, affordable higher education to North Carolina students.  He was tireless in his efforts to underscore the importance of higher education to people from all walks of life . . . .”

William Link, author of the 1995 book, William Friday: Power, Purpose and American Higher Education, said: “He was the person who kind of consolidated and built the system the way it is now.  It’s gone through a lot of changes, but it’s Bill Friday’s university in a lot of ways.”

Many North Carolinians will remember Dr. Friday as a pioneer for public television and interviewer in his weekly TV program on WUNC-TV, “North Carolina People.”  I remember on one of his early programs, he interviewed long-time sports broadcaster Ray Reeve.  Reeve told about his first meeting with Friday and added, “I just assumed you would be governor someday.”  I think there are many in this state who believe he would have been a great governor.

The state of North Carolina and the University lost a legend on October 12, 2012.  Bill Friday will be missed, but on this day, I choose to believe he has joined a select group of individuals . . . a group that includes his dear friend Hugh Morton.

Currently there are thirty-eight photographs of Bill Friday in the online collection of Morton photographs.

A “Wrist Watch” From Another Era

It was Friday, March 9, 2012 during the Atlantic Coast Conference Men’s Basketball Tournament in Atlanta that UNC’s starting forward John Henson injured his left wrist.  Nine days later at the NCAA Tournament in Greensboro, Tar Heel point guard Kendall Marshall fractured his right wrist.  Carolina’s March Madness had suddenly turned to March Sadness, but media coverage for the Tar Heel stars continued through the NCAA Tournament with lots of ink and airtime.  This, however, was not the first time a Tar Heel star had been the subject of a “wrist watch.”  Morton collection volunteer Jack Hilliard takes a look back at another “watch” from the 1950s.

Charlie Justice and Orvile Campbell at 1952 UNC vs Texas football gameIt had been four years and two days since the University of Texas had played a game in Kenan Stadium, when the they came to Chapel Hill on September 27, 1952.  Many Tar Heel fans still remembered that day in 1948 when Charlie Justice and Art Weiner led the Heels over the Longhorns 34 to 7, so when Justice and his friend Orville Campbell entered the Carolina Section of Kenan on this day, he was mobbed by still-adoring fans.  They immediately noticed the cast on Justice’s left wrist and wanted to know the story behind it. Justice and Campbell were finally able to get to their seats, where Hugh Morton came up from his sideline position to photograph his two friends.  As the Justice fans settled down and returned to their seats, the wrist injury was still a topic of conversation.

Charlie Justice’s 1952 season with the Washington Redskins, according to most media outlets, was to be his breakout season.  He had played in eight games during his 1950 rookie season without the benefit of training camp, and had averaged 4.8 yards per carry.  Still, Sundays in Washington were nothing like Saturdays had been in Chapel Hill.  For the 1951 season, Justice came back to Chapel Hill to assist his former coach Carl Snavely.

In an interview with Howard Criswell, Jr. of The Rocky Mount Sunday Telegram on June 22, 1952, Justice said, “When I was with the Redskins before, there were 18 rookies on the team.  But this will be the third year for most of them.  We ought to have a good team.”  So ’52 was to be “the one.”

On July 21st Charlie departed for training camp at Occidental College in Los Angeles.  An early report in the Washington Post said that on his third play from scrimmage in practice on day one, he scored on an 80-yard touchdown run.  It looked like the pundits were right—’52 would be the year.

The first preseason game against the San Francisco 49’ers proved to be an all San Francisco show with Joe Perry scoring four 49’ers touchdowns in a 35-0 rout.

Then came the 8th Annual Los Angeles Times Charity game with the Rams before 87,582 fans in the Los Angeles Memorial Coliseum on August 21, 1952—a game Charlie Justice fans will forever remember.  On that Thursday night, Charlie Justice had runs of 49, 53, and 63 yards.  He gained a total of 199 yards in 11 carries, a Coliseum record.  But on the final run, Rams’ defensive safety Herb Rich threw Charlie out of bounds and broke his left wrist.  The Redskins lost 45 to 23.

In an interview following the game, Justice said:  “I tried to straight-arm Rich and I never should have done it.  It was the first time I ever tried to do it in my whole football career.”  Redskins’ owner George Preston Marshall was irate.  Following the game he rushed into the dressing room and headed straight for Charlie.

“I’ve told you a thousand times,”  Marshall railed, “if you see you’re cornered, if you see you’re gonna be hit, get out of bounds.  Don’t take the punishment.  You’re worth too much money to me . . . why didn’t you get out of bounds?”

Justice in pain and without thinking answered, “Mr. Marshall, the backfield coach [Jerry Neri] told me to stiff-arm him and push him off.”

Marshall’s quick reply: “ Who the h— pays your salary?”

“You do, Mr. Marshall,” said Justice.

“Well, you listen to me.”

Three days later, Backfield Coach Jerry Neri, had taken another job with another team.  Paul Zimmerman, Sports Editor of the Los Angeles Times, wrote in his column following the game:

As long as football lives—and if the college presidents let it alone that will be forever—Los Angeles fans will never forget the exhibition of ball carrying by Charlie (Choo Choo) Justice.  It was tragic indeed that he should suffer a broken wrist, after one of the most remarkable running performances ever displayed in major league competition.

John B. Old, writing in the Los Angeles Herald-Express on August 22nd said: “Ram rookies and veterans alike got quite a lesson in ball packing from Charlie Choo Choo Justice, the North Carolina flash. . . . Before he went out in the third quarter with a broken wrist, Justice was a one-man riot.”  Rams’ head coach Joe Stydahar said in his post-game interview, “Justice was simply great.  He takes off like a jack-rabbit and is very shifty, too.”  And Dick Kaplan, writing in The Asheville Citizen in October of 1961, said “Charlie ran wild.  He gave perhaps the greatest display of running ever seen in the West in one of the epic performances of grid annals.”

Soon after the injury, Justice temporally left the team and headed home to Charlotte, but rejoined the team in San Antonio on September 3rd.  George Preston Marshall continued to pay Charlie his salary, but since he would be out of action on the field for about six weeks, he was placed in the broadcast booth with Mel Allen and Jim Gibbons starting with the game against Green Bay in Kansas City, Missouri on September 14th.  It was on to Norman, Oklahoma for a game with the Lions on September 20th and then a much-needed break.  Justice once again headed back to North Carolina and was thus available to visit Orville Campbell in Chapel Hill for the UNC-Texas game on the 27th. Following the game, Justice was off to Chicago for a Monday night game with the Cards, followed by a road game in Milwaukee with the Packers.

Finally on October 12, 1952, almost seven weeks after his injury, Justice was ready to return to action, but it was slow going: 23 yards on six carries and a 33 yard kickoff return that day against the Chicago Cardinals is all he was able to do.

Following the game, in an interview with Greensboro Daily News reporter Irwin Smallwood, Justice said, “I can’t rotate my wrist yet.  It’s hard to clutch passes on the run.  It will be all right by next week, though.  Maybe I can score and be a little help to the team by then.”  By November 2nd when the Pittsburgh Steelers came to Washington, Justice was back to form and caught a 13-yard touchdown pass from quarterback Eddie LeBaron.

The Redskin games with the Cleveland Browns were always special and the game on November 30th was no exception.  Hugh Morton joined 22,769 fans in old Griffith Stadium for this one.  Morton was able to renew old friendships with Eddie LeBaron, Otto Graham, and of course Justice.  His sideline picture of Justice and LeBaron has been widely published and is on the front cover of his 1988 book, Making a Difference in North Carolina.

Eddie Lebaron and Charlie Justice

Washington Redskins Eddie Lebaron and Charlie Justice

With two games remaining in the ’52 season, the Redskins were in last place of the NFL’s American Conference; those two games, however, could play an important role in the Conference championship.  A Redskins’ win on December 7th sent the New York Giants packing.  Washington play-by-play announcer Mel Allen said Justice had his best game of the season against the Giants. And then it was down to one game: the Redskins vs. the Philadelphia Eagles on December 14th.  With less than a minute remaining the score was tied at 21, Redskins with the ball at the Eagle 27-yard line.  With the clock running, LeBaron pitched out to Justice around the right side.  As I watched on TV, the play looked just like so many I had seen in Kenan.  When Justice was finally on the ground, the ball was at the one-yard line.  Now there was 18 seconds left in the ’52 season . . . 22,468 fans on their feet . . . and LeBaron took the ball into the line for the 27 to 21 win.  The Eagles had been eliminated from playoff competition.  For Justice it was a fitting ending to a season that had started with so much promise, but fate had stepped in along the way and prevented that predicted breakout season.  Once again, the writers and broadcasters said maybe 1953 will be that magic season for Charlie Justice.  They were right . . . ’53 was the one.

And as for that Carolina–Texas game, sixty years ago . . . even with Justice and Campbell cheering and Art Weiner on the sidelines with Coach Snavely . . . even with the Elizabeth City High marching band joining the Marching Tar Heels . . . and even with the UNC students waving Confederate flags . . . the Tar Heels lost to the Longhorns 28 to 7 before a near-capacity shirt-sleeved Kenan Stadium crowd.

Fantascope lens

Mile High Swinging Bridge photographed with Fantascope lensThe Mile High Swinging Pathway?  You certainly get that impression from the photograph above!  Hugh Morton made this photograph, and several others of various subjects, using a “Fantascope lens.”  The distorting effect of placing one of these lenses on a camera seems to be one of scrunching the image.

I’ve had no luck finding information about Fantascope lenses . . . which are not to be confused with the Phantascope, a nineteenth-century device that created the impression of a moving image, nor the Fantoscope, a 1799 patented “magic lantern on wheels” by Ettienne-Gaspard Robert.

Rather than speculate, is there anyone out there who can tell us about Fantascope lenses?

View of Grandfather Mountain summit made with Fantascope lens.

Summit of Grandfather Mountain with view of Mile High Swinging Bridge, with image distorted by Fantascope lens, August 1969.

The Mile High Swing Bridge has been getting lots of publicity this month, celebrating its sixtieth anniversary on September 2nd, so I picked two Fantascope images that are a bit different than the usual views.  The distortion in the photograph above gives the bridge a Manchu Picchu-like setting!

Intrigued? Take a peek at other scenes made by Morton using a Fantascope lens.  All of the images (35mm slides) date from August 1969.

 

“The Man” in Kenan Fieldhouse

Any UNC football player who came through the program between 1927 and 1973 will tell you Morris Mason “ran the place.”  He was there when Carolina played its first game in historic Kenan Stadium and he never missed a game there during his 46-year career.
If you look at a roster of the all-time lettermen under the letter “M” you will see “Mason, Morris . . . Honorary.”

September 10, 2012 marks the 20th anniversary of Mason’s death.  Morton volunteer Jack Hilliard takes a look back at the life and times of Morris Mason on the UNC campus.

UNC football equipment manager Morris Mason, 1958

UNC football equipment manager Morris Mason being hoisted by Don Kemper (#84) and other players after UNC's 26 to 7 win over Wake Forest in Kenan Stadium, October 25, 1958.

“He walked in the shadow of heroes and became one himself.”  —UNC Sports Information Director, Jack Williams, 1973

October 25, 1958 was band day at Kenan Stadium.  Guest conductor Joseph B. Fields, UNC class of 1953, led 3,379 student musicians from 52 high schools from across North Carolina in a spectacular halftime performance, during the 54th meeting between the Tar Heels from Carolina and the Demon Deacons from Wake Forest.  When the music stopped and the dust had settled on the Kenan turf, Carolina had won the game 26 to 7.

Following an ACC game like this one, somebody often gets a shoulder ride by the winning team. Who got the ride on this beautiful Chapel Hill afternoon?  Was it UNC quarterback Jack Cummings who completed a 55-yard touchdown pass to John Schroeder, or was it Schroeder?  Was it Wade Smith who crafted an electrifying 62-yard touchdown run in the fourth quarter?  Was it Head Coach Jim Tatum who got his 12th win since returning to UNC?  Or was it Joseph Fields, the band director from Asheboro High, who entertained 35,000 fans at halftime?

The answer: none of the above.  The Carolina players lofted longtime equipment manager Morris Mason to their shoulders and paraded him to the middle of the field.  Hugh Morton was in place to document the celebration.

It was Labor Day, 1927, when UNC Athletic Director Robert Fetzer hired Morris Mason as fieldhouse custodian.  He soon became equipment manager, trainer, team “valet,” father figure, and unschooled psychiatrist.  He continued in all those positions until July 1, 1974 when he officially retired.

Mason had been a part of every Carolina win and loss in Kenan since its beginning in 1927—and he never missed a game, home or away, going back to 1928. In all, he was an important part of 451 Carolina football games.

“I almost missed one game when one of my relatives died,” Mason recalled in a 1973 interview.  “But I hurried from the funeral to the game and made it before the kickoff.”
He also had a near-miss during a road trip to Virginia.

“I went to sleep on the train and didn’t wake up until the train was pulling into Washington, DC.  But they put me on the next train going back toward Charlottesville and I got there in time to help unload all the equipment.”

Mason loved to travel with the team and he made every road trip starting with the ‘28 season.

“I’ve been to the Sugar Bowl, the Cotton Bowl, the Gator Bowl, the Peach Bowl, the Sun Bowl and even to the Oyster Bowl,” he said with his unique smile beaming.

In his 46 seasons at Carolina, Morris Mason worked with nine different coaches during eleven coaching changes and was on the athletic department payroll for more than 17,000 days.  In 1968, former Tar Heel players and coaches showed their thanks by presenting Mason with a new car in a special ceremony at halftime of the Carolina–Duke basketball game.  Also, as part of the tribute, he was given a plaque which reads:

With deep gratitude for sharing the joys of our victories and suffering the pain of our losses through the years. . . .

The plaque is signed by more than 200 former players and well-wishers.  Included in that list: Mister Justice, Mister Weiner, Mister Hanburger, and Mister Willard.  Morris Mason always referred to Tar Heel players as “Mister.”

Charlie Justice, Morris Mason, and others at UNC Homecoming game, 1973

UNC All-America players Charlie Justice (left) and Art Weiner (right) of Greensboro are seen with team trainer Morris Mason (second from left), who retired after 46 years, and UNC Athletic Director Homer Rice at the 1973 homecoming game in Chapel Hill on November 17.

November 17, 1973 was a cool, pleasant homecoming day at Kenan Stadium.  In addition to the homecoming game with Wake Forest, the Justice Era players held one of their reunions and the day also marked the final game for Morris Mason.  He was introduced on the field, to the delight of the 37,500 fans, with Justice, Weiner, and Athletic Director Homer Rice.  Following Carolina’s 42-to-0 win, he was presented the game ball.  Said Head Coach Bill Dooley, “Our players rode Morris Mason off the field on their shoulders and gave him the game ball.  That was a fine tribute to a fine gentleman.”

After his official retirement on July 1, 1974, Mason got to fulfill a longtime wish.  During the 1974 season he got to watch a Carolina football game from the stands.  Although retired, Morris Mason continued to be an important part of the UNC football program.  I recall during graduation/reunion weekend in May of 1989, Hugh Morton and former UNC end Bob Cox put together a slide show and panel discussion about the late 1940s.  When Morris Mason was introduced, there was a standing ovation in Memorial Hall.

A little over three years later, on September 12, 1992, a somber crowd of 48,500 filed into  Kenan Stadium for an evening game against Furman.  Morris Mason had passed away two days before on September 10th.  Football Saturdays in Chapel Hill would never be the same.  When Charlie Justice got the news that Mason had died, he traveled to Chapel Hill and spent the next two days in the Mason home consoling those left behind.

Over the years, reporters would often ask Mason to name his favorite player during his 46 years in the Carolina locker room.

But the answer was always the same: this player was good or that player was great, but he would never name a favorite.  However, shortly before his death, when asked the question he said, “Mister Justice was a great ball player.  Maybe the greatest.  And he is a wonderful man, too.  He didn’t try to be a big star off the field. He was just one of the fellows.”

As the fans filed out of Kenan on September 12th, the Carolina blue sky from earlier in the day had turned into a full Carolina moon beaming down.  Said one Tar Heel alumna,  “that’s Morris’ smile beaming down on us.”

On Wednesday, September 16, 1992, Morris Mason was laid to rest in Shriners Cemetery in Durham.  Mister Justice was scheduled to offer a eulogy to his old friend but was too choked with emotion to speak.

Legendary sports writer Furman Bisher described Mason as “one of the most lovable persons I have ever known in sports.  He was more than an equipment manager, he was a wonderful friend.”

UNC All America end, Art Weiner, in an interview following Mason’s memorial service, said:
“Morris knew everybody.  From the first day you arrived on campus as a freshman, he knew your name.  And when you’d come back years later, he always remembered your name.”

Morris Mason will forever be remembered by the Tar Heel faithful. His name in gold letters over the Kenan equipment room door will forever be a reminder.

Now that Charlotte is in the distance

Charlotte from Grandfather Mountain

Hugh Morton's favorite photograph of Charlotte, as seen from near the Mile High Swinging Bridge on Grandfather Mountain approximately 87 air miles away. Morton made the photograph in mid-December after a cold front had cleared the air, providing some very rare visibility.

Last week, the city of Charlotte was the “front and center” of the American political scene as it hosted the 2012 Democratic National Convention.  As the event approached, I had the natural inclination to turn to Hugh Morton’s coverage of past Democratic conventions for a timely blog post . . . but quickly remembered that we had already done that shortly after the party selected Charlotte.

If you find yourself wanting more Democratic convention politics now that the show has left town, you may want to revisit previous posts on the topic here at A View to Hugh.  For starters, try Rob Christensen’s essay “Hugh Morton Among the Movers and Shakers” for an overview of Hugh Morton’s role in North Carolina’s political scene.  Then choose from any or all of these offerings related to the Democratic National Convention:

Big Shoes to Fill

George Barclay

George Barclay, UNC's head football coach from 1953-1955.

Today’s post comes from contributor Jack Hilliard.

When Larry Fedora and the 2012 Tar Heels take the field at Kenan Stadium on September 1st, expectations will be high.  The Tar Heel faithful will be looking to Fedora to bring UNC football back to that special place where Carl Snavely had the team in 1948 and where Jim Tatum was headed in 1959.  It won’t be easy, but Fedora is not the first UNC head football coach to face this kind of situation.

The Cotton Bowl played in Dallas on January 2, 1950 marked the final game of UNC’s “Charlie Justice Era.”  The following season, head coach Carl Snavely was left with a “just average” Carolina football team.  In ’50 and ’51 his teams were able to win only five games and lost to Duke twice.  In the spring of ’52 he brought in George Barclay, head coach at Washington and Lee, as an assistant.  Tar Heel fans will remember Barclay as UNC’s first All America player in 1934, coached by Snavely.

The ’52 season wasn’t any better with only two wins, including another loss to Duke.  Following the season, the UNC Athletic Council made a coaching change; on December 2nd, head coach Carl Snavely submitted his resignation.

The Athletic Council took its time in naming Snavely’s successor.  Several names were rumored to be in the mix, including Jim Tatum.  Tatum had been the head coach in 1942, but since 1947 had been building a powerhouse at Maryland.  Finally on January 23, 1953 the Athletic Council, with the backing of the Board of Trustees and Chancellor Robert B. House, named Snavely assistant George Thomas Barclay the new coach and gave him a three year contract.  Much was expected from the Tar Heel alumnus.

Barclay hit the ground running, winning his first three games during the ’53 season, but when Maryland came to town on October 17th the wheels came off and the Heels lost the next five games—and then lost the final game of the season to Duke.  The result was not much better than the final seasons under Snavely.  1954 and ’55 produced only seven wins and two more losses to Duke.  A coaching change was in the wind again and this time they got Jim Tatum.  Tatum brought in Jim Hickey, head coach at Hampden-Sydney as an assistant.  Tatum was well on his way to bringing the program back when he suddenly died on July 23, 1959.

Jim Hickey

"Jim Hickey, UNC football team, 1962"

The Athletic Council took only four days to select Tatum’s successor.  At 5:40 PM on July 27, 1959, Chancellor William B. Aycock with Athletic Director Charles (Chuck) Erickson at his side, made the announcement that Tatum assistant, 39-year-old James (Jim) Hickey would be the new Tar Heel Coach with a three year contract.  In accepting the position, Hickey told a large group of newsmen gathered at The Pines Restaurant, “I appreciate this opportunity.  It is one I have always wanted.  My only regret is the circumstances under which it had to come about.”

Hickey was able to lead the Tar Heels to five wins in his first season, but the thing most Tar Heels like to remember about the ’59 season is that 50 to 0 win at Duke on Thanksgiving Day on national television.  The seasons 1960 through ’62 produced only eleven wins, but Hickey’s high water mark came in 1963 when he led the Heels to nine regular season wins including a 16 to 14 win over Duke and UNC’s first Atlantic Coast Conference championship.  The season was capped with a 35 to 0 win over Air Force in the Gator Bowl.  The bowl win was another first for the Tar Heels.  Hickey continued as Carolina’s head coach through the 1966 season, but was never able to top the heroics of 1963.

Today in 2012, the UNC football program is at another crossroad and Larry Fedora has been selected to carry forward a program steeped in tradition.  The shoes are there to be filled.

Hugh Morton’s first daily newspaper assignment

The previous post on A View to Hugh features a Hugh Morton photograph of Grandfather Mountain, published without credit on the cover of the 8 March 1941 issue of The State.  As the blog post revealed, I suspect the photograph dates from 1940 or earlier, which is relatively early in Morton’s career as a photographer.  January of that year saw Morton beginning his second semester as a freshman at UNC.  His camera had been stolen shortly after arriving on campus in the autumn of 1939, and it was not until sometime around January or February 1940 that he bought his next camera.  So, I wondered, “How early in his career would that have been?”  Today’s exploration unravels an uncertainty and mystery that I didn’t even have until two days ago.

This is an important photograph in Morton’s career.  At the time he made it, Morton was a UNC student with a summertime job as the photography counselor at Camp Yonahnoka.  Here’s one of his accounts about the photograph, quoted from the preface of his 2003 book Hugh Morton’s North Carolina:

In 1940, at nearby Linville, a fourteen-year-old kid from Tarboro named Harvie Ward embarrassed a lot of adults by winning the prestigious Linville Men’s Golf Tournament.  Burke Davis, sports editor of the Charlotte News, contacted the Linville Club for a photograph of Harvie Ward, and I was called to come up from camp to carry out what was my first photo assignment for a daily newspaper.  Davis liked my Harvie Ward pictures, and this led to many photo assignments for the Charlotte News during my college years at the University of North Carolina at Chapel Hill.

Because this assignment helped launch Hugh Morton’s career as a news photographer, and the early view of Grandfather Mountain was also likely made in 1940, I wanted to know when the Charlotte News published the Ward photograph(s) (two negatives are extant in the Morton collection) relative to publication of the early Grandfather Mountain view in The State.  I searched the Web for information on the Linville golf tournament and Harvie Ward for 1940, but only found a few bits and pieces—and nothing that said when they played the tournament.  So . . . off to the microfilm room.

I scanned through issues of the Charlotte News, Tarboro’s Daily Southerner, and Rocky Mount’s Evening Telegram published during the “golf-able” summer months through mid September, by which time Morton would have returned to Chapel Hill from Camp Yonahnoka and Ward would have already returned to Tarboro in time for their classes.  Nothing . . . at least not that mentioned Harvie Ward winning the tournament in 1940.

I turned next to Morton’s booklet, Sixty Years with a Camera published in 1996, which I recalled also included the portrait of Ward.  As The Jetsons cartoon dog Astro would say, “Ruh Roh . . . .”

The first picture I took on assignment for a newspaper (the Charlotte News) was of Harvie Ward when he won the 1941 Linville Men’s Golf Tournament.  This was a very competitive event, and it was a surprise to everybody that a 15-year-old kid from Tarboro would win it.

Two different statements of fact.  What to do?  Well, I turned to a different newspaper, the Charlotte Observer and here’s what I found: Harvie Ward didn’t win the Linville Men’s Invitational Tournament in 1939, 1940, 1941, nor 1942.  (I didn’t go further, because Morton was in the army in 1943).  A detailed listing of the entrants in the Charlotte Observer revealed that Ward didn’t enter the 1940 tournament; he did, however, defeat Ed Gravell of Roaring Gap to win the “second flight” of the 1941 tournament.  I also found a congratulatory paragraph in the Daily Southerner on August 4, 1941 “for taking first place in second flight in Linville invitational golf tournament.  Harvie is having great time knocking off the little fellows.”  [For golf historians, Sam Perry emerged victorious in 1939, Charles Dudley won the championship flight in 1940, Hub Covington won the 1941 tournament, and Billy Ireland won the event in 1942.]

To be thorough, I searched for both years (1940 and 1941) through mid September.   There are no photographs of Ward in the Charlotte News.  I now even wonder if the newspaper ever published one of these portraits of Ward by Morton.

So in all likelihood, Hugh Morton had it right the first time in the 1996 booklet: the Harvie Ward, Jr. photographs probably date from 1941.  And here’s some supporting evidence: photographs began appearing in the Charlotte News sports section’s “Pigskin Review” articles with the credit line “News Photos by Hugh Morton” in mid September 1941, which is in agreement with Morton’s statement that the Ward pictures “led to many assignments.”  Morton photographed members of the 1941 football teams of UNC (published September 12th), Duke, (September 13th), NC State (September 15th), and Wake Forest (September 24th), plus two photographs made during and after UNC’s season opener on September 20th against Lenor-Rhyne that featured UNC’s standout running back Hugh Cox.  By comparison, there are no photographs in the newspaper credited to Morton in late summer or early autumn of 1940.

My conclusion? So far, the earliest Morton photograph that I’ve discovered to be published in a non-UNC publication is the early view of Grandfather Mountain.  Now, please tell me why I believe the story probably doesn’t end there?!

An early Morton view of Grandfather Mountain

The State, 8 March 1941, cover

It’s been quiet at A View to Hugh of late, as research for a news photography exhibit opening October 6th has become my primary focus the past several weeks.  There will most definitely be Morton photographs in that exhibit, but I’ve been digging into the 1920s and early 1930s which mostly predates Morton.  One item of interest for the exhibit that overlaps with Hugh Morton’s career, however, is The State, a weekly magazine launched by Carl Goersch on 3 June 1933.  Jack Hilliard and I will be writing about The State next year on the magazine’s 80th anniversary, which readers today know as Our State.

As I have explored Morton’s early career, I have looked at each issue of The State—page by page—from 1945 up to early 1963 (thus far).  I chose 1945 as the starting point because it marks Morton’s return from the South Pacific during World War II.  We have referred often in past blog posts to the Morton images that appeared in The State, and I’ve updated many images in the online collection as I’ve discovered them in the magazine.

Researching for the news photography exhibit, I jumped back to volume one, issue one, again looking at every page to see what I could learn about the magazine’s role in the development of news photography in North Carolina.  When I got to the 8 March 1941 issue, I saw what felt like a familiar Morton image on the cover, shown above.  The photograph is uncredited, so I searched the online Morton collection, but did not find it.  I then dove into the negatives for Grandfather Mountain . . . Bingo!

Read carefully the caption on the magazine cover.  Note again the date of the magazine, plus the leaves on the trees (and their tonalities) and the lack of snow!  All those clues suggest to me that Morton made this negative in the autumn of 1940 (or earlier) and not early March 1941.  If my deduction is correct, it’s one of Morton’s earliest published images.

This photograph also appears (again uncredited) in the 27 February 1943 issue of The State as an illustration to the article “Grandfather Mountain” written by Lula M. Weir.  In a prescient statement, Weir wrote “That the Grandfather-Linville area may be acquired for a state park someday is now regarded as a certainty.”  That “someday” did come true.  Grandfather Mountain officially became a state park in 2009.

In the shadow of Justice

Today, August 16th, UNC’s great All America end Art Weiner celebrates his 86th birthday.  Weiner and teammate Charlie Justice were UNC’s “Touchdown Twins” of the late 1940s.  Justice, the tailback in Coach Carl Snavely’s famous single wing formation got most of the headlines.  Weiner would have received just as many accolades—maybe more—had he been on any other team without Justice.  Hugh Morton collection volunteer Jack Hilliard takes a look back at the Weiner-Justice connection during the golden era of Carolina football.

UNC football team, 1949

Charlie Justice (22) and Art Weiner (50), lead the UNC football team onto the field at Kenan Stadium, 1949.

He was the perfect fit.  Art Weiner, with his wit and sense of humor, was the perfect “Roaster” for a series of Charlie Justice charity roasts during the early 1980s—one in Greensboro for multiple sclerosis, one in Asheville for the Western Carolina Children’s Foundation, and one in Charlotte for juvenile diabetes.  Weiner had tales to tell on his longtime friend and teammate.  A favorite story went something like this:

My mother-in-law never understood all of the hype about Charlie Choo Choo Justice.  She said, “If he’s as good as all the newspaper headlines say he is, why doesn’t he just go out on the field by himself and win the game, and all of you guys can just stand and watch?”

Well, at the 1949 Carolina–Duke game over in Durham I had a great day.  I caught two touchdown passes, and blocked the Duke field goal attempt in the final seconds to save the game.  So, when I got home that night I called my mother-in-law and said, “Be sure and check tomorrow’s paper . . . see who makes the headlines this time.”

Next morning, Weiner rushed out to get the morning paper off the front porch.  He ran inside and opened it up to the sports section and there it was, the headline from Saturday’s game: “Justice Scores One, Passes For Two, Leads Tar Heels Over Duke.”

In the fall of 1946, Art Weiner and Charlie Justice, through one of those quirks of fate that often happens in the world of sports, found themselves together on the practice field in Chapel Hill.  Both had played service football during World War II—Weiner in the Marines and Justice in the Navy.  Both had played in Hawaii.  Immediately they became friends, on and off the playing field.  It was on the field where they made headlines.

Charlie Justice and Art Weiner, 1949

Charlie Justice and Art Weiner, 1949.

The first game of the golden era of Carolina football came against Virginia Tech (called VPI in those days) on September 28, 1946.  On the second UNC series of that game, Weiner caught a 9-yard touchdown pass from Bill Maceyko.  It was Weiner’s first college play.  He went on to score three more times in ’46 despite several injuries.  In 1947 Weiner caught 19 passes for 396 yards, but it was 1948 when he was selected to Grantland Rice’s All America team.

When UNC alums, fans, and friends get together, they often look back at great Carolina wins.  Two games from 1948 almost always come up: the Texas game and the Duke game.  When Texas came to town on September 25th, Weiner had a touchdown on Carolina’s third play from scrimmage, and the Heels went on to win 34 to 7.  In the Duke game, 44,500 fans—in perfect Kenan Stadium weather—saw Weiner catch two touchdown passes: one for 13 yards from Justice, and another for 26 yards from fullback Hosea Rodgers.  It was Justice’s 43-yard touchdown run in the third quarter, however, that made all the headlines.

In addition to the Duke game that he described at the Justice roast, the 1949 season saw Weiner play a great game against NC State and have a fantastic day against the University of Georgia in Chapel Hill catching six passes—two for touchdowns.  He was selected lineman of the week by the Associated Press.  Head Coach Wally Butts, the Hall of Fame Bulldog main man, in an interview following Carolina’s win, said, “Art Weiner is the greatest pass catching end I’ve ever seen.”

Art Weiner catching pass versus Georgia.

UNC left end Art Weiner catches pass during game against Georgia at Kenan Stadium, September 27, 1947. UNC tailback Charlie Justice (left) looks on from a distance while Georgia's Dan Edwards (#55) watches from a few yards away.

Justice talked at length about his friend and teammate in the locker room following the ’49 Georgia game.  “Boy, that Art was terrific today.  Did you see him fake that safety man on the first touchdown?  I almost had to laugh when I threw the ball.  And that last (winning) touchdown?  Why, that was a run which would ordinarily take both a halfback and a fullback to make.  The guy’s terrific.”

Charlie Justice and Art Weiner in locker room

Charlie Justice and Art Weiner shake hands in a locker room after a 1949 UNC football game (negative P0081 6.2.1-1-279, cropped).

Orville Campbell, writing in The Carolina Gridiron magazine, compared Weiner to another great Carolina end, Andy Bershak.  Against NC State, Weiner had seven catches which prompted State Head Coach Beattie Feathers to conclude,  “I’m thankful that I’ll never have to set up another defense to try and stop Weiner and Justice.  They’re uncanny.”

Art Weiner (#50) with ball; NC State Full Back Paul Bruno (#32).

Art Weiner with ball eluding North Carolina State fullback Paul Bruno, 24 September 1949.

When the 1949 season ended, Weiner had 52 catches to lead the nation in receptions.  He was again selected to All America teams and was a unanimous choice for the first annual Senior Bowl game played in Jacksonville’s Gator Bowl on January 7, 1950, where he caught eight passes for 139 yards and was lineman of the game.

Art WeinerIt was not surprising when Weiner was the first round NFL draft pick on January 20, 1950 of the New York Yankees.  (Yes, there was a New York Yankees pro football team in 1950.)  During the ’50 season, he caught 35 passes for 722 yards and 6 touchdowns.  His pro career, however, was cut short by a knee injury.  He coached briefly at Kings Mountain High School, and then joined Burlington Industries as a vice president for manufacturing services where he remained for 23 years.

Although they went their separate ways following their time at UNC, Weiner and Justice remained steadfast friends through the years.  The 1946-49 era UNC players held reunions from time to time, and Weiner and Justice were always there leading the cheers.  There were celebrity golf tournaments . . . there was even a UNC football alumni basketball team called the Carolina Clowns.

When the North Carolina Sports Hall of Fame inducted Weiner in 1974, Justice was at the ceremony cheering for his friend.  In June 1981 Art Weiner Travel, Inc. of Greensboro established a branch office in Greenville that was jointly owned by Charlie Justice.  In December 1992 when the National Football Foundation College Football Hall of Fame inducted Art Weiner, Charlie Justice was there in Art’s shadow.  Charlie Justice and Art Weiner made their final appearance together on the field at Kenan Stadium on November 16, 2001 at the Justice Era Reunion.  It would be Charlie’s final visit to Chapel Hill.

Meanwhile . . . back at the roast . . . Weiner asked the question:

Did you ever wonder why there are so many fantastic Hugh Morton action pictures of Charlie Justice?  Well, Hugh Morton was a world class, fantastic photographer, but there is another reason.  We had one member on our team who never touched the ball . . . never made a tackle . . . never threw a block.  His only purpose in life was to let Charlie Justice know where Hugh Morton was on the sidelines.

The young man did a good job.  There are dozens of Justice (and Weiner) action shots—not all of which are online—in the Hugh Morton collection at Wilson Library on the UNC campus.

Here’s a postscript for UNC trivia fans: What year did Charlie Justice complete his final pass to Art Weiner on the field at Kenan Stadium?

22 Years Before Jamestown . . . 35 Before Plymouth Rock

  • This year, 2012, marks two important anniversaries: it’s the 425th anniversary of the birth of Virginia Dare, the first child of English parentage born in America; and it’s the 75th anniversary season of The Lost Colony, America’s first outdoor symphonic drama.
  • Last night, July 3, 2012, at Waterside Theatre—home of The Lost Colony on Roanoke Island—there was what is called in theatrical language a “standard theater” . . . one minute of silence while all theater lights were dark . . . to pay tribute on the passing of Andy Griffith, who performed there in the play during the late 1940s and early 1950s.
  • Tonight, July 4, 2012, will mark the 75th anniversary of the first performance of The Lost Colony.

Morton collection volunteer Jack Hilliard takes a look back at the beginnings of Paul Green’s masterpiece and how the players, staff, and crews have dealt with fire and storm.

Actress portraying Queen Elizabeth from "The Lost Colony" outdoor drama, posing in the empty Waterside Theater on Roanoke Island, NC.

“. . . had there been no Roanoke Island, and Fort Raleigh, it is doubtful if there would have been a Jamestown (in 1607) or a Plymouth Rock (in 1620).”

— Lindsay C. Warren, United States Representative from North Carolina, in a speech before the first performance of The Lost Colony on July 4, 1937

The Lost Colony, Paul Green’s outdoor symphonic drama tells the story of 117 men, women, and children who attempted to establish the first English settlement in America, only to meet a strange and mysterious fate.  On July 4th, 1937, the initial performance of The Lost Colony took stage in Waterside Theatre on the northeast shore of Roanoke Island.  Sam Selden, friend and co-worker with Paul Green at UNC, staged and directed the performance.

Just before that performance, North Carolina Representative Lindsay C. Warren spoke briefly.  Expressing gratification that the first settlement here was “by a race ardently attached to freedom and personal liberty and trained to the usages and customs of the realm of England.”  Representative Warren asserted that “so long as the liberties of the people are cherished and protected, then so long will civilization exist.”

On August 18, 1937, the production celebrated the 350th anniversary of Virginia Dare’s birth on August 18, 1587.  The featured guest that evening was President Franklin D. Roosevelt.  Traveling down the sound in a coast guard cutter from Elizabeth City, the president’s party headed to Fort Raleigh where he was introduced by North Carolina Governor Clyde R. Hoey as “the first citizen of the republic, the colossal figure of the century, the President of the United States.”

In his 3:30 speech before 20,000 people, the President declared, “We do not know the fate of Virginia Dare or the First Colony.  We do know, however, that the story of America is largely a record of that spirit of adventure. . .  These people who landed on your island had courage to do what their countrymen had not done before.  Our heritage is the fruition of their brave endeavor.”  Roosevelt returned at 7:30 for the evening’s performance.

The 1937 production was scheduled to run for only one season, but public response was so enthusiastic that it was decided to repeat the show the following summer.  New York Times drama critic Brooks Atkinson reviewed the production on August 15, 1937 and said, “The Lost Colony has made an extraordinarily versatile use of spectacle, sound, pantomime and cadenced speech . . . .”

Critical acclaim continued, as did the show.

At the opening performance of the third summer season, in 1939, special guest Mrs. Eleanor Roosevelt was greeted by a huge audience.

Writing in the July 10, 1939, issue of Time magazine, Louis Kronenberger praised both The Lost Colony and Roanoke Island.  Said Kronenberger, “An elaborate spectacle . . . Paul Green wrote no glib anniversary pageant . . . with great sincerity, he infused into the drama of his lost colonists his own dream of democracy.”

When the “curtain came down” on season number five on September 1st, 1941, no one knew that in 97 days the world would change drastically.  On December 7, 1941, the attack at Pearl Harbor would bring to a close The Lost Colony . . . at least temporarily.  The lights would remain “out” on Roanoke Island until June 30, 1946 when once again The Lost Colony would be performed on the North Carolina coast.

"The Lost Colony" outdoor drama with Andy Griffith (upper right) as Sir Walter Raleigh, reenacting scene with Queen Elizabeth I (seated, played by Lillian Prince. Eleanor Dare (dressed in white in front of Griffith) is played by Barbara Edwards Griffith (wife of Andy Griffith at the time), circa 1949-1953..

It was late afternoon on June 24, 1947, when fire destroyed Waterside Theatre and The Lost Colony props.  Irene Rains, longtime costumer, saved the costumes when she tossed them into Shallowbag Bay.  Another hero from the ’47 fire was Albert Q. “Skipper” Bell, the designer and builder of the theater.  Bell’s pledge: “Give me some lumber and some men and I will rebuild the theater in four or five days.”  It took six days and the show went on.  One of Bell’s helpers on that construction job was a young man from Mount Airy who had just joined the cast as a soldier.  Two years later, he would take over the role of Sir Walter Raleigh and would play that part through the 1953 season.  He went by the name of Andrew Griffith.

Andy wasn’t the only famous person to grace the stage at Waterside Theatre.
In the late 1940s and early 1950s, band leader Kay Kyser and Emma Neal Morrison, the drama’s most devoted patron came up with the idea of “Celebrity Night” in order to bolster attendance. It was simply putting names in the news as players in the show.  Some of the folks who participated were novelist and movie writer James Street, radio personality Kay Kyser and his wife actress Georgia Carroll, undersecretary of state James Webb, authors William Coxe, Jonathan Daniels, Foster Fitzsimmons, and Betty Smith.  UNC football great Charlie Justice, football coaches Carl Snavely from Carolina and Wallace Wade from Duke, Miss North Carolina 1951 Lu Long Ogburn and Miss America 1952 Kay Hutchins all were given a part in the show.  “Celebrity Night was a huge success.

The Lost Colony faced another challenge on the night of September 11, 1960.  Category 3 Hurricane Donna came ashore just inside the Outer Banks region, making landfall at Cape Fear.  Sustained winds of 115 miles per hour brought destruction to Waterside Theatre, but islanders would not allow their pageant to be blown away.  They again rebuilt the theater and the show went on.  Dedication of the new two-thousand-seat theater on July 14, 1962 also marked the celebration of the 375th anniversary of Virginia Dare’s birth and the 25th anniversary of the drama.  A 25th anniversary greeting came from Eleanor Roosevelt:  “Congratulation on the 25th anniversary of the presentation of The Lost Colony.  I remember how much we enjoyed it.”

Performer in Native American dress dancing in "The Lost Colony."

Performer in Native American dress dancing in "The Lost Colony" outdoor drama, Roanoke Island, North Carolina, circa late 1940s or 1950s.

In 1964, Joe Layton, famous choreographer, began as the new director, charged to reshape the play.  Remaining true to Paul Green’s original script, Layton had a new vision for the drama, and was able to bring high tech lighting and staging techniques.

On June 12th, 1987, The Lost Colony began a celebration of its 50th anniversary season.  A congratulatory note from President Reagan thanked all who had a hand in making it America’s longest-lasting outdoor drama.

There was yet another challenge for The Lost Colony in the early morning hours of September 11, 2007, when fire destroyed a maintenance shed and the costume shop with 80% of the show costumes.  Ironically, the costume shop was named for Irene Rains, the lady who saved the costumes in the 1947 fire.  At first it was thought that Andy Griffith’s sword from his days as Sir Walter Raleigh was lost, but the day after the fire Andy called production designer William Ivey Long and said he had the sword and would bring it out of retirement.  As before, The Lost Colony recovered from the 2007 fire, rebuilding the building and replacing the costumes in time for opening night on May 30, 2008.

As we celebrate the 75th anniversary season of the grandfather of symphonic American outdoor drama, the future is bright—although ever changing with new talent and improved technical achievements.