Note from Elizabeth: Five years ago today, Johnpaul Harris’ sculpture of UNC football legend Charlie “Choo Choo” Justice was unveiled at the west entrance to Kenan Stadium. Not only was our volunteer Jack Hilliard there, he was involved (along with Hugh Morton) in the creation of the statue. Jack shares some of his recollections in this post.

The voice on the phone was familiar. “Hello Jack, this is your friend Hugh Morton.” He was answering my request for photographic help with one of my projects. The conversation lasted about 10 minutes but as we began to wrap it up Hugh said: “I’m going to be dong something next Tuesday that you might be interested in. I’m going to take a group of Justice-era players over to Johnpaul Harris’ studio in Asheboro to check out his progress on the Justice statue. Would you like to join us?” It took me about 1/100 of a nanosecond to make up my mind. We were all to meet at the McDonald’s on Highway 64 in Asheboro at 10 on Tuesday morning June 1, 2004. “We’ll caravan over to the studio . . . I can take you there, but couldn’t begin to tell you how to get there,” he said.

When I walked into the restaurant on Tuesday morning it was like a gathering of my boyhood heroes . . . Rizzo, Neikirk, Morton, Pupa, and Cox.  A few moments later Weiner joined the group. Boyhood heroes indeed, but the thing is, I never outgrew that . . . these guys are still my heroes.

The 10 mile drive to Harris’ studio took about 15 minutes — Highway 64 to 49 and back into rural Randolph County. Johnpaul and Ginger Harris’ home/studio is unique. (It was once described in a magazine article as a cross between “Swiss Family Robinson” and “Sanford and Son”). We were greeted and taken in to view the 8 foot 6 inch clay model. All of the Justice-era players made comments and Harris took lots of notes. Then Morton took out his camera and began taking pictures. When all of the players’ pictures had been taken, he turned to me and said, “OK, Jack, let’s get one of you.” It was like that Walter Cronkite – Ted Baxter scene from the Mary Tyler Moore Show when Cronkite tells Baxter, “you can call me Walter.” I wasn’t dressed properly for a picture, but I wasn’t about to miss the opportunity to have a my very own personal “Photo by Hugh Morton.” When that photo arrived in the mail a couple of days later, it was placed in a very special scrapbook to be treasured forever.

Over the next five months I made several trips back to the studio to watch a master at work, and in the process Johnpaul and Ginger became great friends. In early September a statue dedication date was finalized.

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Sometimes you have to make exceptions. A little more than a year ago, I was contacted by the designers assigned to decorate the interior of the then-under construction (and now newly opened) NC Cancer Hospital. They were seeking Hugh Morton photographs of the North Carolina landscape to be made into very large panels for public areas of the hospital. This was a great opportunity to place some of Hugh Morton’s photographs in highly visible locations within a prominent and important facility, and to assist our sister institution. The problem was, a little more than year ago, we were a little less than knowledgeable about what photographs were where in the collection. (That is one of the reasons the collection was closed to researchers until very recently). What to do?

We made an exception. I explained the status of the collection and its limited access at that point, but also asked the designer to go through Morton’s published books for images that we could try to find or approximate. Once they compiled that list, I turned it over to Elizabeth, who combed through photographs she could access to find suitable images. The design firm made their selections, Elizabeth turned over the material to the Carolina Digital Library and Archives scanning technician, and then we waited a year to see the results.

Earlier this month, Elizabeth and I had the opportunity to tour the building and see the installations. To say it is a beautiful building is not saying enough, and Morton’s photographs are wonderful splashes of color and place that contribute to the overall atmosphere inside.

The photographs you see here illustrate a few of those installations. In the photograph above, Elizabeth stands next to a very long panoramic composite mural that repeats slices of several Morton images. Below is the lobby and information desk inside the main entrance (featuring a Morton mountain panorama).

Here’s a couple of installations behind reception desks.  Sorry . . . the hospital is designed to let in lots of the outside light and views, so it was impossible to photograph during the day without getting reflections!

Shown above with her back to the camera is our tour guide Ellen de Graffenreid, Director of Communications & Marketing for the UNC Lineberger Comprehensive Cancer Center. (Thank you, Ellen!)

If this next image isn’t too tiny on your computer screen, you can play “Where’s Elizabeth?”!

It was particularly satisfying to tour this impressive facility and see how Hugh Morton’s photographs add to the overall aesthetic of the building, especially since he was a victim of cancer himself.

Note from Elizabeth: Today is University Day here at UNC-Chapel Hill, the oldest state university in the country. To help us celebrate, volunteer Jack Hilliard remembers some University Days past. (Further recollections of the Kennedy event and the full text of his speech can be found on the fabulous Chapel Hill Memories blog).

The TV viewing room on the first floor of Teague Dorm at UNC was small, but a dozen or so of us crowded our way inside. We had come to watch a speech by President John F. Kennedy, one that would be extremely important to several of us who were scheduled to graduate in less than six months. It was October 22, 1962, and we were being “recruited” by the big four — not Carolina, Duke  State, and Wake, but the other big four — Army, Navy, Air Force, and Marines. As I sat waiting for the address, my mind wandered back to one year and 10 days before, when I sat waiting for this same President to speak.

October 12, 1961 was a beautiful fall day in Chapel Hill. About 32,000 of us had gathered in Kenan Stadium to observe University Day 1961 — the University’s 168th birthday. The highlight of the morning was an address by President John Kennedy, scheduled for 11 AM. Thirty minutes before the President arrived, the official 40-person White House Press Corp arrived and joined the local media in scrambling for good viewing positions. Among those scramblers was a man who had covered University events for more than 20 years — Hugh Morton.

At 11:05 AM, President Kennedy’s caravan arrived at the west end of the stadium, having completed a journey down Highway 54, which had been closed and well guarded by 50 North Carolina Highway Patrolmen. The President, with Governor Terry Sanford at his side, rode in an open top limousine. At 11:12, the academic procession, led by Faculty Marshal John Coriden Lyons, started toward the east end of Kenan Stadium. Greensboro Record staff writer Charlie Hamilton described what he saw:

“A warm sun whose heat was cooled intermittently by soft breezes, beat down upon the scene, as the President, in cap and gown and flanked by state, national, and university officials, made his way beneath the west goal post and down the gridiron to the speaker’s rostrum.”

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Though September 9 was the official 100-year anniversary of the first class offered by the School of Journalism and Mass Communication at UNC-Chapel Hill, celebrations and events continue to mark this milestone for one of the country’s best-regarded journalism programs. One such event is an exhibit currently on display here in Wilson Library’s North Carolina Collection Gallery, Consecrated to the Common Good, which features the above photo of Hugh Morton (as well as other notable alumni including W. Horace Carter).

Morton’s legacy is alive and well at the J-School thanks to the Hugh Morton Distinguished Professorship established by his wife Julia to help the school recruit or retain an outstanding educator and provide scholarly, research or instructional support for that person. Julia Morton is quoted in an article on the Carolina Development website as saying:

“My main purpose for establishing this professorship is because there really is no other ‘watchdog’ standing between the citizens of North Carolina and Raleigh and Washington, so it’s important that today’s journalism students know how to ask the hard questions,” Julia Morton said. “What’s more, I can think of no better way to honor Hugh than to enable others to experience and appreciate what he held dear—Grandfather Mountain, the state of North Carolina and the UNC experience.”

We hope you can join us in the Gallery next Thursday, October 15 at 5pm for a reception and exhibit viewing, to be followed by a lecture by Tom Bowers, J-School professor emeritus and author of Making News: One Hundred Years of Journalism & Mass Communication at Carolina.

Note from Elizabeth: This post was written by volunteer Jack Hilliard as a tribute to Kenan Stadium in honor of its recent facelift. For a great related article about Hugh Morton and Charlie Justice, check out this column by Lee Pace on TarHeelBlue.com.

What two things do each of the following have in common: opera star Norman Cordon, Hollywood actress Georgia Carroll, CBS News correspondent Charles Kuralt, UNC Football Great Charlie “Choo Choo” Justice, actor-comedian Andy Griffith, Rev. Billy Graham, Presidents John F. Kennedy and Bill Clinton, Rameses VI, NC Governors Terry Sanford and J. Melville Broughton, Hall of Fame football coaches Carl Snavely and Jim Tatum from UNC and Wallace Wade from Duke, musician Arthur Smith, and Massachusetts Senator Edward M. Kennedy?

Need a clue?  There is a UNC-Chapel Hill connection . . . Each appeared and/or performed in Kenan Memorial Stadium, and Hugh Morton photographed them in that majestic venue.

The 1966 UNC Football Media Guide called Kenan “A Southern Showplace.” Built in 1927 for $375,000 on the outskirts of the campus, the arena now sits nearer center campus following 82 years of campus growth. Over those years, it has been the stage for July 4th fireworks displays, concerts featuring Bruce Springsteen; Blood, Sweat and Tears; Grand Funk Railroad; Joe Cocker; and Chapel Hill favorite James Taylor. In mid-May, UNC graduation ceremonies are held in the stadium with speakers like Bill Cosby, Madeleine Albright, and Desmond Tutu.

The Stadium has played host to high school marching band competitions (see above), campus beauty contests, homecoming and reunion celebrations, and two U.S. Presidents (John Kennedy in 1961, and Bill Clinton in 1993). During World War II (when the entire campus welcomed the Navy Pre-Flight School), the Stadium was the home for military graduation parades. A memorial was held in the Stadium for FDR in April, 1945 and for JFK in May, 1964. Around that same time, a popular campus rumor was that the Stadium might need to be used for Dr. Robert B. House’s Classics 31 class and Dr. J. Primrose Harland’s Archeology 85 because they were so large!

But, most people think of Kenan Stadium as a football arena. It is indeed that — the home of the North Carolina Tar Heels.
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A few weeks ago, Elizabeth pointed out a few unidentified jazz photographs and asked me if I could write up a post on them to see who they might be. One photograph, seen here, ended up being easily identified: it is big band leader Tony Pastor (1907-1969), “The Man Who Pastorized Swing.”

The background was the giveaway. On the upper left are the bottom of the numbers “941,” and on the right are an “R” and the rounded edge of another letter. A quick check through the UNC yearbook Yackety Yack revealed the bands who played at UNC dances for that year. That tidbit and some name “Googling” matched the face in the Morton photograph with the face of Pastor in other portraits on the Web for the easy ID.

Pastor’s band was the headline act for the Spring 1941 Junior and Senior dances on Friday and Saturday, 16-17 May 1941. Pastor’s troupe performed four dance sets, and the 5:00-5:25 dance was broadcast “coast-to-coast” over the NBC radio network via WPTF in Raleigh. As far as we can tell, this is the only surviving negative of Pastor’s performances at Chapel Hill. Pastor also performed three gigs at the Carolina Theater in Durham that Thursday at 3:00, 7:00, and 9:30. The tickets for the matinee shows were 28 cents, while the evening show cost 44 cents.

The drummer in the background of Morton’s photograph is either Johnny Morris or Morrison (I’ve see both in print but I think it’s Morris). One of Pastor’s signature tunes was “Paradiddle Joe,” which featured the drummer. YouTube has a  version with Henry “Riggs” Guidotti on the kit. Not pictured is Eugenie Baird, who joined Pastor’s band just two weeks before coming to Durham and Chapel Hill.

How did the students rate Pastor? Well, the Daily Tar Heel wrote a review on 1 June 1941 of the bands who came to campus for dances. They decided that Pastor, “even to those addicted to Paradiddle Joe and Let’s Do It, was disappointing. By Saturday night his blasting, commercial arrangements were grating on everybody near enough to the bandstand to hear him.”

This Saturday night, the #1 seeded UNC Men’s Tar Heels face the #3 Villanova Wildcats in the NCAA Tournament Final Four. I imagine here in Chapel Hill more than a few TVs and radios will be tuned to the 8:47 p.m. live broadcast.

While we wait for the outcome to unfold in Detroit, perhaps instead of imagining every possible permutation of player match-up, we should explore the historical, photo-documented precedents of Saturday’s game.
In the Morton collection two (and maybe more — I haven’t yet seen any photographs from the 1991 or 2005 tournament games) significant meetings of UNC and Villanova are captured. Both were in the regional semi-finals (Elite 8): one in 1982, the other in 1985.

There is much talk in the sports media about how Villanova is reaching the Final Four for the first time since 1985, and how they arrived in that year only after defeating North Carolina 56-44 in Birmingham. It was a disappointing and unexpected loss for the Tar Heels, and the hangdog expression of forward Dave Popson, sitting in the locker room after the game, gives every indication of this.

The one benefit of that ‘85 UNC loss was that it created a notable NCAA tournament “Cinderella Story,”  due in part to charismatic Villanova head coach Rollie Massimino, who took the #8 ranked Wildcats to the championship with the ingenious idea that a team had to “play to win instead of playing not to lose.” Here is a Morton picture in which some of that charisma is on display:

This picture is not from the 1985 game, but instead dates from around 1987. We know this because Jay Wright, the assistant coach of Villanova beginning in 1987, can be seen at the right of the frame holding a clipboard. If you watch tomorrow, you might be surprised by how little now-Head Coach Jay (Robot?) Wright has aged in those two decades.

Let’s forget about this 1985 loss, however, and focus on the general pattern which still shines favor on UNC, as their overall tournament record against Villanova is 3-1. Here’s an inspiring picture from one of these three wins:

With Michael Jordan, James Worthy and other standout players on the 1981-1982 team, UNC was difficult to overcome, and they of course ended up winning the tournament (the 70-60 Regional semi-final victory over Villanova was just a step along the way). The jubliation in the face of Jim Braddock is unmistakable, as is the strand of net hanging out of James Worthy’s mouth.

I imagine the Carolina coaches and players will be too busy practicing drills and eating healthy, vitamin-rich meals to read this blog entry, but I hope for all the Heels fans out there that this post provides some inspiration for your cheering and well-wishing tomorrow night.

In honor of Black History Month, I’m highlighting an important figure in ACC athletics history: Charles Scott, who in 1966 became the first black scholarship athlete at UNC-Chapel Hill. While he was NOT the first black player in the ACC, as is sometimes reported (including in Hugh Morton’s North Carolina on page 172),  Scott had a huge impact as the Conference’s first well-known, charismatic, and all-around great African-American player.

Scott had an exceptional career at UNC, leading his team to ACC Championships and two consecutive final four appearances. He played on the 1968 Olympic Team, and after graduation had a decade-long professional run — first with the now-defunct ABA, then with several NBA teams including the Celtics and the Lakers.

But as a 2001 interview in the Chapel Hill News reveals, it was not all triumph and accolades for Scott, especially during his UNC years. The late 1960s were highly tumultuous times, and breaking the color barrier proved to be solitary work. Scott says:

At that time, no matter how comfortable I felt with my teammates, they still had to deal with the fact that they never had been around black people, either. I still couldn’t go anywhere with their friends because their friends were still brought up in a South that was very separate…There was a lot of loneliness on my part and a lot of times I questioned myself why I was here.

When the highly deserving Scott was passed over in his junior AND senior years for ACC Player of the Year in favor of a white player, many blamed persistent racism.

Legendary coach Dean Smith played a big part in easing Scott’s UNC experience, as described in detail in an ESPN column by Richard Lapchick and in Barry Jacobs’ 2008 book Across the Line. Hugh Morton reports (on page 193 of HM’s NC) that when Scott spoke at the ceremony honoring Smith with the UNC System’s University Award, he said, “When they introduce Coach Smith’s family, why don’t they mention my name? My father died when I was twelve years old, and Dean Smith is the only father I ever had.”

Morton shot Charlie Scott both on and off the court, such as when he paid Scott a visit in Los Angeles in 1986 (when the portrait at the beginning of this post was taken). These photos are powerful and lasting documents of one of the great pioneers in sports history.

Note from Elizabeth: This post was written by someone whose name will be familiar to readers of this blog: our knowledgeable commenter Jack Hilliard. Hilliard is a North Carolina native, UNC-CH alumni (1963) and retired television producer/director (primarily for WFMY-TV in Greensboro). Hilliard got to know Hugh Morton through legendary UNC footballer Charlie Justice, and they worked closely together on the 2004 campaign for the Justice statue that stands in front of UNC’s Kenan Football Center. Hilliard now works as a volunteer for UNC Libraries, helping us identify Morton football images from the Justice era.

Butch Davis and his 2008 Tar Heels are headed to the Meineke Car Care Bowl in Charlotte on December 27.  It will mark Carolina’s first bowl appearance since 2004, and will be their overall 26th. Hugh Morton covered several of those games over the years.

UNC’s first bowl game was the 13th Annual Sugar Bowl Classic (link to archival film of game) in foggy New Orleans on January 1, 1947.  That game was billed as the “Battle of the Charlies.”  Leading Coach Carl Snavely’s Tar Heels was freshman sensation Charlie “Choo Choo” Justice, and leading Coach Wally Butts’ Georgia Bulldogs was senior All America Charley Trippi. The Bulldogs were unbeaten, untied and ranked number three in the country.  Carolina was 8-1-1 and ranked number nine. The game lived up to its advance billing.  Carolina led 7-0 at the half, but Georgia came from behind twice in the second half to take the game 20-10.

The game was not without controversy. Two second half calls (or really one no-call and one call) went against the Tar Heels. An interception-lateral play was allowed to stand and put Georgia into scoring position and a Carolina interference call nullified a Tar Heel touchdown. (The interception-lateral play would be reviewed today, but since there was no replay in 1947, the call stood). When the 16mm film was developed and shown the next week, both plays were shown to be questionable — too late to help the Heels.

When the game ended, 75,000 fans stood and cheered both teams as the two Charlies shook hands at mid-field. That friendship would continue as both Justice and Trippi would meet as opponents seven times during their NFL careers between 1950 and 1954 — Justice with the Washington Redskins and Trippi with the old Chicago Cardinals. (Ironically, Justice’s first and last games as a professional, on 10/22/50 and 12/12/54, would come against Trippi and the Cardinals).

At 11:30 AM on Tuesday, December 31, 1996, a 20-car Norfolk Southern train pulled out of the station in Greensboro (the same way it had done on December 27, 1946) headed for New Orleans and this time for the 63rd Annual Sugar Bowl.  90 UNC players, managers, wives and special guests of the 1947 Sugar Bowl team would meet up with about 40 members of the ‘47 Georgia  Sugar Bowl team. . . including the two Charlies.  Justice, Trippi, and Carolina’s 1946 Co-Captain Ralph Strayhorn took part in a pre-game 50-yard-line ceremony at the Louisiana Superdome on January 2, 1997.

The outcome of the 1947 Sugar Bowl was settled a long time ago, but for one final time, Justice and Trippi would replay that game played 50 years before and add their own “what ifs.”  The reunion trip was truly “A Time Remembered and a Sentimental Journey,” and of course, Hugh Morton was there with his camera.

– Jack Hilliard

Tonight the University of North Carolina Tar Heel men play a game of basketball against UC-Santa Barbara.

My image scanning and processing this month has consisted of mostly basketball photographs,  and  according to a rough estimation they outnumber the usual celluloid suspects — bears, battleships, and pageant queens — by a significant margin. Therefore I have many pictures to choose from, and I feel slightly overwhelmed by all the options, all of which are excellent.

Thanks to a long tradition of basketball movies, I have been given the impression that basketball is about more than slam dunks and court-side gesticulations. Hugh Morton’s photos do not dispel this perception: in the collection there are a host of photographs from locker rooms, press conferences, dinner parties, and airplanes.

Here is an optimistic photograph, to begin with: a very backstage shot of a very sleepy men’s basketball team returning home on an airplane after their 1982 NCAA championship victory in New Orleans. (Note the young Michael Jordan two rows back on the left, and that looks like James Worthy in the front right, cuddling with his pillow).

Here is another off-court shot, of a very despondent, soda-drinking player in the locker room. The man, presumably a coach, assistant coach, or general father figure, is trying to encourage him in vain.

Moving on in the basketball summary, here is a highlight from the collection of on-court photographs. After seeing this, I wonder if maybe basketball really is just about slam dunks.

Carolina, in a game against Duke, is trailing slightly (36-42 according to the scoreboard), but I wonder, did this momentous dunk-in-progress by Michael Jordan change things? Was this one of the seminal Carolina-Duke match-ups, or merely another entry in the tally of this legendary rivalry?

My idea on this photo is that, because it was taken in the Greensboro Coliseum, it might be from the ACC tournament on March 10, 1984. If so, then Duke ended up winning, 75 to 77. But I can never be sure, as the photos I process often come to me in the form of loose, undated and unlabeled film negatives, and I have no context for the picture aside from embedded details (nametags and calendars are always welcome!). Can anyone help me identify the particular game?

To close, I have a photo from Hugh’s grandson Jack Morton, who has apparently inherited his Tar Heel photographer’s pass, and is documenting the exploits of current UNC basketballers. More of Jack’s photos from the Nov. 15 Carolina-Penn season opener can be viewed here. It is pretty neat to see the family continuity, isn’t it?