Photo of the Week: Cedric Chatterley’s Portraits

A couple of weeks ago I had the opportunity to view a remarkable exhibit of photographs made by Cedric Chatterley and the images have not left my mind.  A few of the photographs came from the Barbara Lau and Cedric Chatterley Collection (#20025), a phenomenal collection of interviews, photographs, and manuscript materials documenting the lives and culture of South East Asian immigrants to North Carolina. Lau and Chatterley’s collaborative ethnographic work with their consultants from the Cambodian communities in North Carolina resulted in an incredibly rich and informative body of materials and we are honored to be the repository.  Details on the exhibit, on view until June 29 at the Durham Public Library follow below.   Have a great weekend.

North Carolina at Work: Cedric Chatterley’s Portraits and Landscapes of Traditional Labor

An exhibition organized by the North Carolina Folklife Institute:

On display April 29 —June 29, 2012

Location: Durham County Main Library (300 N Roxboro)

Free and Open to the public

Chatterley’s photographs depict North Carolinians at work and the landscapes that surround them. At-work images in their lived environment evokes a strong sense of place that many North Carolinians feel, and visitors expect to experience. This exhibition will foster conversations about the relationship between work, the environment/place, identity, and community.

Drawn from the NCFI archives, these images spring from projects undertaken by the Folklife Institute and the Folklife Program of the North Carolina Arts Council.

This exhibit is curated by Liz Lindsey, with curatorial assistance by students in the “Mount a Real Documentary Photography Exhibit” continuing studies class course at the Center for Documentary Studies at Duke University.  Co-sponsored by Durham County Library and the Center for Documentary Studies

http://www.durhamcountylibrary.org/

http://cds.aas.duke.edu/

Supported by the North Carolina Arts Council and the Mary Duke Biddle Foundation

http://www.ncarts.org/

http://www.marydukebiddlefoundation.org/

The North Carolina Folklife Institute is also supported by the National Endowment for the Arts. Its archive projects are supported in part by a grant from the Visual Resource Association Foundation.

http://www.arts.gov/

http://www.vrafoundation.org/

“Mount a Real Documentary Photography Exhibit” continuing studies course at the Center for Documentary Studies at Duke University, (April 7 —April 28, 2012)

Organized by the North Carolina Folklife Institute, supporting the People’s Arts since 1974 • http://www.ncfolk.org/

SFC Behind the Scenes: Tom Davenport revisits “A Singing Stream”

It has been a pleasure to have filmmaker and Folkstreams founder Tom Davenport working in the Southern Folklife Collection Ben Jones Film and Video Studio this week. Tom, along with the assistance of folklorist T. C. Owens, has been working through the original 16mm outtakes from the 1986 film, A Singing Stream. The entire documentary, which chronicles the lives of the Landis family of Granville, North Carolina, can be viewed at Folkstreams.net.

With interviews and stories, and scenes from daily life, reunions, gospel concerts, and church services, the film traces the history of the Landis family, highlighting the role of traditional acapella gospel singing in their relationships with each other and their community.  Particularly featured are performances by her sons’ gospel quartet The Golden Echoes.

Tom is looking at the original footage to see what scenes might be incorporated into a new film, tentatively titled Son of Singing Stream. Judging from his work here over the past three days, we can’t wait to see the results.

For more information about Tom Davenport’s films and A Singing Stream, see the following collections in the SFC:

Photo of the week: Matokie Slaughter

 

The end of UNC’s school year came up on us extremely fast. We are sad to see our student assistants, upon whom we depend to keep the SFC machine running smooth, graduate and go on to other things. We can’t thank them enough. Recently, one of these intrepid employees digitized a great number of photographs from the Alice Gerrrard Collection (#20006). The image above, a beautiful portrait of legendary old time banjo player Matokie Worrell Slaughter, came from a set of 35mm slides.

Originally from Pulaski, Virginia, Matokie Slaughter performed with her family on local radio during the 1940s and became a regular at fiddler’s conventions. She is featured on a number of recordings, including a band she formed with her sister, Virgie Richardson, and Alice Gerrard called the Back Creek Buddies.

The SFC holde many recordings of Slaughter in the form commercial releases, like the excellent 1978 County LP, Clawhammer Banjo, vol. 3, and field recordings from the Alice Gerrard and Paul Brown collections. Check back for another photo tomorrow.

Record of the week: Flatt & Scruggs with Doc Watson

We often have banjos on the mind here at the SFC and having recently pulled out some of  our favorite Earl Scruggs LPs we thought it might be nice to share a track.  Enjoy some “Jazzing” from the 1967 Columbia LP, Strictly Instrumental, call no. FC-18002. 

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More photos of the week: Lester Flatt and Earl Scruggs with the Foggy Mountain Boys

Life as a country musician has never been easy and Earl Scruggs spent grueling years on the road in the late 1940s pioneering the bluegrass sound with fellow road warriors Bill Monroe, Chubby Wise, Howard Watts, and Lester Flatt. After Flatt and Scruggs left the Blue Grass Boys in 1948, the popularity of Bluegrass music began to grow and through the resourceful management of Louise Certain, soon to be Louise Scruggs, the band secured the sponsorship of Martha White Flour and what was hopefully a more comfortable means of transportation. Still between radio performances, recording sessions, and live shows, the band often performed multiple times per day. The image below features The Foggy Mountain Boys on an unknown stage in the 1950s.

 

 

In Memory of Earl Scruggs

Artifacts–material, visual, and sonic–chronicling the remarkable life and work of Earl Scruggs emerge from practically every shelf in the Southern Folklife Collection. The roots of Scruggs’s influence on music of the 20th century run so deep that we have only just begun to trace the tangled scope of his legacy. We have a lot to share with you in the coming days, but for now, three remarkable photographs of Scruggs along with his musical partners Lester Flatt and their Foggy Mountain Boys performing at a bowling alley in Miami in 1969. These photographs were taken by photographer, musician, and music producer Jim Silvers.

SFC Photo of the Week: Mike Seeger and Elizabeth Cotten

Another image from the Mike from the Mike Seeger Collection, this time playing guitar with his dear friend, Chapel Hill’s beloved Libba Cotten, in 1978 or 1979.

Join us tonight, March 23, 2012, in Wilson Library on UNC’s campus for a discussion and concert in celebration of the life and work of musician, documentarian, and scholar Mike Seeger.

SFC Photo of the Week: Mike Seeger

We wanted to share a few photos from the Mike Seeger Collection in advance of the tribute concert and lecture on Friday, March 23. The image above, featuring Seeger recording William Bragg along with a group of interested students, was captured in Widen, West Virginia by Alice Gerrard in 1967.

Gerrard will perform at the tribute concert along with Ginny Hawker and Mike Seeger’s former band mates from the New Lost City Ramblers, John Cohen and Tracy Schwarz.

Music from the True Vine: A Tribute to Mike Seeger

The life of the late musician, documentarian, and scholar Mike Seeger will be celebrated with a tribute concert and lecture at the Wilson Special Collections Libraryon March 23, 2012.

Seeger, co-founder of the folk revival group the New Lost City Ramblers, died in 2009. He was a member of the famous Seeger folk family, along with musician siblings Pete and Peggy Seeger and their musicologist parents Charles and Ruth Crawford Seeger.

The 6:30 p.m. concert will feature musicians who performed with or were influenced by Seeger: John Cohen (a co-founder of the Ramblers), Alice GerrardGinny Hawker, andTracy Schwarz.

Prior to the concert, historian and author Bill C. Malone will give a 5:30 p.m. lecture on his new biography, Music from the True VineMike SeegerLife & Musical Journey (UNC Press, 2011). At 6 p.m., Malone will moderate a panel discussion with the concert performers.

Malone, an emeritus professor of history at Tulane University, is known for his studies of Southern folk and country music. Music from the True Vine presents Seeger as a gatekeeper of American roots music and culture, showing why generations of musicians and fans of traditional music regard him as a mentor and an inspiration.

Seeger recorded almost forty albums and was nominated for six Grammy Awards, including three for solo work. He also interviewed and produced field recordings of traditional musicians. The National Endowment for the Arts honored him with a National Heritage Fellowshipin 2009.

The program is sponsored by the Southern Folklife Collection in Wilson Library, which holds the collected papers of Mike Seeger, as well as those of Gerrard and Malone. The Friends of the Library and UNC Press are program co-sponsors.

Books will be available for sale and signing, courtesy of the Bull’s Head Bookshop.

Please join us.
Friday, March 23, 2012
Wilson Special Collections Library, Pleasants Family Assembly Room
5:30 p.m. Lecture by Bill C. Malone
6 p.m. Panel discussion with Bill C. Malone, John Cohen, Alice Gerrard, Ginny Hawker, and Tracy Schwarz
6:30 p.m. Concert featuring John Cohen, Alice Gerrard, Ginny Hawker, and Tracy Schwarz
Free and open to the public
Information: Liza TerllFriends of the Library, (919) 548-1203