Category Archives: African American

Andrew Young oral history interview

Image of Andrew Young from Library of Congress (this public domain photograph is not part of the SHC's collections)

UNC’s Southern Oral History Program (SOHP) collects interviews with Southerners who have made significant contributions to a variety of fields and interviews that will render historically visible those whose experience is not reflected in traditional written sources. The Southern Historical Collection is the repository for oral histories collected by the SOHP.

The SOHP has digitized 500 interviews from the collection, through a project called Oral Histories of the American South. Periodically, “Southern Sources” will share links to audio of selected SOHP interviews.

Today, we are pleased to feature an SOHP interview with Andrew Young.  Andrew Young was the first African American congressman from Georgia since Reconstruction. First elected in 1972, Young was later appointed as ambassador to the United Nations by Jimmy Carter.

In this SOHP interview, Young discusses the nature of racial discrimination in the South and describes his involvement in voter registration drives. Throughout the interview, he draws comparisons between race relations within southern states and those between the North and South. According to Young, it was access to political power that ultimately altered the tides of racial prejudice in the South. He cites the passage of the Voting Rights Act of 1965 as a decisive turning point in race relations. For Young, it was the election of African Americans to positions of power that allowed African Americans to bring to fruition other advances they had made in education, business, and social standing.

Interview Menu (Description, Transcript, and Audio): Andrew Young interview menu (from the SOHP)

Link Directly to Audio File: audio of Andrew Young interview (from the SOHP)

This Day in History: Voting Rights Act signed into law

On this date, forty four years ago, President Lyndon B. Johnson signed into law the “National Voting Rights Act of 1965.”  The Act was intended to enforce the fifteenth amendment to the U.S. Constitution.  It did so by outlawing disfranchisement practices adopted in many southern states after the Civil War, including literacy tests. Amazingly, the 1965 Act was ratified some 95 years after the fifteenth amendment was signed into law.

[For those keeping score, here's the legislative history of the Voting Rights Act of 1965: The Act was sent to Congress by President Johnson on March 17, 1965. The Senate passed the bill on May 11 (after a successful cloture vote on March 23); the House passed it on July 10. After differences between the two bills were resolved in conference, the House passed the Conference Report on August 3, the Senate on August 4. President Johnson signed the Act on August 6, 1965.]

Manigault Plantation Journal

The SHC has several wonderful projects available online that provide samples or portions of our collections, including: online exhibits, digitized historical images, maps, bound volumes, and other interesting online content.   Today we wanted to share one such project with you.  It’s called the Manigault Plantation Journal.  It’s found by visiting the UNC Library homepage, then clicking on Digital Collections.  Or you can go directly there by visiting this link:

http://www.lib.unc.edu/dc/manigault/

The Manigault Plantation Journal, compiled by Louis Manigault between 1856 and 1879, includes information on plantation life, slaves and slavery, rice cultivation, market conditions, accounts, and other topics. Notes and memoranda kept by Charles Manigault regarding the plantations during the 1830s and 1840s were pasted into the journal. Pages of particular interest include:

  • A narrative of plantation life during the Civil War (pages 22-39)
  • A hand-drawn and colored illustration of Gowrie House (page 41)
  • A hand-drawn and colored illustration of the kitchen house at Gowrie Plantation (page 45)
  • A narrative of a post-Civil War visit to the plantations (pages 55-71)
  • A narrative of a trip to Scotland (pages 74-86)
  • A list of slaves, including their names and ages, who were sold at auction in Charleston, 13 January 1859 (page 140)
  • A photograph of “Dolly,” a runaway slave, and an accompanying description (page 179)

The image shown in this post is that photograph of “Dolly.”  The accompanying description and the offer of a $50.00 reward for her return are real and heartbreaking reminders of the cruelties of slavery.

The Manigault Plantation Journal is part of the Manigault Family Papers (#484).  An full inventory of the materials in this collection is available here.

The Photographs of Alexander Rivera

Harvey Beech (left) and J. Kenneth Lee

Harvey Beech (left) and J. Kenneth Lee

The image:  two young men stride through two large open doors.  Each man is carrying a packet of papers.  The men are smiling and seem confident.

I had seen this image many times before.  In fact, we have a print of this photograph in the SHC’s collection of J. Kenneth Lee Papers.  From our description of the photograph in the finding aid for the Lee Papers and from the other images that accompanied it in the collection, I knew that the photograph depicted the historic moment, on the morning of June 11, 1951, when Harvey Beech and J. Kenneth Lee entered South Building on UNC’s campus to complete their registration in the UNC School of Law, thereby becoming the first ever African American students to enroll at the University.

What I didn’t know, until this morning, was that this photograph was taken by Alexander M. Rivera Jr.  Thanks to a news release from the NC Department of Cultural Resources regarding the mounting of an exhibit featuring Rivera’s work at the Charlotte Hawkins Brown Museum in Sedalia, N.C., I now know the correct attribution for this image.

Alex Rivera was a nationally renowned and prominent photojournalist.  He also established the public relations office at North Carolina Central University, and served as the office’s first director.

Beech and Lee were both students at Central’s Law School who, through a lawsuit supported by the NAACP, were able to argue that their educational opportunities at Central were not equal to those that they would receive at Carolina.

So, it would follow that Rivera would have been present to document this moment as two of N.C. Central’s top law students transferred from Central to enroll as the first African American students at Carolina.

Last October, Alex Rivera passed away in Durham, N.C. at the age of 95.  His legacy lives on in the historic photographs that he captured during his amazing life.  Now, you have another chance to view some of these photographs. The exhibit, “Bearing Witness: Civil Rights Photographs of Alexander Rivera,” is on view the Charlotte Hawkins Brown Museum until August 15, 2009.

[One last note:  You can listen online to Harvey Beech speak about his experience at Carolina.]

Creator of the Month… The North Carolina Fund

[Each month we feature a "creator" or one of the SHC's manuscript collections. In archival terms, a creator is defined as an individual, group, or organization that is responsible for a collection's production, accumulation, or formation.]

The North Carolina Fund, an independent, non-profit, charitable corporation, sought and dispensed funds to fight poverty in North Carolina, 1963-1968. Governor Terry Sanford and other North Carolinians convinced the Ford Foundation to grant $7 million initial funding for a statewide anti- poverty effort aimed at rural and urban communities. This money–plus additional funding from the Z. Smith Reynolds Foundation; the Mary Reynolds Babcock Foundation; the U.S. Dept. of Labor; U.S. Dept. of Health, Education, and Welfare; U.S. Dept. of Housing and Urban Development; and the Office of Economic Opportunity–enabled the Fund to support a broad program of education, community action, manpower development, research and planning, and other efforts to fight poverty.

***

The Southern Historical Collection is proud to be the repository that preserves a giant collection (some 187,000 items) of the Funds records.  To read more about the North Carolina Fund and to learn about the collection of North Carolina Fund papers preserved in the Southern Historical Collection, please view the finding aid for the North Carolina Fund Records, 1962-1971.

***

Finally, we thought we’d note that a great deal of attention has been paid lately to the work of the North Carolina Fund and its volunteers.  Rightfully so!  In 2008, filmmaker Rebecca Cerese created the documentary “Change Comes Knocking: The Story of the NC Fund” to tell the history and legacy of the Fund.  It’s a really great film.  In fact, we’ll be hosting an event featuring Rebecca Cerese in the fall – check back soon for full details.

We also understand that a book is soon to be published by UNC Press on the history of the Fund.  The publishing of this book has been an integral part of a new UNC Press digital publishing venture called “Publishing the Long Civil Rights Movement.”  You can read all about the new book and learn more about the project here.

Diverse Communities Bus Tour of Historic Durham: Black Wall Street

The next stop on the Diverse Communities bus tour Jessica and I went on was Parrish Street, where several African American businesses originated and prospered in the early 20th century. Known as “Black Wall Street”, several African American operated enterprises started on Parrish Street, such as the North Carolina Mutual Life Insurance Company (founded in 1898) and Mechanics & Farmers Bank. (founded in 1908).

This vibrant and thriving area was unfortunately decimated – along with other businesses and communities – with the creation of Highway 147 along with numerous other factors. While this did not completely eradicate black enterprise in Durham – NC Mutual and M&F are still thriving – it did physically destroy a significant part of the black neighborhood and in turn, an important part of history.

Historic Marker on Parrish Street

Historic Marker on Parrish Street

Mr. Reginald Jones, who works with the Parrish Street Project, talked with us about seeking to revitalize the Parrish Street area. The goal is to commemorate the important legacy of Black Wall street while attracting new businesses to the area to encourage economic revitalization.

Echoing Jessica’s sentiments in an earlier post, it was interesting for the two of us as archivists to be involved in this conversation. We are generally concerned with the preservation of history. It’s important to think about Parrish Street’s heritage in the context of urban planning and development. The urban planning students asked compelling questions about working with the community in order when planning any sort of redevelopment or conceiving any project in a neighborhood. The importance of preserving and celebrating the cultural heritage of a particular area was not lost in the conversation of burgeoning neighborhood development.

The SHC has a number of collections that relate to black owned businesses on Parrish Street and throughout the South. One example is the William Jesse Kennedy Papers, who was the fifth president of NC Mutual Life Insurance.

NC Mutual Executives, ca. 1919 (William Jesse Kennedy Papers, #4925)

NC Mutual Executives, ca. 1919 (William Jesse Kennedy Papers, #4925)

Several other collections contain materials relating to Mechanics & Farmers Bank, such as the Floyd B. McKissick Papers and the Southern Oral History Program interview with Howard Lee, which describes his interactions with former M&FB president John Wheeler.

Additionally, there are numerous SOHP interviews with former employees of NC Mutual such as former president Asa Spaulding. (Note: There are three interviews with Mr. Spaulding in all).

Diverse Communities Bus Tour of Historic Durham: the Hayti Heritage Center

Holly inside St. Joseph's

Holly inside St. Joseph's

Recently Holly, my colleague here at the Southern Historical Collection, and I got the chance to tag along on a bus tour of Durham, N.C., with the Department of City and Regional Planning here at UNC-Chapel Hill. The tour focused on planning and development activities in several areas of downtown Durham, and how history and community influences, informs, and becomes an integral part of those activities. Holly and I were amazed at how visible history was at some of the places we visited, and were surprised at how connected our work and our collections at the SHC are to the work of these community organizers and city planners. We’d like to share a little bit about our trip, and connect some of the things we saw to materials we have here in the collection

Our first stop was at the Hayti Heritage Center, an African American cultural and educational center located in what was formerly the African American community of Hayti. The center, established in 1975, is based in the structure that was St. Joseph’s A.M.E. Church, a National Historic Landmark built in 1891. The space is now used to preserve the heritage of the neighborhood and the church, and holds programs aimed at “advancing cultural understanding and examining the experiences of Americans of African descent — locally, nationally and globally.”

Jessica inside the Hayti Heritage Center

Jessica inside the Hayti Heritage Center

At the center, we heard from J. C. “Skeepie” Scarborough, a funeral services director whose family and business have been a part of Hayti for generations. He described how unique Durham was for its thriving African American community in the early to mid-20th century, which boasted African American-owned businesses, a hosptial, a college, and an active music and cultural scene. He also discussed growing up in Hayti, what it was like during the Civil Rights movement, the role of the church in community organizing, and how the neighborhood was lost during “urban renewal” efforts in the 1960s, especially due to the construction of the Durham Freeway.

St. Joseph's A.M.E. Church programs, 1960 and 1962, with voter registration enclosure (from the William Jesse Kennedy Papers)

St. Joseph's A.M.E. Church programs, 1960 and 1962, with voter registration enclosure (from the William Jesse Kennedy Papers)

We are fortunate to have a number of collections related to Hayti here in the Southern, including:

William Jesse Kennedy Papers (finding aid)
White Rock Baptist Church Records (finding aid)
William A. Clement Papers (finding aid)

You can also listen to digitized oral histories about Hayti. For instance, Margaret Kennedy Goodwin talks about the close-knit African American community in Durham during the 1930s and 1940s, and the role of religion her her family’s life (listen to Margaret Kennedy Goodwin’s Oral History interview). Be sure to look for Holly’s upcoming post about our tour of Durham’s Parrish Street, also known as Black Wall Street.

The First Freedom Rides (2 of 2)

[A continuation from part 1 of a post about the 1947 Journey of Reconciliation]…

We include here a video that contains excerpts of audio from a 1974 oral history interview with Igal Roodenko, participant in the 1947 Journey of Reconciliation, from the collection of the Southern Oral History Program (SOHP) at UNC Chapel Hill. The SOHP’s oral histories are archived and preserved at the Southern Historical Collection. Several hundred of these oral histories have been digitized and are available online. To listen to the full interview with Igal Roodenko, please visit:

http://docsouth.unc.edu/sohp/B-0010/menu.html

This video also contains a montage of images, primarily taken from the holdings of the Southern Historical Collection. The SHC contains scattered documentation about the 1947 Journey of Reconciliation and about the life and work of Reverend Charles M. Jones, including (but not limited to):

  • Southern Oral History Program (finding aid for collection #4007): Including these digitized interviews B-0010; A-0035; B-0041; and others not yet digitized.

We are very proud to be the repository for these important primary source materials documenting this often-forgotten episode of Southern history.  However, we can’t help but notice that there are many missing pieces in the archival record that might tell the rest of the story.  Could it be that there really is only one photograph of the 1947 freedom riders?  What about documentation of the cab drivers and others who opposed the riders?  We still have our work cut out for us.