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Collection Overview
| Size | 9.0 feet of linear shelf space (approximately 650 items) |
| Abstract | Vera Allen Cleaver (1919- ) and Bill (William Joseph) Cleaver (1920-1981) were married in 1945. They collaboratively wrote hundreds of stories for pulp magazines and sixteen novels for children and young adults. Chiefly drafts and some proofs of fourteen of the sixteen novels written collaboratively by Vera and Bill Cleaver and of two novels written by Vera Cleaver alone, along with some correspondence concerning those novels. Also included are materials relating to novels written by Vera Cleaver and a series of general correspondence with publishers about the Cleavers' work and with others about arranging speaking engagements. There is no family or personal material. |
| Creator | Cleaver, Vera. |
| Language | English |
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Information For Users
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Subject Headings
The following terms from Library of Congress Subject Headings suggest topics, persons, geography, etc. interspersed through the entire collection; the terms do not usually represent discrete and easily identifiable portions of the collection--such as folders or items.
Clicking on a subject heading below will take you into the University Library's online catalog.
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Biographical Information
Vera Fern Allen Cleaver was born in Virgil, South Dakota, on 6 January 1919, the fifth of nine children. Reared during the Great Depression, she had to interrupt her formal education, which, she has said, she continued in public libraries. She later graduated from a school of business.
William Joseph Cleaver was born on 24 March 1920 in Hugo, Oklahoma. At age five, he was placed in a private school in British Columbia, where he stayed until he was fourteen. His young adulthood was spent in Seattle, Washington, where he attended public schools. From his youth, he was interested in writing; he also educated himself in public libraries. He served in the military during World War II, during which time he met and married Vera Allen. Like his wife, Bill Cleaver graduated from a school of business.
The opportunity to travel widely during the Cleavers' extended military career with the U.S. Air Force figures in their writing.
The Cleavers wrote in collaboration until Bill Cleaver's death in 1981 at age 61. Their routine was to gather ideas and discuss them for several months before establishing the central motif and characters. Vera Cleaver would then do the actual writing. Their themes are realistic, and they are noted for their expert use of dialog and sympathetic probing of human nature.
Early in their writing career, the Cleavers produced over 300 stories for pulp magazines, of which some 279 were published. They also published work in more widely-respected nationally circulated magazines. According to Mr. Cleaver, the couple began to feel that they could use their writing talents toward a more worthwhile end, and turned to writing books for pre-adolescents, adolescents, and young adults.
During their life together, all of their works were cooperative efforts except for the first, The Nurse's Dilemma, written by Vera Cleaver in 1966. As a couple, they wrote sixteen novels, most of which have been well reviewed and widely acclaimed in both the United States and England.
The books written by Bill and Vera Cleaver are as follows:
Ellen Grae (Lippincott, 1967), Horn Book Honor List
Lady Ellen Grae (Lippincott, 1968)
Where the Lilies Bloom (Lippincott, 1969), Horn Book Honor List, National Book Award finalist
Grover (Lippincott, 1970), National Book Award finalist
The Mimosa Tree (Lippincott, 1970)
I Would Rather Be a Turnip (Lippincott, 1971)
The Mock Revolt (Lippincott, 1971)
Delpha Green and Company (Lippincott, 1972)
The Whys and Wherefores of Littabelle Lee (Atheneum, 1973) National Book Award finalist
Me Too (Lippincott, 1973), ALA Notable Book
Dust of the Earth (Lippincott, 1975), Lewis Carroll Shelf Award, Western Writers of America Shelf Award
Trial Valley (Lippincott, 1977)
Queen of Hearts (Lippincott, 1978), National Book Award finalist
A Little Destiny (Lothrop, 1979)
The Kissimmee Kid (Lothrop, 1981)
Hazel Rye (Lippincott, 1982)
After Bill Cleaver's death, Vera Cleaver continued to write, producing Sugar Blue (Lothrop, 1984) and Sweetly Sings the Donkey (Lippincott, 1985).
Vera Cleaver cites the Cleavers' residences as follows:
Seattle and Vancouver, Washington, 1945-1948
Tampa, Florida, 1948-1954
Tachikawa, Japan, 1954-1956
Chaumont, France, 1956-1959
Tampa, Florida, 1959-1964
Carmel Valley, California 1965
Boone, North Carolina, 1965-1969
Lutz, Florida, 1969-1971
Winter Haven, Florida, 1971-
Sources: Children's Literature Review, Vol. 6 (1984), pp 95-96, 114; other brief biographical treatments, copies of which are in the accession file for this collection; and a letter, Vera Cleaver to Carolyn Wallace, 18 June 1985, in the accession file.
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Scope and Content
This collection includes drafts and some proofs of fourteen of the sixteen novels written collaboratively by Vera and Bill Cleaver and of two novels written by Vera Cleaver alone, along with some correspondence concerning those novels (Series 1). Also included is a series of general correspondence with publishers about the Cleavers' work and with others about arranging speaking engagements (Series 2).
There is no family or personal correspondence or other personal material.
The following list was received with the materials transmitted from the estate of Vera A. Cleaver. Materials are not necessarily in order as listed.
Rough draft of "Belle Pruitt"
Rough draft of "Moon Lake Road"
Correspondence with publisher on "Angel of Moon Lake Road," "Kitty Dale"
First revision, master set, "Belle Pruitt"
Correspondence between Vera Cleaver and Dorothy Briley, editor-in-chief at Lothrop, Lee and Shepard Books, concerning "Angel of Moon Lake Road"
Corrections to "Angel of Moon Lake Road"
Correspondence with publishers of "Where the Lillies Bloom" and wildcrafting research
Book reviews of "The Kissimee Kid," "Moon Lake Angel," "A Little Destiny," and "Sweetly Sings the Donkey"
Galleys for "Belle Pruitt"
Correspondence relating to study of contemporary beliefs
Uncorrected proofs of "Where the Lillies Bloom"
Master proof of "Moon Lake Angel"
Research material: North Carolina
Research material: Florida
Research material: Missouri
Research material: Arkansas
Research material: South Dakota
Research material: Arts and crafts
Research material: Agriculture
Photographs of central Florida
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Series Quick Links
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Series 1. Novels, 1966-1982.
Arrangement: by novel, then by type of item. Note that correspondence pertaining to more than one novel (and to matters other than the novels) is in Series 2.
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Subseries 1.1. Ellen Grae, (1967).
Correspondence (9 items).
| Folder 1 |
Correspondence 1968-1971 #04379, Subseries: "1.1. Ellen Grae, (1967)." Folder 1 |
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Subseries 1.2. Lady Ellen Grae, (1968).
Complete and partial drafts (4 items, totaling about 300 pages); galley proofs (2 items, about 50 pages each); and correspondence (about 30 items).
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Subseries 1.3. Where the Lilies Bloom, (1969).
Complete and partial drafts (2 items, totaling about 400 pages); galley proofs (1 items, about 80 pages); and correspondence (about 23 items).
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Subseries 1.4. Grover, (1970).
Complete and partial drafts (6 items, totalling about 550 pages); galley proofs (2 items, totalling about 80 pages); and correspondence (31 items).
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Subseries 1.5. The Mimosa Tree, (1970).
Outline (1 item); complete drafts (3 items, totalling about 330 pages); galley proofs and plate proofs (3 items, totalling about 150 pages); promotional material (3 items); and correspondence (20 items).
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Subseries 1.6. I Would Rather be a Turnip, (1971).
Synopis and chapter outlines (about 4 items); complete drafts (3 items, totaling about 360 pages); galley proofs (2 items, totaling about 100 pages); and correspondence (10 items).
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Subseries 1.7. The Mock Revolt, (1971).
Summary and research material (2 items); complete and partial drafts (5 items, totaling about 550 pages); page proofs (2 items, totaling about 320 pages); and correspondence (8 items).
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Subseries 1.8. Delpha Green and Company.
Partial drafts (2 items, totaling about 200 pages); scattered chapters and pages (about 70 pages); complete drafts (5 items, totaling about 530 pages); page proofs (3 items, totaling about 450 pages; and correspondence (15 items).
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Subseries 1.9. Me Too, (1973).
Outline and notes (about 5 items); complete drafts (3 items, totaling about 375 pages); galley proofs and page proofs (2 items, totaling about 170 pages); and correspondence (25 items).
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Subseries 1.10. The Whys and Wherefores of Littabelle Lee, (1973).
Scattered chapters and pages (about 25 pages); complete drafts (4 items, totaling about 500 pages); galley proofs (2 items, totaling about 100 pages); and correspondence (31 items).
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Subseries 1.11. Dust of the Earth, (1975).
Complete and partial drafts (3 items, totaling about 340 pages); galley proofs and page proofs (2 items, totaling about 200 pages); and correspondence (6 items).
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Subseries 1.12. Trial Valley, (1977).
Complete drafts (5 items, totaling about 600 pages); galley proofs and page proofs (3 items, totaling about 260 pages); jacket design (1 item); and correspondence (14 items).
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Subseries 1.13. Queen of Hearts, (1978).
Complete drafts (3 items, totaling about 360 pages); scattered pages with corrections (about 20 pages); galley proofs and page proofs (4 items, totaling about 460 pages); and correspondence (16 items).
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Subseries 1.14. A Little Destiny, (1979).
Synopsis and notes (5 items); complete drafts (4 items, totaling about 500 pages); galley proofs and page proofs (3 items, totaling about 250 pages); and correspondence (9 items).
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Subseries 1.15. The Kissimmee Kid, (1981).
Outlines and notes (5 items, totaling about 20 pages); complete drafts (4 items, totaling about 480 pages); galley proofs and page proofs (2 items, totaling about 260 pages); and correspondence (14 items).
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Subseries 1.16. Hazel Rye, (1982).
Outlines and notes (15 items, totaling about 50 pages); complete drafts (5 items, totaling about 560 pages); galley proofs (2 items, totaling about 360 pages); jacket design and notes (3 items); and correspondence (6 items).
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Subseries 1.17. Sugar Blue, (1984).
Outlines and notes (1 item, totaling about 30 pages); complete drafts (2 items, totaling about 190 pages); galley proofs (2 items, totaling about 310 pages); and correspondence (18 items).
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Subseries 1.18. Sweetly Sings the Donkey, (1985).
Complete drafts (3 items, totaling about 360 pages); galley proofs (3 items, totaling about 450 pages); blueline (1 item); page proofs (1 item); and correspondence (4 items).
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Series 2. General Correspondence, 1968-1982.
Arrangement: chronological.
Correspondence with publishers and with professors of education and librarianship, most of them at institutions in Appalachia; and a few fan letters. There is very little of a personal nature; topics discussed include reviews of the Cleavers' books and the arrangement of speaking engagements.
| Folder 130-141 |
Correspondence, 1968-1982 #04379, Series: "2. General Correspondence, 1968-1982." Folder 130-141Folder 130Folder 131Folder 132Folder 133Folder 134Folder 135Folder 136Folder 137Folder 138Folder 139Folder 140Folder 141 |
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Addition of January 1993 (Acc. 93006).
Filed in Boxes 7 and 8
Processed by: Clara Fountain, Barbara Sloane, April 1985, Roslyn Holdzkom, December 1986, June 1988, January 1993
Encoded by: ByteManagers Inc., 2008
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