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This is a finding aid. It is a description of archival material held in the Wilson Library at the University of North Carolina at Chapel Hill. Unless otherwise noted, the materials described below are physically available in our reading room, and not digitally available through the World Wide Web. See the FAQ section for more information.
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Collection Overview
| Size | 12.5 feet of linear shelf space (approximately 5800 items) |
| Abstract | Tom Davenport is an independent filmmaker and film distributor living in Delaplane, Va. He began work in film with documentary filmmakers Richard Leacock and Don Pennebacker in New York and made his first independent film in 1969. In 1970, he returned to rural Virginia and started an independent film company with his wife Mimi Davenport as co-producer and designer. The collection includes materials documenting the making of Tom Davenport's films It Ain't City Music, about country music; Born for Hard Luck, about Arthur Jackson (also known as Peg Leg Sam), a harmonica player, singer, and comedian who performed in medicine shows; The Shakers, about the Sabbathday Lake Shaker community, New Gloucester, Me., and the Canterbury Shaker community, Canterbury, N.H.; Being a Joines: A Life in the Brushy Mountains, about the Joines family of North Carolina; A Singing Stream: A Black Family Chronicle, which documents the Landis Family of Creedmore, N.C., and other local gospel singing groups; the series From the Brothers Grimm, retellings of classic Brothers Grimm fairy tales set in Delaplane, Va.; The Ballad of Frankie Silver, which tells the story of Frances Silver, who was hanged for the murder of her husband Charles Silver; Remembering the High Lonesome, about John Cohen, a filmmaker and photographer, and his work in rural Kentucky in the 1950s; When My Work Is Over, which tells the story of African American storyteller Louise Anderson; and the recording of a concert performed by the New Lost City Ramblers string band in February of 2000. Included are grant applications, transcripts, field notes, correspondence, financial material, study guides, production related notes, and publicity related to each of these films. There are also audiotapes and audio cassettes that contain interviews and other sound used for these films; moving image materials used in the creating of these films; materials relating to other film projects directed by Tom Davenport; printed materials relating to Davenport; posters advertising Davenport's films; and other items. |
| Creator | Davenport, Tom. |
| Language | English |
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Information For Users
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Subject Headings
The following terms from Library of Congress Subject Headings suggest topics, persons, geography, etc. interspersed through the entire collection; the terms do not usually represent discrete and easily identifiable portions of the collection--such as folders or items.
Clicking on a subject heading below will take you into the University Library's online catalog.
These and related materials may be found under the following headings in online catalogs.
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Biographical
Information
Tom Davenport is an independent filmmaker and film distributor living in Delaplane, Va. He was graduated from Yale University, went to Hong Kong with a Yale program to teach English at New Asia College, and spent several years in Taiwan studying Chinese language and culture. He began work in film with documentary filmmakers Richard Leacock and Don Pennebacker in New York and made his first independent film in 1969 on the Chinese martial art of T'ai Chi. In 1970, he returned home to rural Virginia and started an independent film company with his wife Mimi Davenport as co-producer and designer.
Beginning in 1976, Tom Davenport began a collaboration with Daniel Patterson and the Curriculum in Folklore at the University of North Carolina at Chapel Hill that resulted in the American Traditional Culture series of documentary films, which included Born For Hard Luck, Being a Joines: A Life in the Brushy Mountains, A Singing Stream: A Black Family Chronicle, The Ballad of Frankie Silver, and When My Work is Over: The Life and Stories of Louise Anderson.
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Scope and Content
The collection includes materials documenting the making of Tom Davenport's films It Ain't City Music, about country music; Born for Hard Luck, about Arthur Jackson (also known as Peg Leg Sam), a harmonica player, singer, and comedian who performed in medicine shows; The Shakers, about the Sabbathday Lake Shaker community, New Gloucester, Me., and the Canterbury Shaker community, Canterbury, N.H.; Being a Joines: A Life in the Brushy Mountains, about the Joines family of North Carolina; A Singing Stream: A Black Family Chronicle, which documents the Landis Family of Creedmore, N.C., and other local gospel singing groups; the series From the Brothers Grimm, retellings of classic Brothers Grimm fairy tales set in Delaplane, Va.; The Ballad of Frankie Silver, which tells the story of Frances Silver, who was hanged for the murder of her husband Charles Silver; Remembering the High Lonesome, about John Cohen, a filmmaker and photographer, and his work in rural Kentucky in the 1950s; and When My Work Is Over, which tells the story of African American storyteller Louise Anderson; and filmmaker and photographer, and his work in rural Kentucky in the 1950s; When My Work Is Over, which tells the story of African American storyteller Louise Anderson; and the recording of a concert performed by the New Lost City Ramblers string band in February of 2000. Included are grant applications, transcripts, field notes, correspondence, financial material, study guides, production related notes, and publicity related to each of these films. There are also audiotapes and audio cassettes that contain interviews and other sound used for these films; moving image materials used in the creating of these films; materials relating to other film projects directed by Tom Davenport; printed materials relating to Davenport; posters advertising Davenport's films; and other items.
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Series Quick Links
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Series 1. It Ain't City Music, 1971-1972.
Materials documenting the making of Tom Davenport's 1973 film It Ain't City Music. There are black-and-white photographs and color slides documenting the National Country Music Contest in Warrenton, Va., as well as a study guide for use with the film. Also included are audiotapes and moving image material recorded for use with the film. Films are described according to existing documentation on the original container or film. In most cases, the film descriptions are transcribed directly from the containers. Documentation on the containers or film includes codes and documentary film terminology. Documentary film terminology for work print materials includes wild pix, wild track, MOS, wild sound, wilds, dub, dubbing, mix, and loops. Original camera film is often labeled dailies.
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Series 2. Born for Hard Luck, 1975-1977.
Materials documenting the production of Tom Davenport's 1976 film Born for Hard Luck. The subject of the film was Arthur Jackson, also known as Peg Leg Sam. He was a harmonica player, singer, and comedian who performed in medicine shows, which were traveling groups that sold medicines between entertainment acts. Included are field notes of conversations with Peg Leg Sam, subtitles for the film, photographs of Peg Leg Sam, grant application materials, correspondence, and receipts from supplies purchased for the film. Also included is a study guide and publicity material. Finally, there are audiotapes of interviews with Peg Leg Sam, as well as moving image material created for use in this film. Most of the material is undated.
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Subseries 2.1. Field Notes.
| Folder 4 |
Field notes for FT-321-338c #20025, Subseries: "2.1. Field Notes." Folder 4 |
| Folder 5 |
Field notes arranged alphabetically by subject #20025, Subseries: "2.1. Field Notes." Folder 5 |
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Subseries 2.2. Subtitles.
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Subseries 2.3. Photographs.
| Image P-3642-3643 |
Black-and-white photographs of Arthur Jackson, also known as Peg Leg Sam, in Jonesboro, S.C. #20025, Subseries: "2.3. Photographs." P-3642-3643 |
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Subseries 2.4. Grant Application.
| Folder 9 |
Grant application #20025, Subseries: "2.4. Grant Application." Folder 9Application to the Institute for Southern Studies. Includes background of project, description of film, explanation of proposal, and budget. |
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Subseries 2.5. Correspondence, 1975-1977.
| Folder 10 |
Correspondence, 3 July 1975-27 April 1977 #20025, Subseries: "2.5. Correspondence, 1975-1977." Folder 10Includes correspondence about the production of the film, chiefly regarding technical issues. |
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Subseries 2.6. Financial Materials, 1975 and
undated.
| Folder 11 |
Financial materials, 1975 and undated #20025, Subseries: "2.6. Financial Materials, 1975 and undated." Folder 11Receipts from purchases made for the production of the film. |
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Subseries 2.7. Study Material.
| Folder 12 |
Study material #20025, Subseries: "2.7. Study Material." Folder 12Typed study guides by Daniel W. Patterson, Allen E. Tullos, and Beverly Patterson. |
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Subseries 2.8. Publicity Materials.
| Folder 13 |
Articles written for and about Born for Hard Luck #20025, Subseries: "2.8. Publicity Materials." Folder 13 |
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Subseries 2.9. Field Tapes.
Interviews conducted as part of the Born for Hard Luck project. Interviews are primarily with Arthur Jackson, also known as Peg Leg Sam. Note that, for the most part, original titles are retained.
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Subseries 2.10. Moving Image Material.
Moving image material related to Born for Hard Luck. Films are described according to existing documentation on the original container or film. In most cases, the film descriptions are transcribed directly from the containers. Documentation on the containers or film includes codes and documentary film terminology. Documentary film terminology for work print materials includes wild pix, wild track, MOS, wild sound, wilds, dub, dubbing, mix, and loops. Original camera film is often labeled dailies.
| Videotape VT-20025/1 |
Born for Hard Luck, Umatic #20025, Subseries: "2.10. Moving Image Material." VT-20025/1 |
| Videotape VT-20025/15 |
Born for Hard Luck, VHS #20025, Subseries: "2.10. Moving Image Material." VT-20025/15 |
| Film F-20025/19 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/19Peg I, roll AF; bad sound; Bill on porch; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/19mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/19magPeg I, roll AF; bad sound; Bill on porch; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/20 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/20Peg I sync, roll AD; Peg outside with Bill and friends; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/20mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/20magPeg I sync, roll AD; Peg outside with Bill and friends; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/21 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/21Peg I, roll AC, out; N.G.; possibly flared footage; Bill talking; magnetic film has been separated from picture film |
| Film F-20025/21mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/21magPeg I, roll AC, out; N.G.; possibly flared footage; Bill talking; magnetic film has been separated from picture film |
| Film F-20025/22 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/22Peg I sync, roll AB; Peg outside with boys; magnetic film has been separated from picture film |
| Film F-20025/22mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/22magPeg I sync, roll AB; Peg outside with boys; magnetic film has been separated from picture film |
| Film F-20025/23 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/23Peg I sync, roll AB; Bill on porch; magnetic film has been separated from picture film |
| Film F-20025/23mag(a-b) |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/23mag(a-b)Peg I sync, roll AB; Bill on porch; magnetic film has been separated from picture film |
| Film F-20025/24 |
Born for Hard Luck, release print #20025, Subseries: "2.10. Moving Image Material." F-20025/24 |
| Film F-20025/25 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/25Peg II, roll BB, outs; barbershop; magnetic film has been separated from picture film |
| Film F-20025/25mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/25magPeg II, roll BB, outs; barbershop; magnetic film has been separated from picture film |
| Film F-20025/26 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/26Peg I sync, roll AA; Peg with boys; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/26mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/26magPeg I sync, roll AA; Peg with boys; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/27 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/27Peg I sync, roll AJ; magnetic film has been separated from picture film |
| Film F-20025/27mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/27magPeg I sync, roll AJ; magnetic film has been separated from picture film |
| Film F-20025/28a-b |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/28a-bPeg I sync, roll AH; Peg and neighbors, neighbors house, Winnie's home, and getting ready for church; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/28mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/28magPeg I sync, roll AH; Peg and neighbors, neighbors house, Winnie's home, and getting ready for church; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/29a-b |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/29a-bPeg I sync, roll AG; Peg in kitchen with Michael; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/29mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/29magPeg I sync, roll AG; Peg in kitchen with Michael; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/30 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/30Peg II sync, roll BH; Peg alone and outside; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/30mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/30magPeg II sync, roll BH; Peg alone and outside; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/31 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/31Peg II sync, roll BG; ridiculing the Deacon; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/31mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/31magPeg II sync, roll BG; ridiculing the Deacon; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/32 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/32Peg II sync, roll BF; Whitehead's store and performance; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/32mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/32magPeg II sync, roll BF; Whitehead's store and performance; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/33 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/33Peg II sync, roll BE; Peg, Bill and Monroe; sermon and Grandad; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/33mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/33magPeg II sync, roll BE; Peg, Bill and Monroe; sermon and Grandad; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/34a-b |
Born for Hard Luck #20025, Subseries: "2.10. Moving Image Material." F-20025/34a-bPeg II, rolls 5-6; wild pix, Jonesville scenes; includes notes on film (see folders 270-278) |
| Film F-20025/35a-b |
Born for Hard Luck #20025, Subseries: "2.10. Moving Image Material." F-20025/35a-bPeg II, roll 1; wild pix; includes notes on film (see folders 270-278) |
| Film F-20025/36 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/36Peg II, rolls BC, BD; Bill and Monroe fishing and Monroe dancing at lake; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/36mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/36magPeg II, rolls BC, BD; Bill and Monroe fishing and Monroe dancing at lake; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/37 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/37Peg II, roll BA, outs; barber; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/37mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/37magPeg II, roll BA, outs; barber; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/38 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/38Peg I, roll CD; Marion Fowler's party; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/38mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/38magPeg I, roll CD; Marion Fowler's party; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/39 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/39Peg I, roll CC; house and dogs; hoeing; fishing scenes; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/39mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/39magPeg I, roll CC; house and dogs; hoeing; fishing scenes; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/40 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/40Peg I, sync, roll CB; Peg and friends play and talk under oak tree; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/40mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/40magPeg I, sync, roll CB; Peg and friends play and talk under oak tree; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/41 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/41Peg II, sync, roll CA; musical sections; Peg alone and inside; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/41mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/41magPeg II, sync, roll CA; musical sections; Peg alone and inside; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/42 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/42Peg II, sync, roll BJ; Peg alone; biographical; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/42mag(a-b) |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/42mag(a-b)Peg II, sync, roll BJ; Peg alone; biographical; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/43 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/43Work print and track C |
| Film F-20025/44 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/44 |
| Film F-20025/45 |
Born for Hard Luck #20025, Subseries: "2.10. Moving Image Material." F-20025/45Peg I, wild pix; includes notes on the film (see folders 270-278) |
| Film F-20025/46a-c |
Born for Hard Luck, magnetic soundtrack #20025, Subseries: "2.10. Moving Image Material." F-20025/46a-cPeg I and II, wild sound; Bill on Peg's return home; includes notes on the film (see folders 270-278) |
| Film F-20025/47a-b |
Born for Hard Luck, magnetic soundtrack #20025, Subseries: "2.10. Moving Image Material." F-20025/47a-bPeg I and II, wild sound; Bill on Peg's return home; includes notes on the film (see folders 270-278) |
| Film F-20025/48 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/48Peg I, sync, roll EE, out; trading stories with kids; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/48mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/48magPeg I, sync, roll EE, out; trading stories with kids; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/49 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/49Peg II, sync, roll DA; Peg performing alone, inside; toasts; fly right and greasy greens; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/49mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/49magPeg II, sync, roll DA; Peg performing alone, inside; toasts; fly right and greasy greens; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/50 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/50 |
| Film F-20025/51 |
Born for Hard Luck #20025, Subseries: "2.10. Moving Image Material." F-20025/51Dummy roll with subtitles marked; includes notes on the film (see folders 270-278) |
| Film F-20025/52 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/52Wild track; outs; Allen's reuben, barber, Doug, and poor street interviews; magnetic film has been separated from picture film |
| Film F-20025/52mag(a-b) |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/52mag(a-b)Wild track; outs; Allen's reuben, barber, Doug, and poor street interviews; magnetic film has been separated from picture film |
| Film F-20025/53 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/53Extra tracks for mix |
| Film F-20025/54a-b |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/54a-bMix elements; tracks A and B; includes notes on film |
| Film F-20025/55 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/55Old titles; includes notes on the film (see folders 270-278) |
| Film F-20025/56a-b |
Born for Hard Luck, camera original #20025, Subseries: "2.10. Moving Image Material." F-20025/56a-bPeg II, cans 9-14; some copies include notes on films (see folders 270-278) |
| Film F-20025/57a-b |
Born for Hard Luck, camera original #20025, Subseries: "2.10. Moving Image Material." F-20025/57a-bPeg II, cans 9-14; some copies include notes on films (see folders 270-278) |
| Film F-20025/58a-b |
Born for Hard Luck, camera original #20025, Subseries: "2.10. Moving Image Material." F-20025/58a-bPeg II, cans 9-14; some copies include notes on films (see folders 270-278) |
| Film F-20025/59 |
Born for Hard Luck, camera original #20025, Subseries: "2.10. Moving Image Material." F-20025/59Peg II, cans 9-14; some copies include notes on films (see folders 270-278) |
| Film F-20025/60a-b |
Born for Hard Luck, camera original #20025, Subseries: "2.10. Moving Image Material." F-20025/60a-bPeg II, cans 9-14; some copies include notes on films (see folders 270-278) |
| Film F-20025/61 |
Born for Hard Luck, camera original #20025, Subseries: "2.10. Moving Image Material." F-20025/61Peg II, cans 9-14; some copies include notes on films (see folders 270-278) |
| Film F-20025/62-66 |
Born for Hard Luck, camera original #20025, Subseries: "2.10. Moving Image Material." F-20025/62-66Cans 1-8; some copies include notes on films (see folders 270-278) |
| Film F-20025/67a-b |
Born for Hard Luck, camera original #20025, Subseries: "2.10. Moving Image Material." F-20025/67a-bCans 1-8; some copies include notes on films (see folders 270-278) |
| Film F-20025/68a-b |
Born for Hard Luck, camera original #20025, Subseries: "2.10. Moving Image Material." F-20025/68a-bCans 1-8; some copies include notes on films (see folders 270-278) |
| Film F-20025/69a-b |
Born for Hard Luck, camera original #20025, Subseries: "2.10. Moving Image Material." F-20025/69a-bCans 1-8; some copies include notes on films (see folders 270-278) |
| Film F-20025/181 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/181Medicine show; FA; possibly Clark County Fair; magnetic film has been separated from picture film |
| Film F-20025/181mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/181magMedicine show; FA; possibly Clark County Fair; magnetic film has been separated from picture film |
| Film F-20025/182 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/182Medicine show II; FB; magnetic film has been separated from picture film |
| Film F-20025/182mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/182magMedicine show II; FB; magnetic film has been separated from picture film |
| Film F-20025/183 |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/183Medicine show I; FA duplicates; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/183mag |
Born for Hard Luck, work print #20025, Subseries: "2.10. Moving Image Material." F-20025/183magMedicine show I; FA duplicates; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/728 |
Born for Hard Luck, print #20025, Subseries: "2.10. Moving Image Material." F-20025/728 |
| Film F-20025/744-745 |
Born for Hard Luck, release print #20025, Subseries: "2.10. Moving Image Material." F-20025/744-745Print 2 and 15; index card (see folders 270-278) |
| Film F-20025/746 |
Born for Hard Luck, release print #20025, Subseries: "2.10. Moving Image Material." F-20025/746Print 11; index card, news release, press clippings, transcript, and promotional materials (see folders 270-278) |
| Film F-20025/878 |
Born for hard luck, release print #20025, Subseries: "2.10. Moving Image Material." F-20025/878Print 5; film separated for preservation reasons |
| Film F-20025/894 |
Born for hard luck, release print #20025, Subseries: "2.10. Moving Image Material." F-20025/894Print 4; film separated for preservation reasons |
| Film F-20025/895 |
Born for hard luck, print #20025, Subseries: "2.10. Moving Image Material." F-20025/895A, B 1; preview only; film separated for preservation reasons |
| Film F-20025/896 |
Born for hard luck, release print #20025, Subseries: "2.10. Moving Image Material." F-20025/896Print 6; film separated for preservation reasons |
| Film F-20025/897 |
Born for hard luck, release print #20025, Subseries: "2.10. Moving Image Material." F-20025/897Print 9; film separated for preservation reasons |
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Series 3. The Shakers, 1970-1975.
Materials relating to the production of Tom Davenport's 1974 film, The Shakers. The film primarily depicts the Sabbathday Lake Shaker community, New Gloucester, Me., and the Canterbury Shaker community, Canterbury, N.H. Included are grant applications, transcripts, field notes, correspondence, financial material, study guides, production related notes, research by Toby Foote, and publicity. Also included are photographs that Davenport requested from various institutions for his research and for use in the production of the film. Finally, there are audiotapes of interviews with the subjects of the film as well as moving image material created for this film.
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Subseries 3.1. Grant Applications, 1972-1973.
Arrangement: chronological.
Grant proposal and correspondence with grant funding agencies.
| Folder 14 |
Grant application #20025, Subseries: "3.1. Grant Applications, 1972-1973." Folder 14 |
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Subseries 3.2. Transcripts, 1970-1973.
Arrangement: chronological and then by subject.
Transcripts of both synchronized recordings (material that is in sync with film) and wild recordings (recordings without accompanying film) of the members of the Sabbathday Lake Shaker community, New Gloucester, Me., and the Canterbury Shaker community, Canterbury, N.H. The transcripts from Sabbathday lake include interviews with R. Mildred Barker, Francis Carr, Elsie McCool, Marie Burgess, and Elizabeth Dunn. The transcripts of Canterbury include interviews with Lillian Phelps, Bertha Lindsay, Margaret Frost, Alice Howland, and Miriam Wall. These interviews describe Shaker life and the members' perspectives on the future of the community. Also included is a transcript of the narration of the film.
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Subseries 3.3. Field Notes, 1970-1973.
Arrangement: by tape number.
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Subseries 3.4. Correspondence, 1969-1975.
Arrangement: alphabetical by theme, then chronological.
Original order of correspondence by type has been preserved. Types include business correspondence, correspondence with Daniel Patterson, research correspondence, and correspondence with the Shaker community.
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Subseries 3.5. Financial Material, 1970-1972.
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Subseries 3.6. Photographs.
Photographs of Shaker communities and lifestyle from the collections of Ovile Austin, Winterthur Museum, Fruitlands Museum, Library of Congress, Manchester Public Library, the New-York Historical Society, Elmer R. Pearson, and the Shaker Museum and Library.
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Subseries 3.7. Slides, 1972-1973.
Arrangement: chronological.
| Image P-3762 |
Slides of Shaker communities #20025, Subseries: "3.7. Slides, 1972-1973." P-3762 |
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Subseries 3.8. Research Materials, 1967-1974.
Arrangement: chronological.
Articles about the Shaker community, diaries of individual members, pamphlets and books obtained from institutions containing Shaker artifacts, and copies--black-and-white and color--of Shaker crafts.
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Subseries 3.9. Study Guide.
| Folder 65 |
Study guide for use with The Shakers #20025, Subseries: "3.9. Study Guide." Folder 65Created by Beverly Patterson. |
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Subseries 3.10. Production Related Notes.
| Folder 66 |
Notes about film production #20025, Subseries: "3.10. Production Related Notes." Folder 66Includes identification codes and production log. |
| Folder 67 |
Notes about accompanying music #20025, Subseries: "3.10. Production Related Notes." Folder 67Includes notes of Daniel Patterson. |
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Subseries 3.11. Research by Toby Foote, 1974.
| Folder 68 |
Research towards writing about the Shaker community, 1974: the proposal, correspondence, and notes #20025, Subseries: "3.11. Research by Toby Foote, 1974." Folder 68 |
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Subseries 3.12. Publicity.
| Folder 69 |
Advertisement and film review from The New Yorker #20025, Subseries: "3.12. Publicity." Folder 69 |
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Subseries 3.13. Field Tapes.
Audiotapes of interviews with members of the Shaker community. Note that, for the most part, original titles are retained.
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Subseries 3.14. Moving Image Material.
Moving image material related to The Shakers. Films are described according to existing documentation on the original container or film. In most cases, the film descriptions are transcribed directly from the containers. Documentation on the containers or film includes codes and documentary film terminology. Documentary film terminology for work print materials includes wild pix, wild track, MOS, wild sound, wilds, dub, dubbing, mix, and loops. Original camera film is often labeled dailies.
| Videotape VT-20025/18 |
The Shakers, VHS #20025, Subseries: "3.14. Moving Image Material." VT-20025/18 |
| Film F-20025/189 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/189Canterbury I; wild pix; Miriam picks flowers |
| Film F-20025/190 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/190Canterbury II, GH sync; Bertha; magnetic film has been separated from picture film |
| Film F-20025/190mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/190magCanterbury II, GH sync; Bertha; magnetic film has been separated from picture film |
| Film F-20025/191 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/191Canterbury II, sync and wild; exteriors; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/191mag |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/191magCanterbury II, sync and wild; exteriors; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/192 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/192Canterbury I, outs, CB; confession, biography, marching, and sitting; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/192mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/192magCanterbury I, outs, CB; confession, biography, marching, and sitting; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/193 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/193Pix and track; Bertha; outside with dog, wiggles, and reading; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/193mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/193magPix and track; Bertha; outside with dog, wiggles, and reading; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/194a-b |
The Shakers, full coat magnetic #20025, Subseries: "3.14. Moving Image Material." F-20025/194a-bAC wild sound; Marguerite; includes notes on film (see folders 270-278) |
| Film F-20025/195 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/195Rolls 96-101 |
| Film F-20025/196a-b |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/196a-bCanterbury; rolls 85-92 and 102-104; includes notes on film (see folders 270-278) |
| Film F-20025/197 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/197Canterbury I; rolls 105-113; blind shot on small rail; includes notes on film (see folders 270-278) |
| Film F-20025/198 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/198Canterbury; rolls 85-92 and 102-104; includes notes on film (see folders 270-278) |
| Film F-20025/199 |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/199Canterbury I, wild track; includes notes on film (see folders 270-278) |
| Film F-20025/200a-b |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/200a-bCanterbury I, outs, CA; Alice; magnetic film has been separated from picture film |
| Film F-20025/200mag(a-b) |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/200mag(a-b)Canterbury I, outs, CA; Alice; magnetic film has been separated from picture film |
| Film F-20025/201 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/201Canterbury I, CB, sync; Marguerite; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/201mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/201magCanterbury I, CB, sync; Marguerite; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/202a-b |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/202a-bCanterbury I, AE, wild track; Marguerite, Lillian, and Blossom Sunday; includes notes on film (see folders 270-278) |
| Film F-20025/203a-b |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/203a-bAB, wild sound; Lillian and Marguerite; includes notes on film (see folders 270-278) |
| Film F-20025/204 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/204Canterbury I, outs, CD; Marguerite; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/204mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/204magCanterbury I, outs, CD; Marguerite; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/205a-b |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/205a-b"Working for the Lord," original |
| Film F-20025/206 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/206SDL I, outs, DG; Frances, Eliza, and laundry sequences; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/206mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/206magSDL I, outs, DG; Frances, Eliza, and laundry sequences; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/207 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/207SDL I, DF, pix and track; Sunday service; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/207mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/207magSDL I, DF, pix and track; Sunday service; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/208 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/208SDL I, DG, sync; Frances and Elizabeth; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/208mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/208magSDL I, DG, sync; Frances and Elizabeth; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/209 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/209SDL I, II; uncoded material; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/209mag(a-b) |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/209mag(a-b)SDL I, II; uncoded material; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/210 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/210SDL I, outs, DA; Frances and Marie in kitchen; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/210mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/210magSDL I, outs, DA; Frances and Marie in kitchen; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/211 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/211SDL II, wild pix; Elizabeth, Frances, and Mildred; includes notes on film (see folders 270-278) |
| Film F-20025/212 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/212SDL II, sync, FA; Sabbathday Lake; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/212mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/212magSDL II, sync, FA; Sabbathday Lake; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/213 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/213SDL I, wild pix, SDL I-A thru I-F; includes notes on film (see folders 270-278) |
| Film F-20025/214 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/214SDL I, G thru M, wild pix; includes notes on film (see folders 270-278) |
| Film F-20025/215a-b |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/215a-bCanterbury I, AD, wild track; Marguerite; includes notes on film (see folders 270-278) |
| Film F-20025/216 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/216SDL I, outs, DD; Elsie and Mildred; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/216mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/216magSDL I, outs, DD; Elsie and Mildred; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/217 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/217SDL III, sync, GG; Frances and sheep; magnetic film has been separated from picture film |
| Film F-20025/217mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/217magSDL III, sync, GG; Frances and sheep; magnetic film has been separated from picture film |
| Film F-20025/218 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/218Canterbury I, sync, CC; Marguerite; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/218mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/218magCanterbury I, sync, CC; Marguerite; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/219 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/219Canterbury I, outs, CC; Marguerite; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/219mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/219magCanterbury I, outs, CC; Marguerite; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/220 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/220Canterbury I, J thru N; Canterbury; includes notes on film (see folders 270-278) |
| Film F-20025/221 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/221SDL I, outs, DC, also DE DD; Frances, Jenny, and Mildred; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/221mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/221magSDL I, outs, DC, also DE DD; Frances, Jenny, and Mildred; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/222 |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/222SDL II, wild sound; Frances, Elsie, and Mildred; includes notes on film (see folders 270-278) |
| Film F-20025/223 |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/223SDL II, wild sound; Elsie; includes notes on film (see folders 270-278) |
| Film F-20025/224 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/224Canterbury I, outs, CF; Bertha reading a paper to Lillian and Bertha bakes pie; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/224mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/224magCanterbury I, outs, CF; Bertha reading a paper to Lillian and Bertha bakes pie; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/225 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/225Canterbury I, sync, CH; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/225mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/225magCanterbury I, sync, CH; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/226 |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/226SDL III, wild track, GD-II; Frances |
| Film F-20025/227 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/227Canterbury I, outs, CH; Lillian and Bertha; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/227mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/227magCanterbury I, outs, CH; Lillian and Bertha; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/228 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/228SDL II, wild pix 7252, A thru G; includes notes on film (see folders 270-278) |
| Film F-20025/229 |
The Shakers, original ektachrome #20025, Subseries: "3.14. Moving Image Material." F-20025/229Rolls 10-12; Elsie and Frances in kitchen |
| Film F-20025/230 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/230BB; family photograph; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/230mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/230magBB; family photograph; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/231 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/231CG; Claude; magnetic film has been separated from picture film |
| Film F-20025/231mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/231magCG; Claude; magnetic film has been separated from picture film |
| Film F-20025/232 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/232Canterbury I, A thru H; includes notes on film (see folders 270-278) |
| Film F-20025/233a |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/233aCanterbury I, A thru H; includes notes on film (see folders 270-278) |
| Film F-20025/233b |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/233bCanterbury I, A thru H; includes notes on film (see folders 270-278) |
| Film F-20025/234 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/234SDL I, outs, DE; Mildred sings; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/234mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/234magSDL I, outs, DE; Mildred sings; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/235 |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/235SDL I, wild sound, BA; Mildred, Frances and Marie; includes notes on film (see folders 270-278) |
| Film F-20025/236 |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/236SDL III, wild track, GC-II; Frances and fortune teller |
| Film F-20025/237 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/237All sync, wild material; Sabbath day, Lake III; includes notes on film (see folders 270-278) |
| Film F-20025/238a-b |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/238a-bRolls 38-42; includes notes on film (see folders 270-278) |
| Film F-20025/239 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/239SDL II, sync, intakes, outs, FE; Mildred, Frances, and Elsie; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/239mag(a-b) |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/239mag(a-b)SDL II, sync, intakes, outs, FE; Mildred, Frances, and Elsie; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/240 |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/240SDL III, wild track, and sound effects |
| Film F-20025/241a-b |
The Shakers, #20025, Subseries: "3.14. Moving Image Material." F-20025/241a-bSDL III, wild pix, rolls H thru R, excluding I and Q; includes notes on film (see folders 270-278) |
| Film F-20025/242 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/242SDL III, sync, GF; Frances' tour; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/242mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/242magSDL III, sync, GF; Frances' tour; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/243 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/243SDL II, wild pix, A thru F; includes note on the film (see folders 270-278) |
| Film F-20025/244 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/244SDL III, wild pix, rolls A thru G; includes notes on film (see folders 270-278) |
| Film F-20025/245 |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/245SDL III, wild track, GA-II; Elsie |
| Film F-20025/246 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/246Rolls 43-53; film tape |
| Film F-20025/247 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/247Canterbury I, work print, CA-CH; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/247mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/247magCanterbury I, work print, CA-CH; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/248 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/248Canterbury I, sync, CD; Marguerite; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/248mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/248magCanterbury I, sync, CD; Marguerite; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/249a-b |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/249a-bRetransfered track; includes notes on film (see folders 270-278) |
| Film F-20025/250a-d |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/250a-dRolls 35-37; includes notes on film (see folders 270-278) |
| Film F-20025/251 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/251SDL III, sync, GE; Frances and Elsie in kitchen; magnetic film has been separated from picture film |
| Film F-20025/251mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/251magSDL III, sync, GE; Frances and Elsie in kitchen; magnetic film has been separated from picture film |
| Film F-20025/252 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/252SDL III, CE; Marguerite; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/252mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/252magSDL III, CE; Marguerite; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/253a-c |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/253a-cOriginal rolls 22-34; in shipping container from Don Hall; includes notes on film (see folders 270-278) |
| Film F-20025/254 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/254SDL III, wild sound, outs; Mildred and Frances in kitchen; magnetic film has been separated from picture film |
| Film F-20025/254mag(a-b) |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/254mag(a-b)SDL III, wild sound, outs; Mildred and Frances in kitchen; magnetic film has been separated from picture film |
| Film F-20025/256 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/256 |
| Film F-20025/257 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/257SDL II, sync, FB, intakes and outtakes; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/257mag(a-b) |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/257mag(a-b)SDL II, sync, FB, intakes and outtakes; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/258a-b |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/258a-bSDL I, pix and track, EA, EB; Sunday service and songs; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/258mag(a-b) |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/258mag(a-b)SDL I, pix and track, EA, EB; Sunday service and songs; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/260 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/260BH, BG; Bertha laundry; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/260mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/260magBH, BG; Bertha laundry; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/262a-b |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/262a-bIncludes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/262mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/262magIncludes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/263a-b |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/263a-b7252, 7242; good shooting |
| Film F-20025/264 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/264Wild pix; Harvard |
| Film F-20025/265 |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/265SDL II, wild track, GA; Mildred and drawing room; includes notes on film (see folders 270-278) |
| Film F-20025/266 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/266SDL II, sync, FC, intakes and outtakes; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/266mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/266magSDL II, sync, FC, intakes and outtakes; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/267 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/267Old optical track; original outtakes |
| Film F-20025/268 |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/268SDL II, wild track, GB; Elizabeth; includes notes on the film (see folders 270-278) |
| Film F-20025/269 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/269SDL II, sync, FD intakes and outtakes; Mildred; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/269mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/269magSDL II, sync, FD intakes and outtakes; Mildred; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/270a-b |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/270a-bWild pix; Hancock interior and exterior and also includes Harvard; includes notes on film (see folders 270-278) |
| Film F-20025/271a-b |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/271a-bMagnetic film has been separated from picture film |
| Film F-20025/271mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/271magMagnetic film has been separated from picture film |
| Film F-20025/272a-b |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/272a-bMusic BA; Dan Patterson tapes; Frank's tapes; includes note on the film (see folders 270-278) |
| Film F-20025/273a-b |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/273a-bTrack only; round table discussion |
| Film F-20025/275 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/275Hancock |
| Film F-20025/281-282a-b |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/281-282a-bRoll 1-2 and 16-21; includes notes on film (see folders 270-278) |
| Film F-20025/283 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/283Miscellaneous wild pix, takes, and trims; includes notes on film (see folders 270-278) |
| Film F-20025/285a-b |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/285a-bCan says "Post News on Top"; rolls 3-5 on side; rolls 6-9; rolls 13-15; Elsie and Francis in kitchen; includes notes on film (see folders 270-278) |
| Film F-20025/286a-b |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/286a-bCan says "Post News on Top"; rolls 3-5 on side; rolls 6-9; rolls 13-15; Elsie and Francis in kitchen; includes notes on film (see folders 270-278) |
| Film F-20025/287a-b |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/287a-bCan says "Post News on Top"; rolls 3-5 on side; rolls 6-9; rolls 13-15; Elsie and Francis in kitchen; includes notes on film (see folders 270-278) |
| Film F-20025/288a-b |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/288a-bCan says "Post News on Top"; rolls 3-5 on side; rolls 6-9; rolls 13-15; Elsie and Francis in kitchen; includes notes on film (see folders 270-278) |
| Film F-20025/289 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/289SDL I, outs DB; Frances and Marie; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/289mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/289magSDL I, outs DB; Frances and Marie; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/290 |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/290Sound sections needed for mix; sound effects; cows, birds, and rooster; includes notes on film (see folders 270-278) |
| Film F-20025/291 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/291SDL I, sync, DC; Mildred; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/291mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/291magSDL I, sync, DC; Mildred; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/292 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/292SDL I, sync, DH; Gertrude with Shaker costume; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/292mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/292magSDL I, sync, DH; Gertrude with Shaker costume; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/293 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/293SDL I, outs, DH; Gertrude in garden, wild track, and reads poem; magnetic film has been separated from picture film |
| Film F-20025/293mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/293magSDL I, outs, DH; Gertrude in garden, wild track, and reads poem; magnetic film has been separated from picture film |
| Film F-20025/294 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/294SDL I, sync, DJ; Elsie sweeping and in traffic; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/294mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/294magSDL I, sync, DJ; Elsie sweeping and in traffic; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/295 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/295SDL I, sync, DB; Frances in kitchen; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/295mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/295magSDL I, sync, DB; Frances in kitchen; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/296 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/296SDL I, sync, DD; Elsie in sewing room; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/296mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/296magSDL I, sync, DD; Elsie in sewing room; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/297 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/297SDL I, sync, DA; work print DA-DD; Frances in kitchen; Sabbathday Lake on first shooting in 1970s; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/297mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/297magSDL I, sync, DA; work print DA-DD; Frances in kitchen; Sabbathday Lake on first shooting in 1970s; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/298 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/298Magnetic film has been separated from picture film |
| Film F-20025/298mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/298magMagnetic film has been separated from picture film |
| Film F-20025/299 |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/299Frank's recording; Mildred's song; includes notes on film (see folders 270-278) |
| Film F-20025/300 |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/300SR 1 and 2; songs 1 and 2; A box; Patterson's recording; includes notes on film (see folders 270-278) |
| Film F-20025/301 |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/301B box; Patterson tapes 1 and 2 continued; Mildred is advancing; includes notes on film (see folders 270-278) |
| Film F-20025/302 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/302Title material |
| Film F-20025/303 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/303Still pictures photographed with color film |
| Film F-20025/304 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/304Shaker songs; SR 5; Sousa March and "Come life Shaker life"; includes notes on film (see folders 270-278) |
| Film F-20025/313a-b |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/313a-bDD DC; "Meet me Claude church"; magnetic film has been separated from picture film |
| Film F-20025/313mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/313magDD DC; "Meet me Claude church"; magnetic film has been separated from picture film |
| Film F-20025/314 |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/314CF; Claude; magnetic film has been separated from picture film |
| Film F-20025/314mag |
The Shakers, work print #20025, Subseries: "3.14. Moving Image Material." F-20025/314magCF; Claude; magnetic film has been separated from picture film |
| Film F-20025/316a-c |
The Shakers, magnetic soundtrack #20025, Subseries: "3.14. Moving Image Material." F-20025/316a-cReels 21, 35B, 3233, 684, 984, 1084, 1184, 1284, 1384; Mrs Landis; Bertha wild interviews |
| Film F-20025/426 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/426 |
| Film F-20025/720-722 |
The Shakers, release print #20025, Subseries: "3.14. Moving Image Material." F-20025/720-722Print 13, 17-18, and 26; includes index card, promotional material, order forms, and article (see folders 270-278) |
| Film F-20025/777 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/777 |
| Film F-20025/778 |
The Shakers, release print #20025, Subseries: "3.14. Moving Image Material." F-20025/778Print 13 |
| Film F-20025/822 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/822Original pan and burn in title, A and B, 7 |
| Film F-20025/840 |
The Shakers #20025, Subseries: "3.14. Moving Image Material." F-20025/840Rolls 93-95; Alice Canterbury; film separated for preservation reasons |
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Series 4. Being a Joines: A Life in the Brushy Mountains,
1975-1987.
Materials documenting the production of Davenport's 1980 film entitled Being a Joines: A Life in the Brushy Mountains. Included are grant applications, background and commentary by Joyce Joines, correspondence, financial material, essays by students in the Folklife Curriculum at the University of North Carolina at Chapel Hill, study materials for use with film, and a response from reviewers at the North Carolina Film Festival. Also included are audiotapes and audiocassettes of interviews with members of the Joines family, as well as moving image material created for use in this film.
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Subseries 4.1. Grant Application, 1977-1984.
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Subseries 4.2. Background, Transcription, and Commentary.
| Folder 72-74 |
Paper written by Joyce J. Newman, Daniel W. Paterson, and Allen E. Tullos #20025, Subseries: "4.2. Background, Transcription, and Commentary." Folder 72-74Provides background and purpose of Being a Joines: A Life in the Brushy Mountains. |
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Subseries 4.3. Transcripts, 1975.
Arrangement: by field tape number.
Transcripts of field tape recordings with the Joines family.
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Subseries 4.4. Correspondence, 1975-1987.
Arrangement: chronological.
Chiefly materials relating to the public response to the film, University of North Carolina public television, and communication with Joyce and Blanche Joines.
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Subseries 4.5. Financial Material, 1979.
| Folder 88 |
Receipt for photographs from the National Archives and Records Administration #20025, Subseries: "4.5. Financial Material, 1979." Folder 88 |
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Subseries 4.6. Photographs.
Photographs and information about the photographs of the Joines family and research for the film. Photographs are mostly of Frail and Blanche Joines.
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Subseries 4.7. Production Notes.
Notes by Tom Davenport and Allen Tullos during the production of film.
| Folder 91 |
Notes #20025, Subseries: "4.7. Production Notes." Folder 91 |
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Subseries 4.8. Research Material, 1969-1979.
| Folder 92 |
Index of photographs and biographical information of Frail Joines by Joyce Joines Newman #20025, Subseries: "4.8. Research Material, 1969-1979." Folder 92 |
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Subseries 4.9. Essays, 1972-1974.
| Folder 93 |
Essays by Jerry D. Joines #20025, Subseries: "4.9. Essays, 1972-1974." Folder 93 |
| Folder 94 |
Essays by Joyce Joines Newman #20025, Subseries: "4.9. Essays, 1972-1974." Folder 94 |
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Subseries 4.10. Study Guide.
| Folder 95 |
Study Guide for use with film by Beverly Patterson #20025, Subseries: "4.10. Study Guide." Folder 95 |
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Subseries 4.11. Promotional Materials.
| Folder 96 |
Advertisements, postcards, and commentary #20025, Subseries: "4.11. Promotional Materials." Folder 96 |
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Subseries 4.12. North Carolina Film Festival, 1981.
| Folder 97 |
Juror's comments on film #20025, Subseries: "4.12. North Carolina Film Festival, 1981." Folder 97 |
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Subseries 4.13. Drawings by Tom Davenport's Son, 1980.
| Folder 98 |
Portraits of Dan Patterson, Allen Tullos, Tom Davenport, and Joyce Joines Newman #20025, Subseries: "4.13. Drawings by Tom Davenport's Son, 1980." Folder 98 |
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Subseries 4.14. Field Tapes.
Interviews with members of the Joines family and other sound used for the film. Note that, for the most part, original titles are retained.
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Subseries 4.15. Audiocassettes.
| Audiocassette FS-535 |
Interview with Blanche Joines #20025, Subseries: "4.15. Audiocassettes." FS-535 |
| Audiocassette FS-5525 |
Joines interview #20025, Subseries: "4.15. Audiocassettes." FS-5525 |
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Subseries 4.16. Moving Image Material.
Moving image material related to Being a Joines: A Life in the Brushy Mountains. Films are described according to existing documentation on the original container or film. In most cases, the film descriptions are transcribed directly from the containers. Documentation on the containers or film includes codes and documentary film terminology. Documentary film terminology for work print materials includes wild pix, wild track, MOS, wild sound, wilds, dub, dubbing, mix, and loops. Original camera film is often labeled dailies.
| Digital Video Disc DVD-153 |
Being a Joines: A Life in the Brushy Mountains #20025, Subseries: "4.16. Moving Image Material." DVD-153Contained as an extra on the disc Soldier Jack: The Man who caught Death in a Sack |
| Videotape VT-20025/7 |
Being a Jones: A Life in the Brushy Mountains: A Life in the Brushy Mountains, Umatic #20025, Subseries: "4.16. Moving Image Material." VT-20025/7 |
| Videotape VT-20025/21 |
Being a Jones: A Life in the Brushy Mountains, Betamax #20025, Subseries: "4.16. Moving Image Material." VT-20025/21 |
| Videotape VT-20025/26 |
Being a Jones: A Life in the Brushy Mountains, Betamax #20025, Subseries: "4.16. Moving Image Material." VT-20025/26 |
| Videotape VT-20025/30 |
Being a Jones: A Life in the Brushy Mountains, VHS #20025, Subseries: "4.16. Moving Image Material." VT-20025/30 |
| Film F-20025/70 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/70Joines III, code AJ; Blanche part 2; Blanche's illness, religious experience, and violets; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/70mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/70magJoines III, code AJ; Blanche part 2; Blanche's illness, religious experience, and violets; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/71 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/71Joines III, code AE; Frail in graveyard, part 1; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/71mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/71magJoines III, code AE; Frail in graveyard, part 1; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/72 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/72Joines III, code AD; market, part 2; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/72mag(a-b) |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/72mag(a-b)Joines III, code AD; market, part 2; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/73 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/73Joines III, code AC; market, part 1; market cut; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/73mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/73magJoines III, code AC; market, part 1; market cut; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/74 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/74Joines III, code AA; meal preparation and meal; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/74mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/74magJoines III, code AA; meal preparation and meal; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/75 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/75Joines III, code AB; dinner table stories; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/75mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/75magJoines III, code AB; dinner table stories; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/76 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/76Joines III, code AJ; Blanche part 1; interview about school, cleans carriage; magnetic film has been separated from picture film |
| Film F-20025/76mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/76magJoines III, code AJ; Blanche part 1; interview about school, cleans carriage; magnetic film has been separated from picture film |
| Film F-20025/77 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/77Joines III, code AH; Frail shows scars and leaves body; Blanche in Johnny's house, mother's divorce, and mother's suicide threat; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/77mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/77magJoines III, code AH; Frail shows scars and leaves body; Blanche in Johnny's house, mother's divorce, and mother's suicide threat; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/78 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/78Joines III, code AG; Frail on mountaintop and at home, part 1; magnetic film has been separated from picture film |
| Film F-20025/78mag(a-b) |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/78mag(a-b)Joines III, code AG; Frail on mountaintop and at home, part 1; magnetic film has been separated from picture film |
| Film F-20025/79 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/79Joines III, code AF; Frail in graveyard part 2; magnetic film has been separated from picture film |
| Film F-20025/79mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/79magJoines III, code AF; Frail in graveyard part 2; magnetic film has been separated from picture film |
| Film F-20025/80 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/80Joines III, code BB; sofa scene and house tour; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/80mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/80magJoines III, code BB; sofa scene and house tour; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/81 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/81Blanche with Carol and baby; shows quilt and bedroom; magnetic film has been separated from picture film |
| Film F-20025/81mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/81magBlanche with Carol and baby; shows quilt and bedroom; magnetic film has been separated from picture film |
| Film F-20025/82 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/82Joines I, code BS; post healing; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/82mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/82magJoines I, code BS; post healing; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/83 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/83Joines IV, code BM; Frail, Blanche and Rachael at table; Frail, Joyce, and Rachael with Blanche knitting; magnetic film has been separated from picture film |
| Film F-20025/83mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/83magJoines IV, code BM; Frail, Blanche and Rachael at table; Frail, Joyce, and Rachael with Blanche knitting; magnetic film has been separated from picture film |
| Film F-20025/84 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/84Joines IV, code BP; Blanche quilt; Frail and Blanche on sofa with Rachael; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/84mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/84magJoines IV, code BP; Blanche quilt; Frail and Blanche on sofa with Rachael; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/85 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/85Joines IV, code BO; Blanche at table making flowers; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/85mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/85magJoines IV, code BO; Blanche at table making flowers; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/86 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/86Joines I, code BR; healing; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/86mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/86magJoines I, code BR; healing; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/87 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/87Joines I, code CM; Frail harnessing horse; magnetic film has been separated from picture film |
| Film F-20025/87mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/87magJoines I, code CM; Frail harnessing horse; magnetic film has been separated from picture film |
| Film F-20025/88 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/88Joines I, code CO, wild pix can; surveying; mountain pix; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/88mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/88magJoines I, code CO, wild pix can; surveying; mountain pix; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/89 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/89Joines IV, code BN; Frail and Rachael take a walk; Blanche hangs laundry; Frail and Blanche hang plants; magnetic film has been separated from picture film |
| Film F-20025/89mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/89magJoines IV, code BN; Frail and Rachael take a walk; Blanche hangs laundry; Frail and Blanche hang plants; magnetic film has been separated from picture film |
| Film F-20025/90 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/90Joines IV, code BQ; Frail and Blanche on sofa with Rachael; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/90mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/90magJoines IV, code BQ; Frail and Blanche on sofa with Rachael; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/91 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/91Joines IV, code BL; Frail and Blanche with Rachael waking and Frail playing with her, all move to table; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/91mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/91magJoines IV, code BL; Frail and Blanche with Rachael waking and Frail playing with her; all move to table; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/92 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/92Joines IV, code BK; Blanche in kitchen; Frail reading and Blanche washes windows; Blanche sews, Frail sharpens knife, and Rachael waking up; magnetic film has been separated from picture film |
| Film F-20025/92mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/92magJoines IV, code BK; Blanche in kitchen; Frail reading and Blanche washes windows; Blanche sews, Frail sharpens knife, and Rachael waking up; magnetic film has been separated from picture film |
| Film F-20025/93 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/93Joines I, code CN; Mitchell preaching, part 2; magnetic film has been separated from picture film |
| Film F-20025/93mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/93magJoines I, code CN; Mitchell preaching, part 2; magnetic film has been separated from picture film |
| Film F-20025/94 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/94Joines I, code CL; plowing scenes; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/94mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/94magJoines I, code CL; plowing scenes; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/95 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/95Joines I, code CK; Mitchell preaching, part 1; magnetic film has been separated from picture film |
| Film F-20025/95mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/95magJoines I, code CK; Mitchell preaching, part 1; magnetic film has been separated from picture film |
| Film F-20025/96, 98a-b |
Being a Jones: A Life in the Brushy Mountains, camera original #20025, Subseries: "4.16. Moving Image Material." F-20025/96, 98a-bRolls 5-10; includes notes on film (see folders 270-278) |
| Film F-20025/97a-b |
Being a Jones: A Life in the Brushy Mountains #20025, Subseries: "4.16. Moving Image Material." F-20025/97a-b |
| Film F-20025/99 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/99Joines II, code DQ; Frail picking corn and feeding horses; magnetic film has been separated from picture film |
| Film F-20025/99mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/99magJoines II, code DQ; Frail picking corn and feeding horses; magnetic film has been separated from picture film |
| Film F-20025/100 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/100Joines II, stack 4x4, code DK; Frail and Jerr; magnetic film has been separated from picture film |
| Film F-20025/100mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/100magJoines II, stack 4x4, code DK; Frail and Jerr; magnetic film has been separated from picture film |
| Film F-20025/101 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/101Joines II, code DP; Frail and Blanche in garden; magnetic film has been separated from picture film |
| Film F-20025/101mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/101magJoines II, code DP; Frail and Blanche in garden; magnetic film has been separated from picture film |
| Film F-20025/102 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/102Joines II, code DM, plus uncoded outtakes; Brother Pierce; wild sound and wild pix from same church scene; magnetic film has been separated from picture film |
| Film F-20025/102mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/102magJoines II, code DM, plus uncoded outtakes; Brother Pierce; wild sound and wild pix from same church scene; magnetic film has been separated from picture film |
| Film F-20025/103 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/103Joines II, code DN, plus uncoded; Frail testifying; wild sound and wild pix from same scene; magnetic film has been separated from picture film |
| Film F-20025/103mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/103magJoines II, code DN, plus uncoded; Frail testifying; wild sound and wild pix from same scene; magnetic film has been separated from picture film |
| Film F-20025/104 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/104Joines II, code DO; Frail on porch with beans; plus uncoded outtakes from same scene; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/104mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/104magJoines II, code DO; Frail on porch with beans; plus uncoded outtakes from same scene; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/105 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/105Joines II, code DL; Frail with horse; magnetic film has been separated from picture film |
| Film F-20025/105mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/105magJoines II, code DL; Frail with horse; magnetic film has been separated from picture film |
| Film F-20025/106 |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/106Joines III, code FR, wild; Blanche autobiography |
| Film F-20025/107 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/107Joines III, code FQ, wild sound; Blanche biography |
| Film F-20025/108 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/108Joines I, code FS, only track coded; Blanche's first interview sync; magnetic film has been separated from picture film |
| Film F-20025/108mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/108magJoines I, code FS, only track coded; Blanche's first interview sync; magnetic film has been separated from picture film |
| Film F-20025/109 |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/109code FO, wild part 1; Blanche autobiography |
| Film F-20025/110 |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/110Joines III, code FP; wild Blanche biography |
| Film F-20025/111 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/111Joines II, code EK; Blanche and Joyce in kitchen; plus uncoded outtakes from barber shop scene; magnetic film has been separated from picture film |
| Film F-20025/111mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/111magJoines II, code EK; Blanche and Joyce in kitchen; plus uncoded outtakes from barber shop scene; magnetic film has been separated from picture film |
| Film F-20025/112 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/112Joines II, code DR; war stories, part 2; walking patients; DR cut of concentration camp "Burnt them Jews"; plus uncoded wild pix cutaways from same scene; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/112mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/112magJoines II, code DR; war stories, part 2; walking patients; DR cut of concentration camp "Burnt them Jews"; plus uncoded wild pix cutaways from same scene; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/113 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/113Joines II, code DS; war stories, part; magnetic film has been separated from picture film |
| Film F-20025/113mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/113magJoines II, code DS; war stories, part; magnetic film has been separated from picture film |
| Film F-20025/114 |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/114Joines II, wild sound |
| Film F-20025/115 |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/115Joines I, wild sound; Blanche comments about Frail as father |
| Film F-20025/116 |
Being a Jones: A Life in the Brushy Mountains #20025, Subseries: "4.16. Moving Image Material." F-20025/116Joines II, wild sound; Frail autobiography |
| Film F-20025/117 |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/117Joines II, wild, code FL; Frail autobiography; includes notes on the film (see folders 270-278) |
| Film F-20025/118 |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/118Joines II, wild sound, code FN; Frail autobiography |
| Film F-20025/119 |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/119Code FM, wild; Frail autobiography |
| Film F-20025/120 |
Being a Jones: A Life in the Brushy Mountains #20025, Subseries: "4.16. Moving Image Material." F-20025/120Joines I, roll 10; Tom Pike |
| Film F-20025/121 |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/121Joines I, head pix, roll 10; Tom Pike |
| Film F-20025/122 |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/122Joines I, wild track; tales |
| Film F-20025/123a-b |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/123a-bJoines II, wild sound, rolls 1 and 2 |
| Film F-20025/124 |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/124Joines II, wild sound, roll 3, FT356 |
| Film F-20025/125a-c |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/125a-cJoines III, wild; stories around dinner table; stories on graveyard and religion |
| Film F-20025/126 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/126Joines I, wild sound; tall tales; magnetic film has been separated from picture film |
| Film F-20025/126mag(a-b) |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/126mag(a-b)Joines I, wild sound; tall tales; magnetic film has been separated from picture film |
| Film F-20025/127a-b |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/127a-bJoines I; wild sound; Frail, Blanche, and church |
| Film F-20025/128 |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/128Joines II, wild sound; war stories |
| Film F-20025/129 |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/129Joines II, wild sound, roll 13; war stories |
| Film F-20025/130 |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/130Joines II, wild sound, roll 12; wild stories |
| Film F-20025/131a-b |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/131a-bJoines II, rolls 7 and 8 on porch, code DO, wild sound; church meeting and preaching; includes notes on the film (see folders 270-278) |
| Film F-20025/132a-b |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/132a-bJoines IV |
| Film F-20025/133 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/133Joines IV; Frail tells stories; wild and some sync of Joyce taping; magnetic film has been separated from picture film |
| Film F-20025/133mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/133magJoines IV; Frail tells stories; wild and some sync of Joyce taping; magnetic film has been separated from picture film |
| Film F-20025/134 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/134Joines IV; apple picking pix and track; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/134mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/134magJoines IV; apple picking pix and track; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/135 |
Being a Jones: A Life in the Brushy Mountains, full coat magetic #20025, Subseries: "4.16. Moving Image Material." F-20025/135Joines II, wild sound effects |
| Film F-20025/136 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/136Joines V; stories in overalls on roll 2; Jack Davis and fog dog; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/136mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/136magJoines V; stories in overalls on roll 2; Jack Davis and fog dog; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/137 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/137Joines V; stories in overalls part 1, church in wildwood, ncle Bill, possibly cat head, fight or run, Willie and Steve, Fletch and church, and horse trading; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/137mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/137magJoines V; stories in overalls part 1, church in wildwood, ncle Bill, possibly cat head, fight or run, Willie and Steve, Fletch and church, and horse trading; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/138 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/138Joines I; stories with J. Jennings, part 1; ice cream under trees; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/138mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/138magJoines I; stories with J. Jennings, part 1; ice cream under trees; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/139 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/139Joines I; stories, part 2; cat and rod worm; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/139mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/139magJoines I; stories, part 2; cat and rod worm; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/140a-c |
Being a Jones: A Life in the Brushy Mountains, negative, magnetic soundtrack #20025, Subseries: "4.16. Moving Image Material." F-20025/140a-cJoines, negative outs; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/140mag(a-b) |
Being a Jones: A Life in the Brushy Mountains, negative, magnetic soundtrack #20025, Subseries: "4.16. Moving Image Material." F-20025/140mag(a-b)Joines, negative outs; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/141a-b |
Being a Jones: A Life in the Brushy Mountains #20025, Subseries: "4.16. Moving Image Material." F-20025/141a-bJoines III, original, rolls 1-2; includes notes on film (see folders 270-278) |
| Film F-20025/142a-b |
Being a Jones: A Life in the Brushy Mountains #20025, Subseries: "4.16. Moving Image Material." F-20025/142a-bJoines III, rolls 21-23 |
| Film F-20025/143a-b |
Being a Jones: A Life in the Brushy Mountains #20025, Subseries: "4.16. Moving Image Material." F-20025/143a-bJoines II, rolls 6-8; includes notes on film (see folders 270-278) |
| Film F-20025/144 |
Being a Jones: A Life in the Brushy Mountains #20025, Subseries: "4.16. Moving Image Material." F-20025/144Joines III original, rolls 1-3 |
| Film F-20025/145a-b |
Being a Jones: A Life in the Brushy Mountains, negative #20025, Subseries: "4.16. Moving Image Material." F-20025/145a-b |
| Film F-20025/146 |
Being a Jones: A Life in the Brushy Mountains, print #20025, Subseries: "4.16. Moving Image Material." F-20025/146 |
| Film F-20025/147 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/147Joines II, wild pix; mountain pix; includes notes on film (see folders 270-278) |
| Film F-20025/148 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/148Joines I, roll 1, tape 303, uncoded; good track about change; magnetic film has been separated from picture film |
| Film F-20025/148mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/148magJoines I, roll 1, tape 303, uncoded; good track about change; magnetic film has been separated from picture film |
| Film F-20025/149 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/149Joines III, wild pix; mountains of N. Wilkesboro and tractor pulling contest; magnetic film has been separated from picture film |
| Film F-20025/149mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/149magJoines III, wild pix; mountains of N. Wilkesboro and tractor pulling contest; magnetic film has been separated from picture film |
| Film F-20025/150 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/150Joines I, uncoded pix track, miscellaneous wild sound; all unused in film; magnetic film has been separated from picture film |
| Film F-20025/150mag(a-b) |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/150mag(a-b)Joines I, uncoded pix track, miscellaneous wild sound; all unused in film; magnetic film has been separated from picture film |
| Film F-20025/151 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/151Wild pix, cut version and trims; church; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/151mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/151magWild pix, cut version and trims; church; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/152a-b |
Being a Jones: A Life in the Brushy Mountains #20025, Subseries: "4.16. Moving Image Material." F-20025/152a-bWork print, two reels, OCN for 72K3, film tape |
| Film F-20025/153 |
Being a Jones: A Life in the Brushy Mountains #20025, Subseries: "4.16. Moving Image Material." F-20025/153Still photographs |
| Film F-20025/155a-b |
Being a Jones: A Life in the Brushy Mountains #20025, Subseries: "4.16. Moving Image Material." F-20025/155a-bReel 2 of 2, tracks 1-2 for mix; includes notes on film (see folders 270-278) |
| Film F-20025/156a-b |
Being a Jones: A Life in the Brushy Mountains #20025, Subseries: "4.16. Moving Image Material." F-20025/156a-bReel 1 of 2, tracks 1-2 |
| Film F-20025/168a-b |
Being a Jones: A Life in the Brushy Mountains #20025, Subseries: "4.16. Moving Image Material." F-20025/168a-bWild; Chamber of Commerce |
| Film F-20025/169 |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/169Reels 1-2, track 3, and market loop; magnetic film has been separated from picture film |
| Film F-20025/169mag |
Being a Jones: A Life in the Brushy Mountains, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/169magReels 1-2, track 3, and market loop; magnetic film has been separated from picture film |
| Film F-20025/171 |
Being a Jones: A Life in the Brushy Mountains, full coat magnetic #20025, Subseries: "4.16. Moving Image Material." F-20025/171Mix Joines, inserts and trims of changes; includes printing tape |
| Film F-20025/172 |
Being a Jones: A Life in the Brushy Mountains, full coat magnetic #20025, Subseries: "4.16. Moving Image Material." F-20025/172Reel 2, motor loop |
| Film F-20025/174a-b |
Being a Jones: A Life in the Brushy Mountains #20025, Subseries: "4.16. Moving Image Material." F-20025/174a-bStill photographs |
| Film F-20025/175a-b |
Being a Jones: A Life in the Brushy Mountains #20025, Subseries: "4.16. Moving Image Material." F-20025/175a-bBlack-and-white still photographs |
| Film F-20025/176a-b |
Being a Jones: A Life in the Brushy Mountains, full coat magnetic #20025, Subseries: "4.16. Moving Image Material." F-20025/176a-bWild track |
| Film F-20025/177-178 |
Being a Jones: A Life in the Brushy Mountains, negatives #20025, Subseries: "4.16. Moving Image Material." F-20025/177-178Joines V, rolls 1-5, dailies; projector tape |
| Film F-20025/179 |
Being a Jones: A Life in the Brushy Mountains, negative, work print #20025, Subseries: "4.16. Moving Image Material." F-20025/179Joines I; tall tales; includes dailies and projector tape (see folders 270-278) |
| Film F-20025/310a-b |
Being a Jones: A Life in the Brushy Mountains, release print #20025, Subseries: "4.16. Moving Image Material." F-20025/310a-bAnswer print 3 and reels 1-2; includes notes on the film (see folders 270-278) |
| Film F-20025/311 |
Being a Jones: A Life in the Brushy Mountains, release print #20025, Subseries: "4.16. Moving Image Material." F-20025/311New print; 1981 church service |
| Film F-20025/812-813 |
Being a Jones: A Life in the Brushy Mountains, full coat magnetic #20025, Subseries: "4.16. Moving Image Material." F-20025/812-813Magnetic tracks 1-2; dub of 16mm master |
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Series 5. A Singing Stream, 1972-1989.
Information about the production of Davenport's 1986 film, A Singing Stream. This film documents the Landis Family of Creedmore, N.C. Included are several grant applications, transcripts of the film and sound recordings, correspondence, photographs of the Landis family and other local gospel singing groups, memorabilia, promotional material, and production related notes. There are audiotapes of interviews with the Landis family as well as other sound used in the film. Finally, there is moving image material used in the creation of this film.
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Subseries 5.1. Grant Applications, 1980-1986.
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Subseries 5.2. Transcripts, 1981.
Transcripts for the audiotapes created for A Singing Stream.
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Subseries 5.3. Correspondence, 1981-1988.
Arrangement: chronological.
Letters to the Landis family, grant related correspondence, and financial documentation.
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Subseries 5.4. Photographs and Slides, 1982-1985.
| Image P-3847-3894 |
Photographs and slides of the Landis family and filming of A Singing Stream #20025, Subseries: "5.4. Photographs and Slides, 1982-1985." P-3847-3894 |
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Subseries 5.5. Financial Material.
| Folder 125 |
Budgets #20025, Subseries: "5.5. Financial Material." Folder 125Identification of the expenses of the project. |
| Folder 209 |
Golden Echoes bills #20025, Subseries: "5.5. Financial Material." Folder 209 |
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Subseries 5.6. Production Related Notes, 1982-1986.
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Subseries 5.7. Research Material.
Biographical information of members of the Landis family, a time line of the Landis Family, research articles about the Farm Security Administration, and published articles about the Landis family.
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Subseries 5.8. Memorabilia, 1981-1982.
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Subseries 5.9. Essays, 1972 and undated.
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Subseries 5.10. Study Guide.
| Folder 141 |
Study guide for use with film by Beverly Patterson #20025, Subseries: "5.10. Study Guide." Folder 141 |
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Subseries 5.11. Publicity.
Promotional materials and articles written about A Singing Stream.
| Folder 142 |
Articles #20025, Subseries: "5.11. Publicity." Folder 142 |
| Folder 143 |
Press releases and advertising #20025, Subseries: "5.11. Publicity." Folder 143 |
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Subseries 5.12. University of California, Los Angeles Film Festival, 1987.
| Folder 144 |
Rating of film from panel of jurors #20025, Subseries: "5.12. University of California, Los Angeles Film Festival, 1987." Folder 144 |
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Subseries 5.13. Son of Singing Stream.
Materials related to a proposed sequel to A Singing Stream, entitled Son of Singing Stream.
| Folder 208 |
Articles and correspondence related to Son of Singing Stream. #20025, Subseries: "5.13. Son of Singing Stream." Folder 208 |
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Subseries 5.13. Field Tapes.
Audiotapes of interviews with the Landis family, as well as other sound used in the film. Note that, for the most part, original titles are retained.
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Subseries 5.14. Audiocassettes.
Sound used in the production of A Singing Stream. Note that, for the most part, original titles are retained.
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Subseries 5.15. Moving Image Material.
Moving image material related to A Singing Stream. Films are described according to existing documentation on the original container or film. In most cases, the film descriptions are transcribed directly from the containers. Documentation on the containers or film includes codes and documentary film terminology. Documentary film terminology for work print materials includes wild pix, wild track, MOS, wild sound, wilds, dub, dubbing, mix, and loops. Original camera film is often labeled dailies.
| Digital Video Disc DVD-150 |
A Singing Stream #20025, Subseries: "5.15. Moving Image Material." DVD-150Contained as an extra on the disc Jack and the Dentist's Daughter |
| Videotape VT-20025/4 |
A Singing Stream, Umatic #20025, Subseries: "5.15. Moving Image Material." VT-20025/4 |
| Videotape VT-20025/19 |
A Singing Stream, Betamax #20025, Subseries: "5.15. Moving Image Material." VT-20025/19Beta II copy of first ans print; rough cut |
| Videotape VT-20025/20 |
A Singing Stream, Betamax #20025, Subseries: "5.15. Moving Image Material." VT-20025/20 |
| Videotape VT-20025/38 |
A Singing Stream, VHS #20025, Subseries: "5.15. Moving Image Material." VT-20025/38 |
| Videotape VT-20025/50 |
A Singing Stream, VHS #20025, Subseries: "5.15. Moving Image Material." VT-20025/50 |
| Film F-20025/259 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/259JJ; John interview on couch; signals, spirituals and blues; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/259mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/259mag(a-b)JJ; John interview on couch; signals, spirituals and blues; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/261 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/261Stereo and mixed magnetic AB; 1983 concert, "Going up in the Cross"; magnetic film has been separated from picture film |
| Film F-20025/261mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/261magStereo and mixed magnetic AB; 1983 concert, "Going up in the Cross"; magnetic film has been separated from picture film |
| Film F-20025/312 |
A Singing Stream, magnetic soundtrack #20025, Subseries: "5.15. Moving Image Material." F-20025/312Wild sound; Whisper and Creedmoor |
| Film F-20025/315a-b |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/315a-bBE BD BF; Jubilee style, Landis leads singing, Jubilee family singing, and Fleming; "Jezebel," "Southland Singing," and "Sleepin' God's Acre"; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/315mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/315mag(a-b)BE BD BF; Jubilee style, Landis leads singing, Jubilee family singing, and Fleming; "Jezebel," "Southland Singing," and "Sleepin' God's Acre"; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/317a-b |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/317a-bGC, GB, GA, G; concert and invocation with John; Claude and "Hold On"; Harmonettes; John introduces Flem; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/317mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/317mag(a-b)GC, GB, GA, G; concert and invocation with John; Claude and "Hold On"; Harmonettes; John introduces Flem; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/318a-c |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/318a-cDA, DB; church interior; church dismissal and exterior; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/318mag(a-c) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/318mag(a-c)DA, DB; church interior; church dismissal and exterior; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/319 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/319CB, wild, MOS; reunion; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/319mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/319mag(a-b)CB, wild, MOS; reunion; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/320-356 |
A Singing Stream, negatives #20025, Subseries: "5.15. Moving Image Material." F-20025/320-356Dailies; rolls 1A-3A, 1B-9B, 4A-6A, 1-35, and 39-40 |
| Film F-20025/357 |
A Singing Stream, negatives #20025, Subseries: "5.15. Moving Image Material." F-20025/357Dailies; rolls G, H, I |
| Film F-20025/358-359 |
A Singing Stream, negatives #20025, Subseries: "5.15. Moving Image Material." F-20025/358-359Dailies; rolls 7A-8A and 10-11 |
| Film F-20025/360 |
A Singing Stream, negatives #20025, Subseries: "5.15. Moving Image Material." F-20025/360Dailies; rolls D, E, F |
| Film F-20025/361-365 |
A Singing Stream, negatives #20025, Subseries: "5.15. Moving Image Material." F-20025/361-365Dailies; rolls 1-5 and 7-15 |
| Film F-20025/366 |
A Singing Stream, negatives #20025, Subseries: "5.15. Moving Image Material." F-20025/366Dailies; rolls A, B, C |
| Film F-20025/367-374 |
A Singing Stream, negatives #20025, Subseries: "5.15. Moving Image Material." F-20025/367-374Dailies; rolls 1, 7-9, 16-18, 21-23, 25-26, and 36-38 |
| Film F-20025/375-376 |
A Singing Stream #20025, Subseries: "5.15. Moving Image Material." F-20025/375-376Work print, reels 1-2; includes notes on film (see folders 270-278) |
| Film F-20025/377 |
A Singing Stream, magnetic soundtrack #20025, Subseries: "5.15. Moving Image Material." F-20025/377 |
| Film F-20025/378 |
A Singing Stream, magnetic soundtrack #20025, Subseries: "5.15. Moving Image Material." F-20025/378Echoes stereo, 16 transfer reel 2; includes notes on film (see folders 270-278) |
| Film F-20025/379 |
A Singing Stream, magnetic soundtrack #20025, Subseries: "5.15. Moving Image Material." F-20025/379Boom mike, track 1; church concert |
| Film F-20025/380 |
A Singing Stream, magnetic soundtrack #20025, Subseries: "5.15. Moving Image Material." F-20025/380Roll 23 wild; interview with John and Claude |
| Film F-20025/381-382 |
A Singing Stream, negatives #20025, Subseries: "5.15. Moving Image Material." F-20025/381-382Dailies; rolls 1-3 and 16-18 |
| Film F-20025/383 |
A Singing Stream, negatives #20025, Subseries: "5.15. Moving Image Material." F-20025/383Dailies; rolls J-L |
| Film F-20025/384 |
A Singing Stream, negatives #20025, Subseries: "5.15. Moving Image Material." F-20025/384Dailies; rolls 4-5 |
| Film F-20025/385 |
A Singing Stream, magnetic soundtrack #20025, Subseries: "5.15. Moving Image Material." F-20025/385Wild uncoded; roll 59; Fleming and Tony; Jubilee versus guitar |
| Film F-20025/386 |
A Singing Stream #20025, Subseries: "5.15. Moving Image Material." F-20025/386Sync and no code; Airport arrival; magnetic film has been separated from picture film |
| Film F-20025/386mag |
A Singing Stream #20025, Subseries: "5.15. Moving Image Material." F-20025/386magSync and no code; Airport arrival; magnetic film has been separated from picture film |
| Film F-20025/387 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/387Uncoded; Bertha writes Grissom news; magnetic film has been separated from picture film |
| Film F-20025/387mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/387magUncoded; Bertha writes Grissom news; magnetic film has been separated from picture film |
| Film F-20025/388 |
A Singing Stream, magnetic soundtrack #20025, Subseries: "5.15. Moving Image Material." F-20025/388Uncoded wild; Savoy recording |
| Film F-20025/389a-b |
A Singing Stream, magnetic soundtrack #20025, Subseries: "5.15. Moving Image Material." F-20025/389a-bWild interviews, transcibed; Kenneth Daniels, John, Bertha, and Claude |
| Film F-20025/390 |
A Singing Stream, magnetic soundtrack #20025, Subseries: "5.15. Moving Image Material." F-20025/390Ten minute sample, mix track, duplicate A and B rolls |
| Film F-20025/391 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/391Concert 1981; magnetic film has been separated from picture film |
| Film F-20025/391mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/391magConcert 1981; magnetic film has been separated from picture film |
| Film F-20025/392 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/392AH; Shelly's mens shop; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/392mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/392magAH; Shelly's mens shop; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/393 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/393EC; John tours garage and accident; magnetic film has been separated from picture film |
| Film F-20025/393mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/393magEC; John tours garage and accident; magnetic film has been separated from picture film |
| Film F-20025/394 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/394ED; computer store and Creedmoor; magnetic film has been separated from picture film |
| Film F-20025/394mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/394magED; computer store and Creedmoor; magnetic film has been separated from picture film |
| Film F-20025/395 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/395MOS and wild tracks; church service and family reunion; magnetic film has been separated from picture film |
| Film F-20025/395mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/395mag(a-b)MOS and wild tracks; church service and family reunion; magnetic film has been separated from picture film |
| Film F-20025/396 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/396EC; Nines garage; magnetic film has been separated from picture film |
| Film F-20025/396mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/396magEC; Nines garage; magnetic film has been separated from picture film |
| Film F-20025/397 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/397FA 000-1029; Fleming in car; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/397mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/397magFA 000-1029; Fleming in car; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/398 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/398Liggett Meyers and Ken Daniel in computer room; magnetic film has been separated from picture film |
| Film F-20025/398mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/398magLiggett Meyers and Ken Daniel in computer room; magnetic film has been separated from picture film |
| Film F-20025/399a-b |
A Singing Stream, reversal #20025, Subseries: "5.15. Moving Image Material." F-20025/399a-bLandis stills copied on Plus-X and Tri-X reversal; includes notes on film (see folders 270-278) |
| Film F-20025/400 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/400GG, music trims in B can; reunion 1983; tour farm; EOH eat; Flem arrives; includes note on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/400mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/400mag(a-b)GG, music trims in B can; reunion 1983; tour farm; EOH eat; Flem arrives; includes note on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/401 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/401JA; John decorating and interiors; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/401mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/401magJA; John decorating and interiors; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/402 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/402EB; Bertha interview and dining room with photo; magnetic film has been separated from picture film |
| Film F-20025/402mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/402magEB; Bertha interview and dining room with photo; magnetic film has been separated from picture film |
| Film F-20025/403 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/403Women in kitchen and photos; includes note on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/403mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/403magWomen in kitchen and photos; includes note on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/404 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/404GE; 1981 concert, Smooth Emcee introduces Echoes; Hawley interiors and exteriors, audience; cutaways "near the cross"; magnetic film has been separated from picture film |
| Film F-20025/404mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/404magGE; 1981 concert, Smooth Emcee introduces Echoes; Hawley interiors and exteriors, audience; cutaways "near the cross"; magnetic film has been separated from picture film |
| Film F-20025/405 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/405AG; dressing for concert; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/405mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/405magAG; dressing for concert; includes notes on film (see folders 270-278); magnetic film has been separated from picture film; |
| Film F-20025/406 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/406F; upholstery; magnetic film has been separated from picture film |
| Film F-20025/406mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/406magF; upholstery; magnetic film has been separated from picture film |
| Film F-20025/407 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/407CH, 000, 1, 000; baseball, sparrows, school bus, and water calf; includes note on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/407mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/407magCH, 000, 1, 000; baseball, sparrows, school bus, and water calf; includes note on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/408 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/408EB 000; Bertha votes; magnetic film has been separated from picture film |
| Film F-20025/408mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/408magEB 000; Bertha votes; magnetic film has been separated from picture film |
| Film F-20025/409 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/409Tobacco workers; magnetic film has been separated from picture film |
| Film F-20025/409mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/409magTobacco workers; magnetic film has been separated from picture film |
| Film F-20025/410 |
A Singing Stream, magnetic soundtrack #20025, Subseries: "5.15. Moving Image Material." F-20025/410Roll 1, wild sound roll DA 1; Ken Daniels, where Ken comments on job and background |
| Film F-20025/411 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/411CC; reunion 1982, Claude and children, people gather, and men talk; includes note on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/411mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/411magCC; reunion 1982, Claude and children, people gather, and men talk; includes note on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/412 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/412DF 000; breakdancing, grand and great grandchildren, and Ken Daniels; magnetic film has been separated from picture film |
| Film F-20025/412mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/412magDF 000; breakdancing, grand and great grandchildren, and Ken Daniels; magnetic film has been separated from picture film |
| Film F-20025/413a-b |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/413a-bCan says "material sent to Ray Hubbard for his film"; "Working for the Lord"; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/413mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/413magCan says "material sent to Ray Hubbard for his film"; "Working for the Lord"; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/414 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/414HB, sync, no code; Jubilee style family singing, women in back, Jonah and "Going to see King"; magnetic film has been separated from picture film |
| Film F-20025/414mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/414magHB, sync, no code; Jubilee style family singing, women in back, Jonah and "Going to see King"; magnetic film has been separated from picture film |
| Film F-20025/415a-b |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/415a-bCreedmoor; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/415mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/415magCreedmoor; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/416 |
A Singing Stream, magnetic soundtrack #20025, Subseries: "5.15. Moving Image Material." F-20025/416Loops and mix |
| Film F-20025/417 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/417Concert, MOS; audience and Echoes enter hall; magnetic film has been separated from picture film |
| Film F-20025/417mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/417magConcert, MOS; audience and Echoes enter hall; magnetic film has been separated from picture film |
| Film F-20025/418 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/418JE; wedding; magnetic film has been separated from picture film |
| Film F-20025/418mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/418mag(a-b)JE; wedding; magnetic film has been separated from picture film |
| Film F-20025/419a-b |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/419a-bHJ; John, Jessie May, Bertha, and Trussell talk and sing; magnetic film has been separated from picture film |
| Film F-20025/419mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/419mag(a-b)HJ; John, Jessie May, Bertha, and Trussell talk and sing; magnetic film has been separated from picture film |
| Film F-20025/420 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/420JB; John Landis in car and mowing and views of environment and Creedmoor; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/420mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/420magJB; John Landis in car and mowing and views of environment and Creedmoor; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/421a-b |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/421a-bFC; BBQ with Roberts and Fleming; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/421mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/421mag(a-b)FC; BBQ with Roberts and Fleming; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/422 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/422EF, sync and wild; 23rd anniversary and Ken sets up stage; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/422mag(a-c) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/422mag(a-c)EF, sync and wild; 23rd anniversary and Ken sets up stage; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/423 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/4231981 anniversary concert; includes note on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/423mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/423mag1981 anniversary concert; includes note on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/424 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/424HH; church service; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/424mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/424mag(a-b)HH; church service; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/425 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/425FB; rehearsal, church service, breakfast, and Roberts; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/425mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/425magFB; rehearsal, church service, breakfast, and Roberts; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/427 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/4271982 reunion with "Union in Heaven," Bertha with sons, "Heaven on My Mind"; magnetic film has been separated from picture film |
| Film F-20025/427mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/427mag1982 reunion with "Union in Heaven," Bertha with sons, "Heaven on My Mind"; magnetic film has been separated from picture film |
| Film F-20025/428 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/428AA; beginning of concert, including song "Troubles"; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/428mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/428magAA; beginning of concert, including song "Troubles"; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/430a-h |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/430a-h |
| Film F-20025/431-432 |
A Singing Stream, magnetic soundtrack #20025, Subseries: "5.15. Moving Image Material." F-20025/431-432Reels 1-2, mix; includes notes on film (see folders 270-278) |
| Film F-20025/433 |
A Singing Stream, magnetic soundtrack #20025, Subseries: "5.15. Moving Image Material." F-20025/433Mix down from 8-track; songs including "Troubles," "Remember Me," and "Going Up" |
| Film F-20025/434 |
A Singing Stream #20025, Subseries: "5.15. Moving Image Material." F-20025/434Mix master and reels 1-2, Dolby; includes notes on the film (see folders 270-278) |
| Film F-20025/435a-b |
A Singing Stream #20025, Subseries: "5.15. Moving Image Material." F-20025/435a-bMix master and reels 1-2, Dolby; includes notes on the film (see folders 270-278) |
| Film F-20025/436 |
A Singing Stream, magnetic soundtrack #20025, Subseries: "5.15. Moving Image Material." F-20025/436EOH; Fleming and "Been Good" |
| Film F-20025/437 |
A Singing Stream #20025, Subseries: "5.15. Moving Image Material." F-20025/437John on uniforms pix |
| Film F-20025/438 |
A Singing Stream, magnetic soundtrack #20025, Subseries: "5.15. Moving Image Material." F-20025/438John on uniforms |
| Film F-20025/439 |
A Singing Stream #20025, Subseries: "5.15. Moving Image Material." F-20025/439EOH; Fleming and "Been Good," and Davenport with camera |
| Film F-20025/440 |
A Singing Stream #20025, Subseries: "5.15. Moving Image Material." F-20025/440JC; John on uniforms; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/440mag |
A Singing Stream #20025, Subseries: "5.15. Moving Image Material." F-20025/440magJC; John on uniforms; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/441 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/441AD AC; "Echoes of Heaven"; rehearsing and performing "Been Good" and "Remember Me"; includes notes on film with summary and trims (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/441mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/441magAD AC; "Echoes of Heaven"; rehearsing and performing "Been Good" and "Remember Me"; includes notes on film with summary and trims (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/442 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/442Sync, no code; John Den interview; magnetic film has been separated from picture film |
| Film F-20025/442mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/442magSync, no code; John Den interview; magnetic film has been separated from picture film |
| Film F-20025/443a-c |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/443a-cBertha wild interviews; includes "How many Children?"; includes notes on the film (see folders 270-278) |
| Film F-20025/444a-d |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/444a-dJohn Landis; reels 54-56 |
| Film F-20025/445a-b |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/445a-bEchoes rehearse; old rugged cross and songs "Heaven on my Mind," "Put a Little Love in your Heart," "Going up to Meet Him," and "Back to the past"; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/445mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/445mag(a-b)Echoes rehearse; old rugged cross and songs "Heaven on my Mind," "Put a Little Love in your Heart," "Going up to Meet Him," and "Back to the past"; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/446 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/446Church Fleming singing, Brace preaches, and Bertha talks about reunion; magnetic film has been separated from picture film |
| Film F-20025/446mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/446magChurch Fleming singing, Brace preaches, and Bertha talks about reunion; magnetic film has been separated from picture film |
| Film F-20025/447 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/447Outtakes; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/447mag(a-c) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/447mag(a-c)Outtakes; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/448a-b |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/448a-bJ 000, two pix to one sound; anniversary concert, part 2; song "Troubles" and dressing for concert; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/448mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/448magJ 000, two pix to one sound; anniversary concert, part 2; song "Troubles" and dressing for concert; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/449 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/449F, wild and sync; Claude in pea patch; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/449mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/449mag(a-b)F, wild and sync; Claude in pea patch; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/450a-b |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/450a-bCA C CD; family talking under tree; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/450mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/450mag(a-b)CA C CD; family talking under tree; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/451 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/451FE FF; Mrs Landis and Claude; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/451mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/451mag(a-b)FE FF; Mrs Landis and Claude; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/452 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/452DE 000; Ken Daniel interview and Ken Daniels and grandchildren talk; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/452mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/452mag(a-b)DE 000; Ken Daniel interview and Ken Daniels and grandchildren talk; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/453 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/453HE; Bertha in living room; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/453mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/453magHE; Bertha in living room; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/454a-c |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/454a-cOuttakes; Ron Perry, "Too Close", and Templemen; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/454mag(a-f) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/454mag(a-f)Outtakes; Ron Perry, "Too Close", and Templemen; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/455a-c |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/455a-cOuttakes; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/455mag(a-g) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/455mag(a-g)Outtakes; includes notes on the film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/456 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/456Outtakes; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/456mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/456mag(a-b)Outtakes; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/457a-b |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/457a-bAB; song "Going Up" |
| Film F-20025/458 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/458JD, sync; John in car; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/458mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/458magJD, sync; John in car; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/459 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/459HC; Bertha interview, NAACP, Coy, and naming children; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/459mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/459mag(a-b)HC; Bertha interview, NAACP, Coy, and naming children; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/460 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/460B, BB, BC; reunion 1982, rising stars, pies, and eating; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/460mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/460mag(a-b)B, BB, BC; reunion 1982, rising stars, pies, and eating; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/461 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/461AF, EH, EOH; rehearsing; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/461mag |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/461magAF, EH, EOH; rehearsing; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/462 |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/462Family with John; songs "Union in heaven," "Got up with heaven on my mind," and "Mighty close to H."; Bertha on buying farm; includes notes on film, with summary (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/462mag(a-b) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/462mag(a-b)Family with John; songs "Union in heaven," "Got up with heaven on my mind," and "Mighty close to H."; Bertha on buying farm; includes notes on film, with summary (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/463a-e |
A Singing Stream, magnetic soundtrack #20025, Subseries: "5.15. Moving Image Material." F-20025/463a-eCan 2, reels 57, 3, 2, 19, B, 40, 13; John wild interviews; includes notes on the film (see folders 270-278) |
| Film F-20025/464a-b |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/464a-bOuttakes; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/464mag(a-f) |
A Singing Stream, work print #20025, Subseries: "5.15. Moving Image Material." F-20025/464mag(a-f)Outtakes; includes notes on film (see folders 270-278); magnetic film has been separated from picture film |
| Film F-20025/698-702 |
A Singing Stream, release print #20025, Subseries: "5.15. Moving Image Material." F-20025/698-702 |
| Film F-20025/701 |
A Singing Stream, answer print #20025, Subseries: "5.15. Moving Image Material." F-20025/701Second answer print |
| Film F-20025/734-735 |
A Singing Stream, release print #20025, Subseries: "5.15. Moving Image Material." F-20025/734-735Print 1 and 6; includes index card, order form, "North Carolina Folklore Journal," and transcript (see folders 270-278) |
| Film F-20025/806 |
A Singing Stream, negatives #20025, Subseries: "5.15. Moving Image Material." F-20025/806Dailies; rolls 4-6 |
| Film F-20025/931 |
A Singing Stream, release print #20025, Subseries: "5.15. Moving Image Material." F-20025/931Print 7; film separated for preservation reasons |
| Film F-20025/932 |
A Singing Stream, release print #20025, Subseries: "5.15. Moving Image Material." F-20025/932Print 8; film separated for preservation reasons |
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Series 6. From the Brothers Grimm, 1976-1991.
Materials documenting the production of the series From the Brothers Grimm,, which contains Ashpet: An American Cinderella, Bearskin: The Man Who Didn’t Wash for Seven Years, Bristlelip,xxx The Frog King, The Goose Girl, Hansel and Gretel, Jack and the Dentist’s Daughter, Mutzmag, Rapunzel, Rapunzel, Soldier Jack, and Willa: An American Snow White. These movies are retellings of classic Brothers Grimm fairy tales and are set in Delaplane, Va. Contains grant proposals, folktales from which the films are based, correspondence, promotional material, articles published about the film, and entry in the North Carolina Film Festival. Also contains audiotapes and audiocassettes recorded for the film, as well as moving image material created for use in this film.
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Subseries 6.1. Grant Proposals.
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Subseries 6.2. Folktales.
| Folder 146 |
Ray Hicks: Tell about Jack #20025, Subseries: "6.2. Folktales." Folder 146 |
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Subseries 6.3. Scripts.
| Folder 147 |
Script for Soldier Jack: An Appalachian Folktale #20025, Subseries: "6.3. Scripts." Folder 147 |
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Subseries 6.4. Correspondence, 1987.
| Folder 148 |
Correspondence between Daniel Patterson and Tom Davenport #20025, Subseries: "6.4. Correspondence, 1987." Folder 148 |
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Subseries 6.5. Promotional Materials.
| Folder 149 |
Ashpet- The Soldier Jack #20025, Subseries: "6.5. Promotional Materials." Folder 149 |
| Folder 210 |
Artwork for Mutzmag #20025, Subseries: "6.5. Promotional Materials." Folder 210 |
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Subseries 6.6. Publications, 1987-1992.
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Subseries 6.7. Articles Published About From the Brothers
Grimm, 1976-1989.
| Folder 154 |
Articles about The Brothers Grimm film series #20025, Subseries: "6.7. Articles Published About From the Brothers Grimm, 1976-1989." Folder 154 |
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Subseries 6.8. North Carolina Film Festival, 1991.
| Folder 155 |
Note of Honorable Mention #20025, Subseries: "6.8. North Carolina Film Festival, 1991." Folder 155 |
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Subseries 6.9. Production Related Notes.
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Subseries 6.10. Field Tapes.
Sound used in the From the Brothers Grimm movies. Note that, for the most part, original titles are retained.