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Collection Overview
| Size | 63 items (2.0 linear feet) |
| Abstract | Myles Horton founded the Highlander Folk School in 1932 as an adult education institution based on the principle of empowerment. Horton and other School members worked towards mobilizing labor unions in the 1930s and Citizenship Schools during the civil rights movement beginning in the late 1950s. They worked with Martin Luther King, Jr., the Southern Christian Leadership Conference (SCLC), Guy and Candie Carawan, Septima Clark, and Rosa Parks, among others. In 1959, the School was investigated for Communist activities and confiscation by the state of Tennessee. Soon after, its buildings mysteriously burned to the ground. The Highlander Folk School was re-chartered in 1971 as the Highlander Research and Education Center near Knoxville, Tenn. The collection includes acetate and transcription discs documenting the struggle for justice through political and social activism. Recordings of folk music, protest songs, labor songs, and African American religious songs were a large part of this movement and appear here. Acetate discs contain radio programs, recorded songs, and voices of leaders from the civil rights movement, including Esau Jenkins, Septima Clark, Rosa Parks, Miles Horton, and Zilphia Horton. Electrical transcription discs contain a variety of radio programs on issues related to the work at the Highlander Folk School. |
| Creator | Highlander Research and Education Center (Knoxville, Tenn.). |
| Language | English. |
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Information For Users
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Subject Headings
The following terms from Library of Congress Subject Headings suggest topics, persons, geography, etc. interspersed through the entire collection; the terms do not usually represent discrete and easily identifiable portions of the collection--such as folders or items.
These and related materials may be found under the following headings in online catalogs.
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Historical Information
Myles Horton founded the Highlander Folk School in 1932 as an adult education institution based on the principle of empowerment. Horton (1905-1991) was born and raised among the Appalachian Mountains in Savannah, Tenn. He grew up in a working-class family that believed in education and community service. His parents were schoolteachers until the late 1920s, after which they worked for the Works Progress Administration and other employers. Horton began working in packing plants before graduating from high school. During this time, he staged a tomato packers' strike and negotiated raises for workers.
In 1924, Horton attended Cumberland University in Lebanon, Tenn. He later studied at Union Theological Seminary and traveled to Denmark to explore educational reform. He investigated the work of Jane Addams and John Dewey and came to believe that the way to affect change in society was to give the poor and disenfranchised a place to organize and to tell their stories.
In 1932, the Highlander Folk School began to take form in Monteagle, Tenn. Horton and other School members worked towards mobilizing labor unions in the 1930s and Citizenship Schools during the civil rights movement beginning in the late 1950s. They worked with Martin Luther King, Jr., the Southern Christian Leadership Conference (SCLC), Guy and Candie Carawan, Septima Clark, and Rosa Parks, among others. Parks attended a workshop at the Highlander Folk School shortly before refusing to give up her seat on the bus in Montgomery, Ala. Zilphia Horton, the music and drama director at Highlander and Myles Horton's wife, heard the song "We Shall Overcome" at a workshop at the School. She later taught the song to Pete Seeger who popularized it around the country. "We Shall Overcome" became one of the anthems of the civil rights movement. Zilphia Horton died in 1955 in an accident
In 1959, the School was investigated for Communist activities. The investigation led to the School's confiscation by the state of Tennessee. Soon after, its buildings mysteriously burned to the ground.
The Highlander Folk School was re-chartered in 1971 as the Highlander Research and Education Center near Knoxville, Tenn., where it continued to provide education and support to poor and working-class people fighting economic injustice, poverty, prejudice, and environmental destruction and to help grassroots leaders create tools for building broad-based movements for change.
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Scope and Content
The collection of acetate and transcription discs from the Highlander Research and Education Center near Knoxville, Tenn. (formerly the Highland Folk School in Monteagle, Tenn.) documents the struggle for justice through political and social activism. Recordings of folk music, protest songs, labor songs, and African American religious songs were a large part of this movement and appear here. Acetate discs contain radio programs, recorded songs, and voices of leaders from the civil rights movement, including Esau Jenkins, Septima Clark, Rosa Parks, Miles Horton, and Zilphia Horton. Electrical transcription discs contain a variety of radio programs on issues related to the work at the Highlander Folk School (e.g., the Tennessee Valley Authority (TVA) worked closely with the Highlander Folk School on labor issues and is represented in the transcription disc collection).
The Highlander Research and Education Center Collection was chosen for the National Recording Registry.
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Series 1. Acetate Discs, undated.
Acetate discs consist of radio programs, recorded songs, and voices of leaders from the civil rights movement, including Esau Jenkins, Septima Clark, Rosa Parks, Miles Horton, and Zilphia Horton.
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Series 2. Transcription Discs, circa 1947.
Electrical transcription discs containing a variety of radio programs on issues related to the work at the Highlander Folk School. For example, the Tennessee Valley Authority (TVA) worked closely with the Highlander Folk School on labor issues and is represented in the transcription disc collection.
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Items Separated
Items are separated according to their format (FDs and TRs).
Back to TopPreservation of and access to the Highlander Research and Education Center Collection were made possible through a grant from the National Endowment for the Humanities.
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