Inventory of the Hillbilly Music Sources and Symbols Collection, 1965, 2003Collection Number 20378-z![]() Manuscripts Department, University Library of the University of North Carolina at Chapel Hill |
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Collection Information
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Back to Top Descriptive Summary
Back to Top Administrative Information
Online Catalog HeadingsThese and related materials may be found under the following headings in online catalogs.
Historical NoteIn response to a surge in the popularity of traditional music inspired by the film O Brother, Where Art Thou? and in celebration of the publication of Country Music Sources: A Biblio-Discography of Commercially Recorded Traditional Country Music by Guthrie T. Meade Jr. with Douglas S. Meade and Richard K. Spottswood (Southern Folklife Collection, 2002), Hillbilly Music Sources and Symbols: Country Music, Cultural Brokerage and O Brother, Where Art Thou? was held 4-5 April 2003 in the Wilson Library, University of North Carolina-Chapel Hill. The conference was sponsored by the Southern Folklife Collection, the Center for the Study of the American South, and Music in Context, all associated with UNC. Author and historian Benjamin Filene gave the keynote address. Among the panelists were folklorist Alan Jabbour; William R. Ferris (Bill Ferris), senior associate director of the Center for the Study of the American South; discographer Richard K. Spottswood (Dick Spottswood); and professor of American Studies Robert Cantwell. There were also presentations of research papers by students and concluding remarks by folklorist and labor historian Archie Green. Back to TopCollection OverviewThe Hillbilly Music Sources and Symbols Collection documents the Hillbilly Music Sources and Symbols: Country Music, Cultural Brokerage and O Brother, Where Art Thou? conference, held 4-5 April 2003 at the University of North Carolina-Chapel Hill and sponsored by the Southern Folklife Collection, the Center for the Study of the American South, and Music in Context. The collection includes promotional materials (poster and program), two articles, and audiocassettes and videocassettes containing recordings of conference events. Among the topics covered at the conference were country music, folk music, and old-time music and the popular culture of the American South. The articles are "Hillbilly Music: Source and Symbol" by folklorist and labor historian Archie Green (Journal of American Folklore, July-September 1965, volume 78, number 309; reprinted and bound for the University of Illinois Campus Folksong Club), and "Country Music Sources: A Personal Perspective" by Douglas S. Meade. This article concerns the life and career of Meade's father, Guthrie T. Meade Jr. (Gus Meade), focusing on his work on the discography that became Country Music Sources. Ten audiocassettes, one VHS videocassette, and nine Mini DV videocassettes document Benjamin Filene's keynote speech; panel discussions featuring Alan Jabbour, William R. Ferris, Richard K. Spottswood, and Robert Cantwell; student presentations; Archie Green's closing remarks; and other activities. Back to TopArrangement of Collection
2. Audiovisual materials Detailed Description of the Collection1. Promotional Materials and Articles, 1965, 2003. 4 items.
Promotional materials are a poster and a program, both containing information about schedule and participants. One article
is "Hillbilly Music: Source and Symbol" by Archie Green; the other is "Country Music Sources: A Personal Perspective" by Douglas S. Meade.
Folder
1Promotional items
Folder
2Articles
Back to Top 2. Audiovisual Materials, 2003. 25 items.
Audiocassette
FS-7098Student papers (1 of 3), 4 April 2003
Panel 1: Josh Guthman, "Ghost World: Death and Resurrection in the Music of Ralph Stanley"; Andrew Horowitz, "'I'm a Man!': McKinley Morganfield and the African American Great Migration"; Matt Meacham, "Virtuosity, Intertextuality, and the Bluegrass Mandolin Instrumental"; William R. Ferris, discussant.
Audiocassette
FS-7099Student papers (2 of 3), 4 April 2003
Panel 1: Conclusion; Panel 2: Andrew Flory, "Being There: Wilco in Transition"; Aaron Smithers, "Old Time Punk: Relationships of Hillbilly and Punk Rock Music in Alternative Country"; Alicia C. Levin, "Identity Crisis in O Brother, Where Art Thou?"; David Sanjek, discussant.
Audiocassette
FS-7100Student papers (3 of 3), 4 April 2003
Panel 2: David Sanjek, comments
Audiocassette
FS-7102Conference (1 of 7), 5 April 2003
Side 1: Opening comments: Joe Hewitt, Dan Patterson, and Steve Weiss. Side 2: "Man of Constant Sorrow," Part I, Musical Notes: Jocelyn Neal (Moderator), Gail Gillespie, Alan Jabbour, and Philip Vandermeer.
Audiocassette
FS-7102Conference (2 of 7), 5 April 2003
Side 1: "Man of Constant Sorrow," Part I, Musical Notes: Jocelyn Neal (Moderator), Gail Gillespie, Alan Jabbour, and Philip Vandermeer.
Audiocassette
FS-7103Conference (3 of 7), 5 April 2003
Side 1 and Side 2: "Man of Constant Sorrow," Part II, Discographical Notes: Steve Weiss (Moderator), Richard K. Spottswood, Douglas S. Meade, and David Sanjek.
Audiocassette
FS-7104Conference (4 of 7), 5 April 2003
Side 1: "Man of Constant Sorrow," Part II, Discographical Notes: Steve Weiss (Moderator), Richard K. Spottswood, Douglas S. Meade, and David Sanjek.
Audiocassette
FS-7105Conference (5 of 7), 5 April 2003
Side 1 and Side 2: Keynote address by Benjamin Filene.
Audiocassette
FS-7106Conference (6 of 7), 5 April 2003
Audiocassette
FS-7107Conference (7 of 7), 5 April 2003
Side 1: "Organizing the Tradition: A Roundtable on Cultural Brokerage and Cultural Brokers": Mike Kramer (moderator), William R. Ferris, Robert Cantwell, Sarah Weiss, Wayne Martin, and George Holt.
Side 2: Closing comments by Archie Green.
Videotape
VT-20378/1-3Student papers, 4 April 2003
Videotape
VT-20378/4-9Conference, 5 April 2003
Videotape
VT-20378/10Photomontages: "A Man of Constant Sorrow Sampler" and "Hillbilly Brokerage in Action," 5 April 2003
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