This collection has access restrictions. For details, please see the restrictions.
This is a finding aid. It is a description of archival material held in the Wilson Library at the University of North Carolina at Chapel Hill. Unless otherwise noted, the materials described below are physically available in our reading room, and not digitally available through the World Wide Web. See the FAQ section for more information.
Expand/collapse
Collection Overview
| Size | About 40 items |
| Abstract | The collection contains letters from Booth Tarkington (1869-1946) to Philip Q. Loring of Portland, Me. Written mainly from Tarkington's summer home, Seawood, at Kennebunkport, Me., the letters chiefly concern insurance coverage provided by Loring's firm on oil paintings owned by Tarkington, but also include biting criticism of Eleanor Roosevelt and the social programs of the New Deal. |
| Creator | Loring, Philip Quincy. |
| Language | English |
Expand/collapse
Information For Users
Expand/collapse
Subject Headings
The following terms from Library of Congress Subject Headings suggest topics, persons, geography, etc. interspersed through the entire collection; the terms do not usually represent discrete and easily identifiable portions of the collection--such as folders or items.
Clicking on a subject heading below will take you into the University Library's online catalog.
Expand/collapse
Scope and Content
The collection contains letters from Booth Tarkington (1869-1946) to Philip Q. Loring of Portland, Me. Written mainly from Tarkington's summer home, Seawood, at Kennebunkport, Me., the letters chiefly concern insurance coverage provided by Loring's firm on oil paintings owned by Tarkington, but also include biting criticism of Eleanor Roosevelt and the social programs of the New Deal.
Back to Top
Expand/collapse
Philip Quincy Loring Papers, 1913-1944.
Expand/collapse
Items Separated
Processed by: SHC Staff
Encoded by: Noah Huffman, December 2007
Updated by: Kathryn Michaelis, March 2011
This collection was processed with support from the sponsorship of a grant from the National Endowment for the Humanities, Office of Preservation, Washington, D.C., 1990-1993.
Back to Top