Red Clay Ramblers Papers Inventory (#4756)![]() Manuscripts Department, Library of the University of North Carolina at Chapel Hill |
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Collection Information
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Back to Top Descriptive Summary Including Abstract
Administrative Information
Online Catalog Terms
Biographical NoteThe Red Clay Ramblers began in 1972 as a trio of musicians who had been playing in and around Chapel Hill, N.C. Personnel has included Tommy Thompson, banjo, guitar, vocals (1972-1994); Jim Watson, mandolin, guitar, vocals (1972-1986); Bill Hicks, fiddle, vocals (1972-1981); Clay Buckner, fiddle, vocals (1980- ); Mike Craver, piano, vocals (1973-1986); Bland Simpson, piano, vocals (1986- ); Jack Herrick, bass, horns, vocals (1976- ); and Chris Frank, piano, guitar, accordion, horns, vocals (1987- ). In 1973, the Ramblers released their first album and joined forces with a band known as the Southern States Fidelity Choir to create the musical Diamond Studs: The Life of Jesse James, which, after a successful run in Chapel Hill, moved off-Broadway the following year. The Ramblers collaborated with the Southern States Fidelity Choir again in 1982 when they provided the music for Tommy Thompson and Choir member Bland Simpson's dramatization of Mark Twain's Life on the Mississippi. The Ramblers returned to off-Broadway in 1985 when they provided the music for Sam Shepard's play A Lie of the Mind. The Ramblers collaborated two more times with Shepard, providing the score for his 1988 film, Far North, and playing a medicine show band in his 1993 film, Silent Tongue. When the Ramblers celebrated their 20th anniversary in 1992, they had released twelve albums, gone on three United States State Department-sponsored tours, and performed with critically-acclaimed artists Shawn Colvin and Michelle Shocked. Back to TopCollection OverviewMaterials, 1970s-1990s, chiefly relating to the Red Clay Ramblers' musical performances and theatrical presentations. Included are programs, newspaper reviews, and publicity posters from Hot Grog: A Tuneful Pirate Saga; Life on the Mississippi; The Merry Wives of Windsor, Texas; A Lie of the Mind; Far North; Sam Shepard's Silent Tongue; Fool Moon; and Kudzu: A Southern Musical. Also included are drafts of the musical Diamond Studs: The Life of Jesse James by Jim Wann and Bland Simpson, along with promotional materials and newspaper clippings relating to its performances; a manuscript and call sheet for Silent Tongue; a scrapbook with materials relating to Bland Simpson's Southern States Fidelity Choir, Diamond Studs, and other works; a radio script for The Last Song of John Proffit, an historical play by Tommy Thompson based upon the life Dan Emmett and his interactions with the Snowdens, an African-American family from Ohio, which touches on the development of the banjo, the culture surrounding minstrel shows, and the interaction between Anglo-American musicians and African-American musicians; photographs documenting Ramblers' musical and theatrical activities; biographies and venue lists created for promotional purposes; and correspondence, primarily between Bland Simpson and theater companies about performances. Back to TopOrganization of Collection
2. Pictures Back to Top Series Descriptions1. Papers, 1970s-1990s. About 175 items.
Materials chiefly relating to the Red Clay Ramblers' musical performances and theatrical presentations. Included are programs, newspaper reviews, and publicity posters from Hot Grog: A Tuneful Pirate Saga; Life on the Mississippi; The Merry Wives of Windsor, Texas; A Lie of the Mind; Far North; Sam Shepard's Silent Tongue; Fool Moon; and Kudzu: A Southern Musical. Also included are drafts of the musical Diamond Studs: The Life of Jesse James by Jim Wann and Bland Simpson, along with promotional materials and newspaper clippings relating to its performances; a manuscript and call sheet for Silent Tongue; a scrapbook with materials relating to Bland Simpson's Southern States Fidelity Choir, Diamond Studs, and other works; a radio script for The Last Song of John Proffit, an historical play by Tommy Thompson based upon the life Dan Emmett and his interactions with the Snowdens, an African-American family from Ohio, which touches on the development of the banjo, the culture surrounding minstrel shows, and the interaction between Anglo-American musicians and African-American musicians; photographs documenting Ramblers' musical and theatrical activities; biographies and venue lists created for promotional purposes; and correspondence, primarily between Bland Simpson and theater companies about performances.
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1
Biographical and performance information
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2
Correspondence, 1978-1981
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3
Diamond Studs: Manuscript, 1975
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4
Diamond Studs: Manuscript, August 1986
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5-6
Diamond Studs: Manuscripts, undated
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7
Diamond Studs: Newspaper clippings.
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8
Diamond Studs: Promotional materials (see also V-4756/S-1)
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9
The Last Song of John Proffit, ca. 1995
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10-12
Newspaper clippings
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13-16
Promotional materials
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17
V-4756/S-1: Scrapbook containing flyers from performances of the Southern States Fidelity Choir with newspaper articles and Diamond Studs publicity posters
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18
Silent Tongue: Manuscript and call sheet, 1992
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19
Miscellaneous
Back to Top 2. Pictures, ca. 1975-1988. About 50 items.
Folder
1/P-4756
Contact sheets with photographs of the Red Clay Ramblers at Crook's Corner in Chapel Hill, N.C., in 1988 and performing at the Festival for the Eno with Shawn Colvin in 1987
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2/P-4756
Photographs of the Red Clay Ramblers performing with Shawn Colvin, undated
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3/P-4756
Photographs of the Red Clay Ramblers performing in Diamond Studs, undated
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4/P-4756
Photographs of Bill Irwin, David Shiner, and the Red Clay Ramblers performing Fool Moon in New York, undated
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5/P-4756
Photographs from a performance of The Merry Wives of Windsor, Texas at the St. Louis Repertory Theater, undated
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6/P-4756
Slides of the Red Clay Ramblers, undated
Back to Top Back to Top Items SeparatedItems separated include oversize papers (OP-4756), a scrapbook (V-4756/S-1), and photographs (P-4756). Back to Top Related Collections
The Last Song of John Proffit (FT3315-FT3317), Southern Folklife Collection, Library of the University of North Carolina at Chapel Hill. |
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