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Listed below are citations for publications and recordings of UNC Chapel Hill Music Department faculty, graduate students, and alumni which are held in the Music Library. Citations are displayed for the most recent four years only. While we do not claim that this is a complete list, we have tried to be as comprehensive as possible within these parameters. Periodical articles and reviews are listed under the year the issue actually appeared. Any additions or corrections may be sent to Diane Steinhaus, Public Services Librarian.
Bonds, Mark Evan. Music as Thought: Listening to the Symphony in the Age of Beethoven [ML1255.B68 2006] is reviewed by Stephen Rumph in Journal of the American Musicological Society 61/1 (Spring 2008), pp.221-224.
Brackett, John (Ph.D. 2003). "Examining Rhythmic and Metric Practices in Led Zeppelin's Musical Style" in Popular Music 27/1 (2008), pp.53-76.
Carter, Tim. Review of Echoes of Women's Voices: Music, Art and Female Patronage in Early Modern Florence by Kelly Harness [NX705.5.I82 F584 2006] in Early Music (February 2008), pp.117-119.
García, David F. Arsenio Rodríguez and the Transnational Flows of Latin Popular Music [ML410.R63235 G37 2006] is reviewed by David-Emil Wickström in Popular Music 27/1 (2008), pp.159-160.
____. Arsenio Rodríguez and the Transnational Flows of Latin Popular Music [ML410.R63235 G37 2006] is reviewed in Journal of Popular Music Studies 20/1 (2008), pp.79-91.
Hiam, Jonathan (Ph.D 2006). Review of Music and Urban Geography by Adam Krims [ML3916.K75 2007] in Notes 64/3 (March 2008), pp.479-481.
Mehrens, Christopher (Ph.D. 1998). Review of Deems Taylor: Selected Writings selected and annotated by James A. Pegolotti [ML60.T296 2007] in Notes 64/4 (June 2008), pp.752-754.
Zeiss, Laurel (Ph.D. 1999). Review of The Temple of Night at Schönau: Architecture, Music, and Theater in a Late Eighteenth-Century Viennese Garden by John A. Rice [Davis Q11.P612 v.258] in Notes 64/3 (March 2008), pp.481-483.
Alden, Jane (Ph.D., 1999). "Reading the Loire Valley Chansonniers" in Acta Musicologica LXXIX/1 (2007), pp.1-31.
Anderson, Allen. Reconstruction and completion of Arnold Schoenberg's My Horses Ain't Hungry, Belmont, 2007 [M1582.S4 M9 2007].
Bartig, Kevin Michael. Review of Creative Union: The Professional Organization of Soviet Composers, 1939-1953 by Kiril Tomoff [ML3917.S65 T66 2006] in Notes 63/4 (June 2007), pp.848-850.
Bonds, Mark Evan. Music As Thought: Listening to the Symphony in the Age of Beethoven [ML1255.B68 2006] is reviewed by Patricia Howard in Musical Times v.148 (Summer 2007), pp.103-105.
____. Music As Thought: Listening to the Symphony in the Age of Beethoven [ML1255.B68 2006] is reviewed by Patricia Stroh in Beethoven Journal 22/1 (Summer 2007), p.45.
____. "Replacing Haydn: Mozart's 'Pleyel' Quartets" in Music and Letters 88/2 (May 2007), pp.201-225.
Carter, Tim. "Crossing the Boundaries: Sacred, Civic, and Ceremonial Space in Late Sixteenth- and Early Seventeenth-Century Florence" in Atti del VII Centenario del Duomo di Firenze, [NA5621.F5 A88 2001 v.3] pp.139-146.
Carter, Tim (ed.). The Cambridge History of Seventeenth-Century Music [ML194.C23 2005] is reviewed by Gregory S. Johnston in Early Music 35/2 (May 2007), pp.293-295.
____. The Cambridge History of Seventeenth-Century Music [ML194.C23 2005] is reviewed by David Schulenberg in Music and Letters 88/3 (August 2007), pp.484-487.
____. The Cambridge History of Seventeenth-Century Music [ML194.C23 2005] is reviewed by Peter Williams in Notes 63/3 (March 2007), pp.597-600.
____. "Musical Sources," "The Venetian Secular Music," and "Lamento della Ninfa (1638)" in Cambridge Companion to Monteverdi, [ML410.M77 C36 2007] pp.20-30, 179-194, and 195-198.
Citron, Marcia (Ph.D. 1971). "A Bicentennial Reflection: Twenty-five Years with Fanny Hensel" in Nineteenth-Century Music Review 4/2 (2007), pp.7-20.
____. Review of Composers in the Movies: Studies in Music Biography by John C. Tibbets [Davis PN1995.9.C553 T53 2005] in Music and Letters 88/1 (February 2007), pp.171-175.
____. Review of Changing Tunes: The Use of Pre-existing Music in Film edited by Phil Powrie and Robynn Stilwell [ML2075.C46 2006] in Music and Letters 88/4 (November 2007), pp.698-702.
Cochran, Keith (Ph.D. 1995). Review of Hector Berlioz: Incomplete Operas edited by Ric Graebner and Paul Banks [M3.B52 v.4] in Notes 63/4 (June 2007), pp.940-942.
Corneilson, Paul (Ph.D. 1992) (ed.). Christian Cannabich: Ballet Music Arranged for Chamber Ensemble (Recent Researches in the Music of the Classical Period, 73) [M2.R2381 v.73].
Cusick, Suzanne (Ph.D. 1975). Review of Boccherini's Body: An Essay in Carnal Musicology by Elizabeth Le Guin [ML410.B66 L4 2006] in Current Musicology 84 (Fall 2007), pp.139-146.
____. "Monteverdi Studies and 'New' Musicologies" in Cambridge Companion to Monteverdi, [ML410.M77 C36 2007] pp.249-260.
Fauser, Annegret. Musical Encounters at the 1889 Paris World's Fair [ML270.4.F38 2005] is reviewed by Helen Julia Minors in Nineteeth-Century Music Review 4/1, pp.135-139.
Fitzgerald, Michael. Review of Lee Morgan: His Life, Music and Culture by Tom Perchard [ML419.M68 P47 2006] in ARSC Journal 38/1 (Spring 2007), pp.117-120.
____. Review of I Know What I Know: The Music of Charles Mingus by Todd S. Jenkins [ML418.M45 J46 2006] in ARSC Journal 38/2 (Fall 2007), pp.235-237.
García, David F. Arsenio Rodríguez and the Transnational Flows of Latin Popular Music [ML410.R63235 G37 2006] is reviewed by Susan Thomas in Latin American Music Review 28/2 (Fall/Winter 2007), pp.306-309.
Haar, James (ed). European Music 1520-1640 [ML 172.E88 2006] is reviewed by Tina Chancey in Early Music America 13/1(Spring 2007), p.63.
____. European Music 1520-1640 [ML 172.E88 2006] is reviewed by Alex Fisher in Early Music 35/3 (August 2007), pp.454-456.
____. European Music 1520-1640 [ML 172.E88 2006] is reviewed by Peter Phillips in Musical Times (Spring 2007), pp.116-117.
Haar, James and John Nádas. "Johannes de Anglia (John Hothby): Notes on His Career in Italy" in Acta Musicologica 79/2 (2007), pp.291-358.
Katz, Mark. Capturing Sound: How Technology Has Changed Music [ML3790.K277 2004] is reviewed by Simon Trezise in Music & Letters 88/3 (August 2007), pp.539-542.Kramer, Elizabeth (Ph.D. 2005). Review of E.T.A. Hoffmann's Musical Aesthetics by Abigail Chantler [ML410.H7 C45 2006] in Notes 63/4 (June 2007), pp.833-836.
____. Review of Ludwig van Beethoven. Sonatas for Piano and Violin, op. 23 and op. 30, no. 2. Andreas Staier, piano and Daniel Sepec, violin [CD-14,078] in Beethoven Forum 14/1 (Spring 2007), pp.94-99.
Mehrens, Christopher (Ph.D. 1998). Review of So I've Heard: Notes of a Migratory Music Critic by Alan Rich [ML3880.R53 2006] in Notes 63/4 (June 2007), pp.881-885.
Nádas, John and James Haar. "Johannes de Anglia (John Hothby): Notes on His Career in Italy" in Acta Musicologica 79/2 (2007), pp.291-358.
Neal, Jocelyn. "Narrative Paradigms, Musical Signifiers, and Form as Function in Country Music," in Music Theory Spectrum 29/1 (Spring 2007), pp.41-72.____. Review of Grand Ole Opry at Carnegie Hall (DVD) in Journal of the Society for American Music 1/2 (May 2007), pp.293-295.
Neff, Severine and Patricia Carpenter (editors and translators). The Musical Idea - and the Logic, Technique, and Art of Its Presentation by Arnold Schoenberg [MT6.S316 M913 2006] is reviewed by Edward Green in Notes 63/4 (June 2007), pp.861-863.
Neff, Severine and Sabine Feist. Foreword to Arnold Schoenberg's My Horses Ain't Hungry, Belmont, 2007 [M1582.S4 M9 2007].
Nosow, Robert (Ph.D. 1992). "Dancing the Righoletto," in Journal of Musicology 24/3 (Summer 2007), pp.407-446.
Oswell, Michelle (MA 2001). Review of Performance and Popular Music: History, Place and Time edited by Ian Ingeis [ML3470.P45 2006] in Notes 63/4 (June 2007), pp.876-879.
Porcaro, Mark (Ph.D. 2006). "A Polyphonic Type of Listening In and Out of Focus: Berio's Sequenza XI for Guitar," in Berio's Sequenzas, edited by Janet Halfyard [ML410.B4968 B47 2007], pp.255-274.
Press, Stephen (Ph.D. 1998). Prokofiev's Ballets for Diaghilev. Ashgate, 2006 [ML410 .P865 P74 2006] is reviewed by David Fanning in Music and Letters 88/2 (May 2007), pp.361-362.
____. Prokofiev's Ballets for Diaghilev. Ashgate, 2006 [ML410 .P865 P74 2006] is reviewed by Olga Haldey in Notes 63/3 (March 2007), pp.622-624.
Proskch, Bryan (Ph.D. 2006). Review of The Reception of Bach's Organ Works from Mendelssohn to Brahms by Russell Stinson [ML410.B1 S856 2006] in Fontes Artis Musicae 54/1 (January-March 2007), pp.150-151.
____. Review of Brass Scholarship in Review: Proceedings of the Historic Brass Society Conference, Cite de la Musique, Paris 1999 edited by Stewart Carter [ML933.B73 2006] in Fontes Artis Musicae 54/4 (October-December 2007), pp.605-607.Warfield, Scott (Ph.D. 1995). Review of Richard Strauss's Orchestral Music and the German Intellectual Tradition: The Philosophical Roots of Musical Modernism by Charles Youmans [ML410.S93 Y68 2005] in Journal of Musicological Research 26/1 (2007), pp.75-78.
____. Review of Orchestral Music: A Handbook (4th ed.) by David Daniels [Ref ML128.05.D3 2005] in Fontes Artis Musicae 54/4 (October-Decmeber 2007), pp.611-612.
Wörner, Felix. "Form als Wesen des musikalischer Kunstwerkes" in Musik Theorie: Zeitschrift für Musikwissenschaft 22/3 (2007), pp.261-273.
Zeiss, Laurel (Ph.D. 1999). Review of The Cambridge Mozart Encyclopedia edited by Cliff Eisen and Simon P. Keefe [Ref ML410.M9 C257 2006] in Notes 63/3 (March 2007), pp.584-586.
Bonds, Mark Evan. Music as Thought: Listening to the Symphony in the Age of Beethoven, Princeton University Press, 2006 [ML1255.B68 2006].
Carlson, Rachel Golden (Ph.D. 2000). "Two Paths to Daniel's Mountain: Poetic-Musical Unity in Aquitanian Versus," in Journal of Musicology 23/4 (Fall 2006), pp.620-646.
Carter, Tim (ed.). The Cambridge History of Seventeenth-Century Music [ML194.C23 2005] is reviewed by Peter Williams in Musical Times (Summer 2006), pp.85-90.
Carter, Tim. "The Concept of the Baroque," in European Music, 1520-1640 [ML172.E88 2006], pp.38-57.
____. Monteverdi's Musical Theatre [ML410.M77 C37 2002] is reviewed by Barbara Russano Hanning in in Journal of Seventeenth-Century Music 12/1 (2006); http://sscm-jscm.press.uiuc.edu/v12/no1/hanning.html
Citron, Marcia (Ph.D. 1971). Reviews of Encyclopedia of Opera on Screen by Ken Wlaschin [Ref. ML102.O6 W55 2004] 2nd ed. and Cinema's Illusions, Opera's Allure by David Schroeder [Davis PN1995.9.O64 S37 2002] in Music and Letters 87/1 (January 2006), pp.157-161.
Corneilson, Paul (Ph.D. 1992). "A Context for Mozart's French Ariettes: The Wendling Family and Friedrich Schiller's Kabale und Liebe," in Current Musicology 81 (Spring 2006), pp.53-72.
Cusick, Suzanne (Ph.D. 1975). "Music as Torture, Music as Weapon," in Revista Transcultural de Música, vol. 10 (2006).
Fauser, Annegret. Musical Encounters at the 1889 Paris World's Fair [ML270.4.F38 2005] is reviewed by Richard Langham Smith in Musical Times (Autumn 2006), pp.93-101.
____. Musical Encounters at the 1889 Paris World's Fair [ML270.4.F38 2005] is reviewed by Lesley A. Wright in Notes 63/2 (December 2006), pp.364-366.
____. Musical Encounters at the 1889 Paris World's Fair [ML270.4.F38 2005] is reviewed by Robert Orledge in Music and Letters 87/4 (November 2006), pp.627-630.
Finson, Jon. "Sinfonien" in Schumann Handbuch [ML410.S4 S33 2006], pp.334-360.
Fitzgerald, Michael. Reviews of Chasin' the Bird: The Life and Legacy of Charlie Parker by Brian Priestley [ML419.P4 P72 2006] and Take Five: The Public and Private Lives of Paul Desmond by Doug Ramsey in ARSC Journal 37/2 (Fall 2006), pp.240-242.
Flory, Jonathan Andrew (Ph.D. 2006). I Hear a Symphony: Making Music at Motown, 1959-1979. Ph.D. Dissertation, University of North Carolina at Chapel Hill, 2006.
García, David F. Arsenio Rodríguez and the Transnational Flows of Latin Popular Music, Temple University Press, 2006 [ML410.R63235 G37 2006].
____. Review of Jazz Consciousness: Music, Race, and Humanity by Paul Austerlitz [ML3918.J39 A97 2005] in Latin American Music Review 27/1 (Spring/Summer 2006), pp.104-108.
Gersh, Jason. Review of William Byrd's Modal Practice by John Harvey [ML410.B996 H38 2005] in Notes 62/4 (June 2006), pp.957-959.
Haar, James. Cittá del Vaticano Ms Urbinas Latinas 1411. Libreria Musicale Italiana, 2006. [ML290.8.F6 H33 2006].
Haar, James (ed.). European Music, 1520-1640. Boydell Press, 2006. [ML172.E88 2006] incl. his articles "The Concept of of the Renaissance," pp.20-37 and "Madrigal," pp.225-245.
Harris, Paul. Review of Neil Young and the Poetics of Energy by William Echard [ML420.Y75 E34 2005] in Notes 63/1 (September 2006), pp.99-101.
Hiam, Jonathan (Ph.D 2006). Review of The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Ashby [ML197.P57 2004] in Notes 62/4 (June 2006), pp.973-975.
Katz, Mark. "Portamento and the Phonograph Effect," in Journal of Musicological Research, vol. 25, no.3-4, 2006, pp.211-232.
____. Review of Echo and Reverb: Fabricating Space - Popular Music Recording, 1900-1960 by Peter Doyle [ML3470.D69 2005] in ARSC Journal 37/2 (Fall 2006), pp.231-232.
Kottick, Edward L. (Ph.D. 1962). A History of the Harpsichord [ML650.K68 2003] is reviewed by John R. Watson in Journal of the American Musical Instrument Society XXXII, 2006, pp.167-172.
Kramer, Elizabeth (Ph.D. 2005). "The Idea of Transfiguration in the Early German Reception of Mozart's Requiem," in Current Musicology 81 (Spring 2006), pp.73-107.
Laurance, Emily (Ph.D. 2003). Review of The Société des Concerts du Conservatoire 1828-1967 by Kern Holoman [ML28.P2 S64 2004] in Nineteenth-Century Music Review, vol. 3, issue 2 (2006), pp.177-180.
MacNeil, Anne. Review of Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence by Kelley Harris [NX705.5.I82 F584 2006] in Notes 63/2 (December 2006), p.348-349.
Predota, George A. (Ph.D. 2000). "Muddying the Waters: Max Kalbeck and the Fifth Symphony by Johannes Brahms," in Fontes Artis Musicae 53/4 (October-December 2006), pp.309-329.Warfield, Scott (Ph.D. 1995). Review of Opera and Modern Culture: Wagner and Strauss by Lawrence Kramer [ML1700.K715 2004] in Notes 63/1 (September 2006), pp.116-118.
Warfield, Scott (Ph.D. 1995). Review of the Chandos 10236 recording of Symphony No. 2 in F minor, op. 12 by Richard Strauss in Nineteenth-Century Music Review, vol. 3, issue 1 (2006), pp.147-150.
Wissick, Brent. "The Cello Music of Antonio Bononcini: Violone, Violoncello da Spalla, and the Cello 'Schools' of Bologna and Rome" in Journal of Seventeenth-Century Music 12/1 (2006); http://sscm-jscm.press.uiuc.edu/v12/no1/hanning.html
____. Review of Viola da Gamba Miscellanea edited by Susan Orlando [ML927.V5 V563 2005] in Notes 63/1 (September 2006), pp.86-87.
Bonds, Evan. A History of Music in Western Culture. Second Edition. Upper Saddle Creek River, NJ: Prentice-Hall, 2005 [ML160 .B75 2006].
Brackett, John (Ph.D. 2003). Review of Silence and Slow Time by Martin Boykan [ML3850 .B78 2004] in Notes 61/4 (June 2005), pp.994-997.
Carlson, Rachel Golden (Ph.D. 2000). Review of The Aquitanian Kyrie Repertory of the Tenth and Eleventh Centuries by David A. Bjork [ML3082.B56 2003] in Music and Letters 86/2 (May 2005), pp.278-280.
Carter, Tim. Review of Monteverdi's Unruly Women: The Power of Song in Early Modern Italy by Bonnie Gordon [ML82.G67 2004] in Early Music 33/4 (November 2005), pp.696-700.
____. "Che cosa e amor? Music and Love in Mozart's Cosi fan tutte," in Theatre, Opera, and Performance in Italy from the Fifteenth Century to the Present: Essays in Honour of Richard Andrews pp.155-72.
____. "Renaissance, Mannerism, Baroque," "The Search for Musical Meaning," "Mask and Illusion: Italian Opera after 1637," in Cambridge History of Seventeenth-Century Music, edited by Tim Carter and John Butt [ML194.C23 2005].Citron, Marcia (Ph.D. 1971). Review of Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s by Annette Davis [ML2075.D39 2004] in Music and Letters 86/2 (May 2005), pp.322-325.
____. Review of Women's Voices across Musical Worlds, edited by Jane A. Bernstein [ML82.W697 2004] in Music and Letters 86/3 (August 2005), pp.508-512.
____. "Operatic Style and Structure in Coppola's Godfather Trilogy," in Musical Quarterly 87/3 (Fall 2004), pp.423-467.
____. "Subjectivity in the Opera Films of Jean-Pierre Ponnelle," in Journal of Musicology 22/2 (Spring 2005), pp.203-240.
Fader, Don. "The 'Cabale dy Dauphin', Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage Around 1700," in Music and Letters 86/3 (August 2005), pp.380-413.
____. Review of The Bals Publics at the Time of the Paris Opera in the Eighteenth Century by Richard Semmons [GV1748.S46 2005] in Notes 62/2 (December 2005), pp.380-382.
Fauser, Annegret. "Visual Pleasures--Musical Signs: Dance at the Paris Opera," in South Atlantic Quarterly 104 (Winter 2005), pp.99-121.
____. "De arquelogia musical. La musica barroca y la Exposicion Universal de 1889," in Concierto barroco. Estudios sobre musica, dramaturgia, e historia cultural, pp.289-307.
____. "Lili Boulanger," in New Historical Anthology of Music by Women, pp.275-278.
Finson, Jon. "Les melodies nationalistes de Schumann: Sechs Gedichte aus dem Liderbuch eines Malers von Reinick, op. 36," in Ostinatio rigore 22 (2004), pp.91-106.
Flory, Andrew (Ph.D. student). Review of Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul by Craig Werner [ML400 .W36 2004] in Notes 61/3 (March 2005), pp.752-54.
García, David. Reviews of Cuba and Its Music by Ned Sublette [ML207.C8 S83 2004]; Cuban Music from A-Z by Helio Orovio [Ref. ML106.C8 O7613 2004]; Cubano Be, Cubano Bop by Leonardo Acosta [ML3509.C88 A2713 2003]; Divine Utterances by Katherine J. Hagedorn [ML3565.H34 2001] in Notes 62/1 (September 2005), pp.95-100.
Geer, Bradley (M.A. 2005). Scholarship, Arts, and Music Under the Visconti: The Case of Antonello da Caserta. Master's Thesis, University of North Carolina at Chapel Hill, 2005.
Haar, James and Sean Gallagher, John Nádas, Timothy Striplin (ed.). Western Plainchant in the First Millennium: Studies in the Medieval Liturgy and its Music [ML3003.W388 2003] is reviewed by Ryan Dohoney in Current Musicology 76 (Fall 2003), pp.105-114.
Hiam, Jonathan (Ph.D. 2005). Music at Black Mountain College: the European Years, 1939-46. Ph.D. Dissertation, University of North Carolina at Chapel Hill, 2005.
Hoffee, Sara (M.A. 2005). Form, Improvisation, and Piano Technique in Clara Wieck's Concerto Op. 7. Master's Thesis, University of North Carolina at Chapel Hill, 2005.
Iliescu, Irina (M.A. 2005). Wagner's Kundry: The Musical Portrayal of the Hegelian Slave. Master's Thesis, University of North Carolina at Chapel Hill, 2005.
Kawamoto, Akitsugu (Ph.D. student). "'Can you still keep your balance?': Keith Emerson's anxiety of influence, style change, and the road to prog superstardom," in Popular Music 24/2 (May 2005), pp.223-244.
Kramer, Elizabeth (Ph.D. 2005). Review of The Beethoven Violin Sonatas: History, Criticism, Peformance edited by Lewis Lockwood and Mark Kroll in Notes 62/1 (September 2005), pp.114-116.
____. The Idea of Kunstreligion in German Musical Aesthetics of the Early Nineteenth Century. Ph.D. Dissertation, University of North Carolina at Chapel Hill: 2005.
MacNeil, Anne. Music and Women of the Commedia dell'Arte in the Late Sixteenth Century [PQ4155.M35 2003]. Reviewed by Andrew Dell'Antonio in Notes 61/3 (March 2005), pp.778-780.
____. Review of Emblems of Eloquence: Opera and Women's Voices in Seventeenth-Century Venice by Wendy Heller [ML2100 .H45 2003] in Notes 61/4 (June 2005), pp.1002-1005.
____, ed. Selected Poems of Isabella Andreini. Lanham, MD: Scarecrow Press, 2005 [PQ4562.A72 A26 2005].
Nádas, John and James Haar, Sean Gallagher, Timothy Striplin (ed.). Western Plainchant in the First Millennium: Studies in the Medieval Liturgy and its Music [ML3003.W388 2003] is reviewed by Ryan Dohoney in Current Musicology 76 (Fall 2003), pp.105-114.
____ and Agostino Ziino. "Two Newly Discovered Leaves of the Lucca Codex," in Studi MusicalAnno XXXIV/1 (2005), pp.3-23.
____ and Giuliano Di Bacco. "Zacara e i suoi colleghi italiani nella cappella papale," in Antonio Zacara da Teramo e il suo tempo, pp.33-54.
Neal, Jocelyn. "Ernest Stoneman's 1927 Session: Hillbilly Recordings of Gospel Hymns," in The Bristol Sessions: Writings about the Big Bang of Country Music [ML3524.B732 2005], pp.187-213.
____. Multiple entries in Encyclopedia of American Gospel Music ed. by W.K. McNeil [Ref. ML102.G6 B63 2005].
Powers, Doris (Ph.D. 1995). C.P.E. Bach: A Guide to Research [Ref ML134.B08 P69 2002] reviewed by Stephen L. Clark in Fontes Artis Musicae 52/2 (April-June 2005), pp.126-127.
Shearon, Stephen (Ph.D. 1992). Multiple entries in Encyclopedia of American Gospel Music ed. by W.K. McNeil [Ref. ML102.G6 B63 2005].
Singleton, Joseph (M.A. 2005). Alien Tonality: Music and Romanticism in Steven Spielberg's Close Encounters of the Third Kind. Master's Thesis, University of North Carolina at Chapel Hill, 2005.
Stimeling, Travis (Ph.D. student). Reviews of Country Music Annual 2000, 2001, 2002 [ML3523.C68] and The Women of Country Music: A Reader [ML394.W65 2003] in American Music 23/3 (Fall 2005), pp.398-400.
_____. Review of Music and the Making of a New South by Gavin James Campbell [ML200.8.A56 C35 2004] in American Music 23/4 (Winter 2005), pp.516-18.
Striplin, Timothy (Ph.D. 2005). The Eighth- and Ninth-Century Frankish Alleluia. Ph.D. Dissertation, University of North Carolina at Chapel Hill: 2005.
_____ and James Haar, Sean Gallagher, John Nádas (ed.). Western Plainchant in the First Millennium: Studies in the Medieval Liturgy and its Music [ML3003.W388 2003] is reviewed by Ryan Dohoney in Current Musicology 76 (Fall 2003), pp.105-114.
Warfield, Scott (Ph.D. 1995). Reviews of several new Kurt Weill Editions in Notes 62/2 (December 2005), pp.481-486.
Wissick, Brent. Reviews of recent PRB Publications editions of works by Carl Friedrich Abel, Andreas Lide, and Franz Xavier Hammer in The Journal of the Viola de Gamba Society of America v. 41 (2004), pp.85-91.