Notes from the Hill
Listed below are citations for publications and recordings of UNC
Chapel
Hill Music Department faculty, graduate students, and alumni which are
held in
the Music Library. Citations are displayed for the most
recent four years only.
While we do not claim that this is a complete list, we have
tried to be
as comprehensive as possible within these parameters.
Periodical articles and reviews are listed
under the year the issue actually appeared.
Any additions or corrections may
be sent to Diane Steinhaus, Public
Services
Librarian.
2011 || 2010
|| 2009
|| 2008
|| 2007
2011
Alden, Jane (Ph.D. 1999).
Songs,
Scribes, and Society: The History and Reception of the Loire Valley
Chansonniers. New York: Oxford University Press, 2010 [ML93.A46
2010].
____. "Ung Petit cadeau: Verbal and Visual Play in the Wolfenbüttel Chansonnier."
Essays on Renaissance music in honour of David Fallows: bon jour, bon mois et bonne estrenne,
ed. by Fabrice Fitch and Jacobijn Kiel. Woodbridge: Boydell Press, 2011 [ML172.E773 2011].
____.
Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers
[ML93.A46 2010]. Reviewed by Kathleen Sewright in
Notes 68/2 (December 2011): 337-340.
Baumer, Matthew. (Ph.D. 2002). Review of
Pop-Culture Pedagogy in the Music Classroom [MT1.P638 2011], ed. by
Nicole Biamonte, in
Journal of Music History Pedagogy 2/1 (Fall 2011): 107-110.
Full Text.
Bonds, Mark Evan.
Listen to This;
with contributions by Jocelyn Neal, Joseph Kaminski, and N. Scott
Robinson, 2nd ed. Upper Saddle River, NJ: Pearson Prentice Hall, 2011
[MT90.B63 2011 c.2].
____. "Symphonic Politics: Haydn's 'National Symphony' for France."
Eighteenth-Century Music 8/1 (March
2011): 9-19.
____. "Selecting Dots, Connecting Dots: The Score Anthology as History."
Journal of Music History Pedagogy
1/2 (Spring 2011): 77-91.
Full Text.
Carter, Tim. Review of
Leonard Bernstein: West Side Story by Nigel Simeone [ML410.B566 S56 2009] in
Music and Letters 92/3 (August 2011): 508-510.
Full Text.
____. "Winds, Cupids, Little Zephyrs and Sirens: Monteverdi and
Le Nozze di Tetide."
Early Music 39/4 (November 2011): 489-502.
Full Text.
Citron, Marcia (Ph.D. 1971).
When Opera Meets Film. Cambridge: Cambridge University Press, 2010 [Davis PN1995.9.O64 C58 2010].
____.
When Opera Meets Film [Davis PN1995.9.O64 C58 2010]. Reviewed by Laura Basini in
Notes 68/2
(December 2011): 392-394.
Corneilson, Paul (Ph.D. 1992), ed. with Peter Wollny.
Er ist der Vater, wir sind die Bub'n: Essays in Honor of Christoph Wolff.
Ann Arbor, MI: Steglein Publishing, Inc., 2010 [ML55.W87 2010].
Dahlenburg, Jane (Ph.D. 2001). Review of
Antonio Caldara: Life and Venetian-Roman Oratorios by Ursula Kirkendale [ML410.C26 K5713 2007] in
Fontes Artis Musicae 58/2 (April-June 2011): 180-181.
Ebright, Ryan. Review of
Der Rosenkavalier, DVD, directed by Paul Czinner, in
Notes 68/1 (September 2011): 159-160.
____. Review of
Songs in Motion: Rhythm and Meter in the German Lied by Yonatan Malin
[ML2505.M35 2010] in
Notes 68/2 (December 2011): 354-357.
Fauser, Annegret and Mark Everist (ed.).
Music, Theater, and Cultural Transfer:
Paris, 1830-1914 [ML1727.8.P2 M85 2009]. Reviewed by Valeria
Wenderoth in
Notes 67/3
(March 2011): 515-517.
Feldman, Evan and Ari Contzius.
Instrumental
Music Education: Teaching with the Musical and Practical ini Harmony.
New York: Routledge, 2011 [MT1.F42 2011].
Francis, Kimberly (Ph.D. 2010). "A Most Unsuccessful Project: Nadia
Boulanger, Igor Stravinsky, and the Symphony in C, 1939-45."
The Musical Quarterly 94/1-2
(Spring/Summer 2011): 234-270.
Full Text.
Garcia, David. Review of
Music in
Latin America and the Caribbean: An Encyclopedic History.
Volume 2: Performing in the Caribbean
Experience ed. by Malena Kuss [ML199.M858 2004 v.1-2] in
Fontes Artis Musicae 58/1
(January-March 2011): 88-89.
Haar, James. "A Suggestion about Fauxbourdon."
Essays on Renaissance music in honour of David Fallows: bon jour, bon mois et bonne estrenne,
ed. by Fabrice Fitch and Jacobijn Kiel. Woodbridge: Boydell Press, 2011 [ML172.E773 2011].
Katz, Mark. "Beware of Gramomania: The Pleasures and Pathologies of
Record Collecting."
The Record:
Contemporary Art and Vinyl, ed. by Trevor Schoonmaker. Durham,
N.C.: Duke University Press, 2010: 62-65 [NC1882.5.D587 R436 2010].
Laird, Paul R. (Ph.D. 1986).
Wicked: A Musical
Biography. Lanham, MD: Scarecrow Press, 2011 [ML410.S42 L38 2011].
Macy, Laura (Ph.D. 1991). "Geronimo Cavaglieri, the
Song of Songs and female
spirituality in Federigo Borromeo's Milan."
Early Music 39/3 (August 2011): 249-358.
Full Text.
McBride, Renée. Review of
Songs
in Black and Lavender: Race, Sexual Politics, and Women's Music
by Eileen M. Hayes [ML82.H42 2010] in
Notes
67/3 (March 2011): 517-520.
____. Review of
Fanny Hensel: The
Other Mendelssohn by R. Larry Todd [ML410.H482 T63 2010] in
Fontes Artis Musicae 58/1
(January-March 2011): 92-94.
Neal, Jocelyn. "Setting the Scene for
Nashville Chrome's Actors."
Southern Cultures 16/3 (Fall 2010): 6-9.
Oswell, Michelle (Ph.D. 2009). Review of
Digital Image Archive of Medieval Music (DIAMM) in
Notes 68/2 (December 2011): 428-431.
DIAMM website.
Proksch, Bryan (Ph.D. 2006). Review of
Keys to the Drama: Nine Perspectives on Sonata Form ed. by Gordon Sly [MT62.K48 2009] in
Fontes Artis Musicae 58/2 (April-June 2011): 200-201.
Schlagel, Stephanie (Ph.D. 1996). Review of
Josquin by David Fallows
[ML410.J815 F35 2009] in
Notes
67/3 (March 2011): 506-510.
Sewright, Kathleen (Ph.D. 2008). Review of
Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers
by Jane Alden [ML93.A46 2010] in
Notes 68/2 (December 2011): 337-340.
Stimeling, Travis (Ph.D. 2007). Review of
Jazz Icons 4, DVD [DVD-432, 434-440] Reelin' in the Years Productions, 2010, in
Notes 68/1 (September 2011): 169-170.
____. "'Phases and Stages, Circles and Cycles': Willie Nelson and the Concept Album."
Popular Music 30/3 (October 2011): 389-408.
Vandermeer, Philip. Review of
I
Wonder as I Wander: The Life of John Jacob Niles by Ron Pen
[ML420.N694 P47 2010] in
Notes
67/4 (June 2011): 765-766.
Wissick, Brent.
Concertos, Sinfonias, Sonatas: for Oboe and Oboe d'Amore. Geoffrey Burgess.
G. Burgess, 2011. Compact disc [CD-24,955].
2010
Anderson, Stephen R.
Nation
Degeneration. The Stephen Anderson Trio. Summit
Records, 2010. Compact disc [CD-23,213].
____.
Concerto for Solo Percussion
and Concert Band. Greensboro, N.C.: C. Alan Publications,
2009 [M1206.A56 P4 2009].
____. Profiled in
The New Face of
Jazz: An Intimate Look at Today's Living Legends and the Artists of
Tomorrow, by Cicily Janus. Billboard Books, 2010: 9-10 [ML
385.N534 2010].
Atkinson, Charles M. (Ph.D. 1975).
The
Critical Nexus: Tone-system, Mode, and Notation in Early Medieval Music
[ML174.A85 2009]. Reviewed by Joseph Dyer in
Plainsong and Medieval Music 19/2
(October 2010): 201-208.
____. Review of
Itinerari e
stratificazioni dei tropi: San Marco, l'Italia settentrionale e le
regioni transalpine: testi d'un convegno ed di sessioni di studio negli
anni 1992-1995 presso La Fondazione Ugo e Olga Levi, ed. by Wulf
Arlt and Giulio Cattin in
JAMS
63/3 (Fall 2010): 641-647.
Bartig, Kevin (Ph.D. 2008). "Restoring Pushkin: Ideology and Aesthetics
in Prokofiev's
Queen of Spades."
Journal of Musicology 27/4
(Fall 2010): 460-492.
Bonds, Mark Evan. "The Spatial Representation of Musical Form."
Journal of Musicology 27/3
(Summer 2010): 265-303.
Brackett, John (Ph.D. 2003).
John
Zorn: Tradition and Transgression [ML410.Z75 B73 2008]. Reviewed
by Kent Underwood in
Notes
66/2 (December 2009): 316-318.
____.
John Zorn: Tradition and
Transgression [ML410.Z75 B73 2008]. Reviewed by Brett
Boutwell in
American Music
28/4 (Winter 2010): 514-516.
____. "Some Notes on John Zorn's
Cobra."
American Music 28/1
(Spring 2010): 44-75.
Breckling, Molly M. (Ph.D. student). Review of
Mahler's Voices: Expresson and Irony in
the Songs and Symphonies by Julian Johnson [ML410.M23 J65 2009]
in
Notes 66/3 (March 2010):
535-537.
Carter, Tim. "Another Monteverdi Problem (and Why It Still
Matters)."
Fiori Musicali: Liber
amicorum Alexander Silbiger, ed. by Claire Fontijn with Susan
Parisi [ML55.S65 F56 2010]: 83-94.
____.
Oklahoma! The Making of
an American Musical [ML410.R6315 C37 2007]. Reviewed by
Elizabeth A. Wells in
JAMS
63/1 (Spring 2010):
159-168.
____. Review of
Ancient Rome in
Early Opera by Robert C. Ketterer [ML1700.K47 2009] in
Music and Letters 91/3 (August
2010):
422-424.
http://muse.jhu.edu/journals/music_and_letters/toc/mal.91.3.html
____. "Some Notes on the First Edition of Monteverdi's
Orfeo (1609)."
Music and Letters 91/4 (November
2010): 498-512.
http://ml.oxfordjournals.org/content/91/4/498.full.pdf+html?etoc
Fauser, Annegret. "
Carmen in Khaki:
Europäische Oper in den Vereinigten Staaten während des
Zweiten Weltkrieges."
Oper im
Wandel der Gesellschaft. Kulturtransfers und Netzwerke des
Musiktheaters im modernen Europa. Vienna: Oldenbourg and
Böhlau, 2010: 303-329.
____. "Cette
musique sans
tradition:
Wagner's Tannhäuser
and Its French Critics." Music,
Theater, and Cultural Transfer: Paris, 1830-1914, ed. by
Annegret Fauser and Mark Everist. University of Chicago Press,
2009: 228-225 [ML1727.8.P2 M85 2009].
____. "'Dixie
Carmen': War,
Race, and Identity in Oscar Hammerstein's
Carmen Jones (1943)."
Journal of the Society for American Music
4 (2010): 127-174.
____ and Mark Everist (ed.).
Music,
Theater, and Cultural
Transfer: Paris, 1830-1914. University of Chicago Press, 2009
[ML1727.8.P2 M85 2009].
Finson, Jon.
Robert Schumann:
The Book of Songs [ML410.S4 F59 2007]. Reviewed by Yael
Braunschweig in
JAMS 62/3
(Fall 2009): 726-736.
____.
Robert Schumann: The Book of
Songs [ML410.S4 F59 2007] is reviewed by Claudia MacDonald in
Ad Parnassum 8/15 (April 2010):
138-142.
Flory, Andrew.
"Marvin Gaye as Vocal Composer." Sounding
Out Pop: Analytical Essays in
Popular Music,
ed. by Mark Spicer and John Covach. University of Michigan Press, 2010:
63-98 [ML3470.S635
2010].
Francis, Kimberly (Ph.D. 2010). "A Dialogue Begins: Nadia
Boulanger, Igor Stravinsky, and the
Symphonie
de psaumes."
Women &
Music 14 (2010): 22-44.
Garcia, David. "Contesting That Damned Mambo: Arsenio Rodríguez,
Authenticity, and the Puerto Rican and Cuban Music Cultures of El
Barrio and the Bronx, 1950s."
The
Afro-Latin@ Reader: History and Culture in the United States. Durham:
Duke University Press, 2010: 187-198 [Davis E185.615.A37 2010].
Gibbons, William (Ph.D. 2010). "Music of the Future, Music of the
Past:
Tannhäuser and
Alceste at the Paris
Opéra."
19th Century Music
33/3 (Spring 2010): 232-246.
Gillespie, Don (Ph.D. 1977). "Chou Wen-Chung on Varèse: An
Interview."
American Music
27/4 (Winter 2009): 441-460.
Jones, Brian (Ph.D. student). "Finding the Avant-Garde in the Old-Time:
John Cohen in the American Folk Revival."
American Music 28/4 (Winter 2010):
402-435.
Laird, Paul R.
(Ph.D. 1986). "Catholic church music in Italy, and the
Spanish and Portugese Empires." The
Cambridge History of Eighteenth-Century Music, ed. by Simon P.
Keefe. Cambridge University Press, 2009: 29-58 [ML195.C35 2009].
____.
The "Chichester Psalms" of
Leonard Bernstein. (CMS Sourcebooks in American Music, 4)
Pendragon Press, 2010 [ML410.B566 L35 2010].
Lamothe, Peter
(Ph.D. 2008). "Questions of Genre: Massenet's Les
Érinnyes at the
Théâtre-National-Lyrique." Music,
Theater, and Cultural Transfer:
Paris, 1830-1914, ed. by Annegret Fauser
and Mark Everist. University of Chicago Press, 2009: 276-290 [ML1727.8.P2 M85 2009].
Levin, Alicia C.
(Ph.D. 2009). "A Documentary Overview of Musical
Theaters in Paris, 1830-1900." Music,
Theater, and Cultural Transfer: Paris, 1830-1914, ed. by
Annegret Fauser and Mark Everist. University of Chicago Press, 2009:
379-402 [ML1727.8.P2
M85 2009].
Meredith, William (Ph.D. 1985). "The Berlin Wall Remembered on the
Twentieth Anniversary of Its Fall."
The
Beethoven Journal 24/2 (Winter
2009): 73-81.
Neal, Jocelyn.
The Songs of Jimmie
Rodgers: A Legacy in Country Music [ML3524.N43 2009]. Reviewed
by Edward Komara in
Notes 66/4
(June 2010): 770-772.
____.
The Songs of Jimmie Rodgers: A
Legacy in Country Music [ML3524.N43 2009]. Reviewed by Morris
S. Levy in
ARSC Journal 41/2
(Fall 2010): 288-290.
____ (ed.).
Country Music, U.S.A.
3rd rev. ed. Austin, TX: University of Texas Press, 2010 [ML3524.M34
2010].
Neff, Severine. "Cadence after thirty-three years: Schoenberg's Second
Chamber Symphony, Op. 38."
The
Cambridge Companion to Schoenberg, ed. by Jennifer Shaw and
Joseph Auner. Cambridge University Press, 2010: 209-225 [ML410.S283 C36
2010].
Proksch, Bryan (Ph.D. 2006). Review of
Bach's Cycle, Mozart's Arrow: An Essay in
the Origins of Musical Modernity by Karol Berger [ML195.B47
2007] in
Fontes Artis Musicae
57/1 (January-March 2010): 126-128.
____. Review of
Communication in
Eighteenth Century Music
ed. by Danuta Mirka and Kofi Agawu [ML195.C66 2008] in
Fontes Artis Musicae 56/4
(October-December 2009): 423-424.
____. Review of
Josef Mysliveček,
"Il Boemo": The Man and His Music by Daniel E. Freeman
[ML410.M99 F74 2009] in
Notes
66/4 (June 2010): 784-786.
Russell, Craig (Ph.D. 1981).
From
Serra to Sancho: Music and Pageantry in the California Missions
[ML3011.7.C15 R87 2009]. Reviewed by Louis Welcher in
Choral Journal (May 2010): 55-57.
____.
From
Serra to Sancho: Music and Pageantry in the California Missions
[ML3011.7.C15 R87 2009]. Reviewed by Drew Edward Davies in
Notes 66/4 (June 2010): 791-793.
Sewright, Kathleen (Ph.D. 2008). Review of
Young Choristers, 650-1700 ed.
by Susan Boynton and Eric Rice [MT898.Y69 2008] in
Choral Journal (May 2010): 53-55.
Sparks, Timothy W., tenor. Mahler, Gustav.
Das Lied von der Erde
(Schönberg-Riehn Chamber Orchestra Transcription). Duraleigh
Chamber Players conducted by Scott Tilley. Centaur Records
CRC3044, 2010. Compact disc [CD-23,404].
Stimeling, Travis (Ph.D. 2007). "The Sons of the Pioneers'
Lucky "U" Ranch and the Singing
Cowboy in Cold War America."
American
Music 28/1 (Spring 2010): 76-96.
____. Review of
Johnny Cash and the
Paradox of American Identity by Leigh H. Edwards [ML420.C265 E48
2009] in
Notes 67/2 (December
2010): 305-306.
Upton, Elizabeth Randell (Ph.D. 2001). "Aligning words and Music:
Scribal Procedures for the Placement of Text and Notes in the Chantilly
Codex."
A Late Medieval Songbook
and Its Context: New Perspectives on the Chantilly Codex, ed. by
Yolanda Plumley and Anne Stone. Brepols, 2009: 115-132 [ML93.P58 2009].
Vandermeer, Philip. Review of
Natural
Acts: Gender, Race, and Rusticity in Country Music [ML 3524.F73
2009] in
ARSC Journal 41/2
(Fall 2010): 286-288.
Warfield, Scott (Ph.D. 1995). Review of
Sibelius: The Orchestral Music: An Owner's
Manual by David Hurwitz [MT92.S63 H87 2007] in
Fontes Artis Musicae 57/1
(January-March 2010): 128-130.
2009
Anderson, Stephen R., piano.
Next Set.
James Ketch Quintet. Summit Records, 2009. Compact disc
[CD-14,924].
Atkinson, Charles M (Ph.D. 1975).
The
Critical Nexus: Tone-system, Mode, and Notation in Early Medieval
Music. Oxford: Oxford University Press, 2009 [ML174.A85 2009].
Bonds, Mark Evan.
Listen to This;
with contributions by Jocelyn Neal, Joseph Kaminski, and N. Scott
Robinson. Upper Saddle River, NJ: Pearson Prentice Hall,
2009 [MT90.B63 2009].
____.
Music as Thought: Listening to
the Symphony in the Age of Beethoven [ML1255.B68 2006]. Reviewed
by Michael P. Steinberg in
Beethoven
Forum 14/2 (Fall 2007): 182-186.
Brackett, John (Ph.D. 2003).
John
Zorn: Tradition and Transgression. Bloomington: Indiana
University Press,
2008 [ML410.Z75 B73 2008].
Carter, Tim. "'Improvised' Counterpoint in Monteverdi's 1610 Vespers."
Uno Gentile et Subtile Ingenio:
Studies in Renaissance Music in
Honour of Bonnie J. Blackburn. Brepols, 2009: 29-35 [ML172.G32
2009].
Citron, Marcia (Ph.D. 1971). "Gendered Reception of Brahms:
Masculinity, Nationalism and Musical Politics."
Masculinity and Western Musical Practice
ed. by Ian Biddle and Kirsten Gibson. Ashgate, 2009: 141-159 [ML193.M36
2009].
Cochran, Keith (Ph.D. 1995). Review of
OPERA America (
www.operaamerica.org) in
Notes 65/4 (June 2009): 813-815.
Corneilson, Paul (Ph.D. 1992), ed.
Carl
Philipp Emanuel Bach, "
Passion
According to St. John (1772). Complete works, series IV,
vol.7/1 [M3.B104]. Reviewed by Stephen Roe in
Eighteenth-Century Music 6/2
(September 2009): 274-276.
Fauser, Annegret. "Debacle at the Paris Opéra:
Tannhäser and the French
Critics, 1861 (Introduction)."
Richard
Wagner and His World, ed. by Thomas S. Grey. Princeton
University Press, 2009: 347-350 [ML410.W13 R53
2009].
Finson, Jon.
Robert Schumann: The
Book of Songs [ML410.S4 F59 2007] is reviewed by Heather Platt
in
Notes 65/4 (June 2009):
779-781.
Francis, Kimberly. "Nadia Boulanger and Igor Stravinsky: Documents of
the Bibliothèque nationale de France."
Revue de Musicologie 95/1(2009):
137-156.
Haar, James. "
'La dolce vista del tuo
viso pio': Du Fay and the Italian Song Tradition."
Uno
Gentile et Subtile Ingenio: Studies in Renaissance Music in
Honour of Bonnie J. Blackburn. Brepols, 2009: 501-512 [ML172.G32
2009].
Haar, James and J.N. "The Medici, the Signora, the Pope: sacred
polyphony in Florence, 1432-1448."
Recercare
XX/1-2 (2008): 25-93.
Harris, Paul (Ph.D. 2007). "U2's Composition Process: Sketching
Achtung Baby in sound."
Musiktheorie: Zeitschrift für
Musikwissenschaft 24/2(2009): 137-162.
Ketch, James, trumpet, leader.
Next
Set. James Ketch Quintet. Summit Records, 2009. Compact
disc [CD-14,924].
Macy, Laura (Ph.D. 1991).
The Grove
Book of Opera Singers [Ref ML102.O6 G76 2008]. Reviewed by
Barry R. Ashpole in
ARSC Journal
40/1 (Spring 2009): 64-65.
____. (Ph.D. 1991). Review of
Warrior,
Courtier, Singer: Giulio Cesare Brancaccio and the Performance of
Identity in the Late Renaissance by Richard Wistreich
[ML420.B7713 W57 2007] in
Notes
65/3 (March 2009): 498-500.
McClellan, Michael E. (Ph.D. 1994). "Music, Education and
Français de Couleur: Music
Instruction in Colonial Hanoi."
Fontes
Artis Musicae 56/3 (July-September 2009): 314-325.
Nádas, John and J.H. "The Medici, the Signora, the Pope: sacred
polyphony in Florence, 1432-1448."
Recercare
XX/1-2 (2008): 25-93.
Neal, Jocelyn. "The Reincarnations of Jimmie Rodgers's Songs."
Waiting for a Train, ed. by Mary
Davis and Warren Zanes. Rounder Books, 2009: 209-234 [ML420.R753 W35
2009].
____.
The Songs of Jimmie
Rodgers: A Legacy in Country Music. Bloomington: Indiana
University Press, 2009 [ML3524.N43 2009].
Neff, Severine. "A Paradoxical: Lou Harrison and Arnold Schoenberg"
Music Journal of Hanyang University (2009): 177-242.
____. "Juxtapositing Popular Music in The Second String
Quartet, op.10."
Schoenberg's
Chamber Music, Schoenberg's
World, ed. by James K. Wright and Alan M. Gillmore. Pendragon
Press, 2009: 65-96 [ML410.S283 S377
2009].
Nosow, Robert (Ph.D. 1992), ed. Bach, Carl Philipp Emanuel.
Violon-Cello Concertos (The
Complete Works, ser.3 v.6) Los Altos, Calif.: Packard Humanities
Institute, 2005 [M3.B104 ser.3 v.6].
Porcaro, Mark (Ph.D. 2006).
"'We Have Something Going Really Going Between Us Now':
Columbia Record's Influence on the Repertoire
of the Mormon Tabernacle Choir, 1949-1992"
The Choral
Scholar 1/1 (Spring 2009).
http://www.ncco-usa.org/tcs/issues/vol1/no1/
Prizer, William (Ph.D. 1974). "The 'Virtue' of Lorenzo Lotto: A Musical
Intarsia in the Basilica of Santa Maria Maggiore in Bergamo."
Uno
Gentile et Subtile Ingenio: Studies in Renaissance Music in
Honour of Bonnie J. Blackburn. Brepols, 2009: 617-626 [ML172.G32
2009].
Proksch, Bryan (Ph.D. 2006). "Precedents of Schoenberg's Compositional
Practice in the Chamber Works of Haydn."
Schoenberg's Chamber Music,
Schoenberg's World, ed. by James K. Wright and Alan M. Gillmore.
Pendragon Press, 2009: 149-160 [ML410.S283 S377 2009].
____. Review of
W.A.
Mozart by Hermann Abert; transl. by Stewart Spencer; ed. by
Cliff Eisen [ML410.M9 A6613 2007] in
Fontes
56/1 (January-March 2009): 85-86.
Russell, Craig H. (Ph.D. 1981).
From
Serra to Sancho: Music and Pageantry in the California Missions.
Oxford University Press, 2009 [ML3011.7.C15 R87 2009].
____. "Serra and Sacred Song at the Founding of
California's First Missions."
Musical
Quarterly 92/2(2009): 365-401.
Full Text.
Sewright, Kathleen (Ph.D. 2008). "An Introduction to British Library MS
Lansdowne 380."
Notes 65/4
(June 2009): 633-736.
Stimeling, Travis (Ph.D. 2007). Review of
Doktor Faust by Ferruccio Busoni,
DVD. Directed by Philippe Jordan.
Notes
65/3 (March 2009): 555-556.
____. Review of
Howard Goodall's Big
Bangs, DVD. Directed by David Jeffcock and Rupert Edwards.
Notes 65/3 (March 2009): 571-572.
Vial, Stephanie.
The Art of Musical
Phrasing in the Eighteenth Century: Punctuating the Classical "Period."
Rochester: University of Rochester Press, 2008 [ML457.V53 2008].
Zeiss, Laurel (Ph.D. 1999). Review of
Mozart's
Così fan tutte: a compositional history by Ian Woodfield
[ML410.M9 W66 2008] in
Notes
66/1(September 2009): 72-75.
2008
Alden, Jane (Ph.D. 1999). "Excavating Chansonniers: Musical
Archaeology and the Search for Popular Song." Journal of
Musicology 25/1 (Winter 2008): 46-87.
Bartig, Kevin (Ph.D. 2008). "Lieutenant
Kizhe: New Media, New Means." Sergey
Prokofiev and His World. Princeton University Press, 2008:
376-400 [ML410.P865 S47 2008].
____. Review of Sergey Prokofiev
Diaries 1907-1947: Prodigious Youth edited and translated by
Anthony Phillips [ML410.P865 A3 2006] in Fontes Artis Musicae 55/2
(January-March 2008): 405-406.
Bonds, Mark Evan. Music As
Thought: Listening to the Symphony in the Age of Beethoven
[ML1255.B68 2006]. Reviewed by Edward Green in International Review of the Aesthetics and
Sociology of Music 39/1 (June 2008): 105-111.
____. Music as Thought: Listening to
the Symphony in the Age of Beethoven [ML1255.B68 2006].
Reviewed by Stephen Rumph in Journal
of the American Musicological Society 61/1 (Spring 2008):
221-224.
Brackett, John (Ph.D. 2003). "Examining Rhythmic and Metric
Practices in Led Zeppelin's Musical Style." Popular Music
27/1 (2008): 53-76.
Carter, Tim. Review of Echoes
of Women's Voices: Music, Art and Female Patronage in Early Modern
Florence by Kelly Harness [NX705.5.I82 F584 2006] in Early Music (February 2008):
117-119.
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