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Music Library

Notes from the Hill

Listed below are citations for publications and recordings of UNC Chapel Hill Music Department faculty, graduate students, and alumni which are held in the Music Library. Citations are displayed for the most recent four years only.  While we do not claim that this is a complete list, we have tried to be as comprehensive as possible within these parameters.  Periodical articles and reviews are listed under the year the issue actually appeared.   Any additions or corrections may be sent to Diane Steinhaus, Public Services Librarian.


 

2011 || 2010 || 2009 || 2008 || 2007


2011

Alden, Jane (Ph.D. 1999). Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers. New York: Oxford University Press, 2010 [ML93.A46 2010].

____. "Ung Petit cadeau: Verbal and Visual Play in the Wolfenbüttel Chansonnier." Essays on Renaissance music in honour of David Fallows: bon jour, bon mois et bonne estrenne, ed. by Fabrice Fitch and Jacobijn Kiel. Woodbridge: Boydell Press, 2011 [ML172.E773 2011].

____. Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers [ML93.A46 2010]. Reviewed by Kathleen Sewright in Notes 68/2 (December 2011): 337-340.

Baumer, Matthew. (Ph.D. 2002). Review of Pop-Culture Pedagogy in the Music Classroom [MT1.P638 2011], ed. by Nicole Biamonte, in Journal of Music History Pedagogy 2/1 (Fall 2011): 107-110. Full Text.

Bonds, Mark Evan. Listen to This; with contributions by Jocelyn Neal, Joseph Kaminski, and N. Scott Robinson, 2nd ed. Upper Saddle River, NJ: Pearson Prentice Hall, 2011 [MT90.B63 2011 c.2].

____. "Symphonic Politics: Haydn's 'National Symphony' for France." Eighteenth-Century Music 8/1 (March 2011): 9-19.

____. "Selecting Dots, Connecting Dots: The Score Anthology as History." Journal of Music History Pedagogy 1/2 (Spring 2011): 77-91. Full Text.

Carter, Tim. Review of Leonard Bernstein: West Side Story by Nigel Simeone [ML410.B566 S56 2009] in Music and Letters 92/3 (August 2011): 508-510. Full Text.

____. "Winds, Cupids, Little Zephyrs and Sirens: Monteverdi and Le Nozze di Tetide." Early Music 39/4 (November 2011): 489-502. Full Text.

Citron, Marcia (Ph.D. 1971). When Opera Meets Film. Cambridge: Cambridge University Press, 2010 [Davis PN1995.9.O64 C58 2010].

____. When Opera Meets Film [Davis PN1995.9.O64 C58 2010]. Reviewed by Laura Basini in Notes 68/2 (December 2011): 392-394.

Corneilson, Paul (Ph.D. 1992), ed. with Peter Wollny. Er ist der Vater, wir sind die Bub'n: Essays in Honor of Christoph Wolff. Ann Arbor, MI: Steglein Publishing, Inc., 2010 [ML55.W87 2010].

Dahlenburg, Jane (Ph.D. 2001). Review of Antonio Caldara: Life and Venetian-Roman Oratorios by Ursula Kirkendale [ML410.C26 K5713 2007] in Fontes Artis Musicae 58/2 (April-June 2011): 180-181.

Ebright, Ryan. Review of Der Rosenkavalier, DVD, directed by Paul Czinner, in Notes 68/1 (September 2011): 159-160.

____. Review of Songs in Motion: Rhythm and Meter in the German Lied by Yonatan Malin [ML2505.M35 2010] in Notes 68/2 (December 2011): 354-357.

Fauser, Annegret and Mark Everist (ed.). Music, Theater, and Cultural Transfer: Paris, 1830-1914 [ML1727.8.P2 M85 2009]. Reviewed by Valeria Wenderoth in Notes 67/3 (March 2011): 515-517.

Feldman, Evan and Ari Contzius. Instrumental Music Education: Teaching with the Musical and Practical ini Harmony. New York: Routledge, 2011 [MT1.F42 2011].

Francis, Kimberly (Ph.D. 2010). "A Most Unsuccessful Project: Nadia Boulanger, Igor Stravinsky, and the Symphony in C, 1939-45." The Musical Quarterly 94/1-2 (Spring/Summer 2011): 234-270. Full Text.

Garcia, David. Review of Music in Latin America and the Caribbean: An Encyclopedic History. Volume 2: Performing in the Caribbean Experience ed. by Malena Kuss [ML199.M858 2004 v.1-2] in Fontes Artis Musicae 58/1 (January-March 2011): 88-89.

Haar, James. "A Suggestion about Fauxbourdon." Essays on Renaissance music in honour of David Fallows: bon jour, bon mois et bonne estrenne, ed. by Fabrice Fitch and Jacobijn Kiel. Woodbridge: Boydell Press, 2011 [ML172.E773 2011].

Katz, Mark. "Beware of Gramomania: The Pleasures and Pathologies of Record Collecting." The Record: Contemporary Art and Vinyl, ed. by Trevor Schoonmaker. Durham, N.C.: Duke University Press, 2010: 62-65 [NC1882.5.D587 R436 2010].

Laird, Paul R. (Ph.D. 1986). Wicked: A Musical Biography. Lanham, MD: Scarecrow Press, 2011 [ML410.S42 L38 2011].

Macy, Laura (Ph.D. 1991). "Geronimo Cavaglieri, the Song of Songs and female spirituality in Federigo Borromeo's Milan." Early Music 39/3 (August 2011): 249-358. Full Text.

McBride, Renée. Review of Songs in Black and Lavender: Race, Sexual Politics, and Women's Music by Eileen M. Hayes [ML82.H42 2010] in Notes 67/3 (March 2011): 517-520.

____. Review of Fanny Hensel: The Other Mendelssohn by R. Larry Todd [ML410.H482 T63 2010] in Fontes Artis Musicae 58/1 (January-March 2011): 92-94.

Neal, Jocelyn. "Setting the Scene for Nashville Chrome's Actors." Southern Cultures 16/3 (Fall 2010): 6-9.

Oswell, Michelle (Ph.D. 2009). Review of Digital Image Archive of Medieval Music (DIAMM) in Notes 68/2 (December 2011): 428-431. DIAMM website.

Proksch, Bryan (Ph.D. 2006). Review of Keys to the Drama: Nine Perspectives on Sonata Form ed. by Gordon Sly [MT62.K48 2009] in Fontes Artis Musicae 58/2 (April-June 2011): 200-201.

Schlagel, Stephanie (Ph.D. 1996). Review of Josquin by David Fallows [ML410.J815 F35 2009] in Notes 67/3 (March 2011): 506-510.

Sewright, Kathleen (Ph.D. 2008). Review of Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers by Jane Alden [ML93.A46 2010] in Notes 68/2 (December 2011): 337-340.

Stimeling, Travis (Ph.D. 2007). Review of Jazz Icons 4, DVD [DVD-432, 434-440] Reelin' in the Years Productions, 2010, in Notes 68/1 (September 2011): 169-170.

____. "'Phases and Stages, Circles and Cycles': Willie Nelson and the Concept Album." Popular Music 30/3 (October 2011): 389-408.

Vandermeer, Philip. Review of I Wonder as I Wander: The Life of John Jacob Niles by Ron Pen [ML420.N694 P47 2010] in Notes 67/4 (June 2011): 765-766.

Wissick, Brent. Concertos, Sinfonias, Sonatas: for Oboe and Oboe d'Amore. Geoffrey Burgess. G. Burgess, 2011. Compact disc [CD-24,955].

2010

Anderson, Stephen R. Nation Degeneration. The Stephen Anderson Trio. Summit Records, 2010. Compact disc [CD-23,213].

____. Concerto for Solo Percussion and Concert Band. Greensboro, N.C.: C. Alan Publications, 2009 [M1206.A56 P4 2009].

____. Profiled in The New Face of Jazz: An Intimate Look at Today's Living Legends and the Artists of Tomorrow, by Cicily Janus. Billboard Books, 2010: 9-10 [ML 385.N534 2010].

Atkinson, Charles M. (Ph.D. 1975). The Critical Nexus: Tone-system, Mode, and Notation in Early Medieval Music [ML174.A85 2009]. Reviewed by Joseph Dyer in Plainsong and Medieval Music 19/2 (October 2010): 201-208.

____. Review of Itinerari e stratificazioni dei tropi: San Marco, l'Italia settentrionale e le regioni transalpine: testi d'un convegno ed di sessioni di studio negli anni 1992-1995 presso La Fondazione Ugo e Olga Levi, ed. by Wulf Arlt and Giulio Cattin in JAMS 63/3 (Fall 2010): 641-647.

Bartig, Kevin (Ph.D. 2008). "Restoring Pushkin: Ideology and Aesthetics in Prokofiev's Queen of Spades." Journal of Musicology 27/4 (Fall 2010): 460-492.

Bonds, Mark Evan. "The Spatial Representation of Musical Form." Journal of Musicology 27/3 (Summer 2010): 265-303.

Brackett, John (Ph.D. 2003). John Zorn: Tradition and Transgression [ML410.Z75 B73 2008]. Reviewed by Kent Underwood in Notes 66/2 (December 2009): 316-318.

____. John Zorn: Tradition and Transgression [ML410.Z75 B73 2008]. Reviewed by Brett Boutwell in American Music 28/4 (Winter 2010): 514-516.

____. "Some Notes on John Zorn's Cobra." American Music 28/1 (Spring 2010): 44-75.

Breckling, Molly M. (Ph.D. student). Review of Mahler's Voices: Expresson and Irony in the Songs and Symphonies by Julian Johnson [ML410.M23 J65 2009] in Notes 66/3 (March 2010): 535-537.

Carter, Tim. "Another Monteverdi Problem (and Why It Still Matters)." Fiori Musicali: Liber amicorum Alexander Silbiger, ed. by Claire Fontijn with Susan Parisi [ML55.S65 F56 2010]: 83-94.

____. Oklahoma! The Making of an American Musical [ML410.R6315 C37 2007]. Reviewed by Elizabeth A. Wells in JAMS 63/1 (Spring 2010): 159-168.

____. Review of Ancient Rome in Early Opera by Robert C. Ketterer [ML1700.K47 2009] in Music and Letters 91/3 (August 2010): 422-424. http://muse.jhu.edu/journals/music_and_letters/toc/mal.91.3.html

____. "Some Notes on the First Edition of Monteverdi's Orfeo (1609)." Music and Letters 91/4 (November 2010): 498-512. http://ml.oxfordjournals.org/content/91/4/498.full.pdf+html?etoc

Fauser, Annegret. "Carmen in Khaki: Europäische Oper in den Vereinigten Staaten während des Zweiten Weltkrieges." Oper im Wandel der Gesellschaft. Kulturtransfers und Netzwerke des Musiktheaters im modernen Europa. Vienna: Oldenbourg and Böhlau, 2010: 303-329.

____. "Cette musique sans tradition: Wagner's Tannhäuser and Its French Critics." Music, Theater, and Cultural Transfer: Paris, 1830-1914, ed. by Annegret Fauser and Mark Everist. University of Chicago Press, 2009: 228-225 [ML1727.8.P2 M85 2009].

____. "'Dixie Carmen': War, Race, and Identity in Oscar Hammerstein's Carmen Jones (1943)." Journal of the Society for American Music 4 (2010): 127-174.

____ and Mark Everist (ed.). Music, Theater, and Cultural Transfer: Paris, 1830-1914. University of Chicago Press, 2009 [ML1727.8.P2 M85 2009].

Finson, Jon. Robert Schumann: The Book of Songs [ML410.S4 F59 2007]. Reviewed by Yael Braunschweig in JAMS 62/3 (Fall 2009): 726-736.

____. Robert Schumann: The Book of Songs [ML410.S4 F59 2007] is reviewed by Claudia MacDonald in Ad Parnassum 8/15 (April 2010): 138-142.

Flory, Andrew. "Marvin Gaye as Vocal Composer." Sounding Out Pop: Analytical Essays in Popular Music, ed. by Mark Spicer and John Covach. University of Michigan Press, 2010: 63-98 [ML3470.S635 2010].

Francis, Kimberly (Ph.D. 2010). "A Dialogue  Begins: Nadia Boulanger, Igor Stravinsky, and the Symphonie de psaumes." Women & Music 14 (2010): 22-44.

Garcia, David. "Contesting That Damned Mambo: Arsenio Rodríguez, Authenticity, and the Puerto Rican and Cuban Music Cultures of El Barrio and the Bronx, 1950s." The Afro-Latin@ Reader: History and Culture in the United States. Durham: Duke University Press, 2010: 187-198 [Davis E185.615.A37 2010].

Gibbons, William (Ph.D. 2010). "Music of the Future, Music of the Past: Tannhäuser and Alceste at the Paris Opéra." 19th Century Music 33/3 (Spring 2010): 232-246.

Gillespie, Don (Ph.D. 1977). "Chou Wen-Chung on Varèse: An Interview." American Music 27/4 (Winter 2009): 441-460.

Jones, Brian (Ph.D. student). "Finding the Avant-Garde in the Old-Time: John Cohen in the American Folk Revival." American Music 28/4 (Winter 2010): 402-435.

Laird, Paul R. (Ph.D. 1986). "Catholic church music in Italy, and the Spanish and Portugese Empires." The Cambridge History of Eighteenth-Century Music, ed. by Simon P. Keefe. Cambridge University Press, 2009: 29-58 [ML195.C35 2009].

____. The "Chichester Psalms" of Leonard Bernstein. (CMS Sourcebooks in American Music, 4) Pendragon Press, 2010 [ML410.B566 L35 2010].

Lamothe, Peter (Ph.D. 2008). "Questions of Genre: Massenet's Les Érinnyes at the Théâtre-National-Lyrique." Music, Theater, and Cultural Transfer: Paris, 1830-1914, ed. by Annegret Fauser and Mark Everist. University of Chicago Press, 2009: 276-290 [ML1727.8.P2 M85 2009].

Levin, Alicia C. (Ph.D. 2009). "A Documentary Overview of Musical Theaters in Paris, 1830-1900." Music, Theater, and Cultural Transfer: Paris, 1830-1914, ed. by Annegret Fauser and Mark Everist. University of Chicago Press, 2009: 379-402 [ML1727.8.P2 M85 2009].

Meredith, William (Ph.D. 1985). "The Berlin Wall Remembered on the Twentieth Anniversary of Its Fall." The Beethoven Journal 24/2 (Winter 2009): 73-81.

Neal, Jocelyn. The Songs of Jimmie Rodgers: A Legacy in Country Music [ML3524.N43 2009]. Reviewed by Edward Komara in Notes 66/4 (June 2010): 770-772.

____. The Songs of Jimmie Rodgers: A Legacy in Country Music [ML3524.N43 2009]. Reviewed by Morris S. Levy in ARSC Journal 41/2 (Fall 2010): 288-290.

____ (ed.). Country Music, U.S.A. 3rd rev. ed. Austin, TX: University of Texas Press, 2010 [ML3524.M34 2010].

Neff, Severine. "Cadence after thirty-three years: Schoenberg's Second Chamber Symphony, Op. 38." The Cambridge Companion to Schoenberg, ed. by Jennifer Shaw and Joseph Auner. Cambridge University Press, 2010: 209-225 [ML410.S283 C36 2010].

Proksch, Bryan (Ph.D. 2006). Review of Bach's Cycle, Mozart's Arrow: An Essay in the Origins of Musical Modernity by Karol Berger [ML195.B47 2007] in Fontes Artis Musicae 57/1 (January-March 2010): 126-128.

____. Review of Communication in Eighteenth Century Music ed. by Danuta Mirka and Kofi Agawu [ML195.C66 2008] in Fontes Artis Musicae 56/4 (October-December 2009): 423-424.

____. Review of Josef Mysliveček, "Il Boemo": The Man and His Music by Daniel E. Freeman [ML410.M99 F74 2009] in Notes 66/4 (June 2010): 784-786.

Russell, Craig (Ph.D. 1981). From Serra to Sancho: Music and Pageantry in the California Missions [ML3011.7.C15 R87 2009]. Reviewed by Louis Welcher in Choral Journal (May 2010): 55-57.

____. From Serra to Sancho: Music and Pageantry in the California Missions [ML3011.7.C15 R87 2009]. Reviewed by Drew Edward Davies in Notes 66/4 (June 2010): 791-793.

Sewright, Kathleen (Ph.D. 2008). Review of Young Choristers, 650-1700 ed. by Susan Boynton and Eric Rice [MT898.Y69 2008] in Choral Journal (May 2010): 53-55.

Sparks, Timothy W., tenor.  Mahler, Gustav.  Das Lied von der Erde (Schönberg-Riehn Chamber Orchestra Transcription).  Duraleigh Chamber Players conducted by Scott Tilley.  Centaur Records CRC3044, 2010. Compact disc [CD-23,404].

Stimeling, Travis (Ph.D. 2007). "The Sons of the Pioneers' Lucky "U" Ranch and the Singing Cowboy in Cold War America." American Music 28/1 (Spring 2010): 76-96.

____. Review of Johnny Cash and the Paradox of American Identity by Leigh H. Edwards [ML420.C265 E48 2009] in Notes 67/2 (December 2010): 305-306.

Upton, Elizabeth Randell (Ph.D. 2001). "Aligning words and Music: Scribal Procedures for the Placement of Text and Notes in the Chantilly Codex." A Late Medieval Songbook and Its Context: New Perspectives on the Chantilly Codex, ed. by Yolanda Plumley and Anne Stone. Brepols, 2009: 115-132 [ML93.P58 2009].

Vandermeer, Philip. Review of Natural Acts: Gender, Race, and Rusticity in Country Music [ML 3524.F73 2009] in ARSC Journal 41/2 (Fall 2010): 286-288.

Warfield, Scott (Ph.D. 1995). Review of Sibelius: The Orchestral Music: An Owner's Manual by David Hurwitz [MT92.S63 H87 2007] in Fontes Artis Musicae 57/1 (January-March 2010): 128-130.

2009

Anderson, Stephen R., piano. Next Set. James Ketch Quintet. Summit Records, 2009.  Compact disc [CD-14,924].

Atkinson, Charles M (Ph.D. 1975). The Critical Nexus: Tone-system, Mode, and Notation in Early Medieval Music. Oxford: Oxford University Press, 2009 [ML174.A85 2009].

Bonds, Mark Evan. Listen to This; with contributions by Jocelyn Neal, Joseph Kaminski, and N. Scott Robinson. Upper Saddle River, NJ: Pearson Prentice Hall, 2009 [MT90.B63 2009].

____. Music as Thought: Listening to the Symphony in the Age of Beethoven [ML1255.B68 2006]. Reviewed by Michael P. Steinberg in Beethoven Forum 14/2 (Fall 2007): 182-186.

Brackett, John (Ph.D. 2003). John Zorn: Tradition and Transgression. Bloomington: Indiana University Press, 2008 [ML410.Z75 B73 2008].

Carter, Tim. "'Improvised' Counterpoint in Monteverdi's 1610 Vespers." Uno Gentile et Subtile Ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn. Brepols, 2009: 29-35 [ML172.G32 2009].

Citron, Marcia (Ph.D. 1971). "Gendered Reception of Brahms: Masculinity, Nationalism and Musical Politics." Masculinity and Western Musical Practice ed. by Ian Biddle and Kirsten Gibson. Ashgate, 2009: 141-159 [ML193.M36 2009].

Cochran, Keith (Ph.D. 1995). Review of OPERA America (www.operaamerica.org) in Notes 65/4 (June 2009): 813-815.

Corneilson, Paul (Ph.D. 1992), ed. Carl Philipp Emanuel Bach, "Passion According to St. John (1772). Complete works, series IV, vol.7/1 [M3.B104]. Reviewed by Stephen Roe in Eighteenth-Century Music 6/2 (September 2009): 274-276.

Fauser, Annegret. "Debacle at the Paris Opéra: Tannhäser and the French Critics, 1861 (Introduction)." Richard Wagner and His World, ed. by Thomas S. Grey. Princeton University Press, 2009: 347-350 [ML410.W13 R53 2009].

Finson, Jon. Robert Schumann: The Book of Songs [ML410.S4 F59 2007] is reviewed by Heather Platt in Notes 65/4 (June 2009): 779-781.

Francis, Kimberly. "Nadia Boulanger and Igor Stravinsky: Documents of the Bibliothèque nationale de France." Revue de Musicologie 95/1(2009): 137-156.

Haar, James. "'La dolce vista del tuo viso pio': Du Fay and the Italian Song Tradition." Uno Gentile et Subtile Ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn. Brepols, 2009: 501-512 [ML172.G32 2009].

Haar, James and J.N. "The Medici, the Signora, the Pope: sacred polyphony in Florence, 1432-1448." Recercare XX/1-2 (2008): 25-93.

Harris, Paul (Ph.D. 2007). "U2's Composition Process: Sketching Achtung Baby in sound." Musiktheorie: Zeitschrift für Musikwissenschaft 24/2(2009): 137-162.

Ketch, James, trumpet, leader. Next Set. James Ketch Quintet. Summit Records, 2009.  Compact disc [CD-14,924].

Macy, Laura (Ph.D. 1991). The Grove Book of Opera Singers [Ref ML102.O6 G76 2008]. Reviewed by Barry R. Ashpole in ARSC Journal 40/1 (Spring 2009): 64-65.

____. (Ph.D. 1991). Review of Warrior, Courtier, Singer: Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance by Richard Wistreich [ML420.B7713 W57 2007] in Notes 65/3 (March 2009): 498-500.

McClellan, Michael E. (Ph.D. 1994). "Music, Education and Français de Couleur: Music Instruction in Colonial Hanoi." Fontes Artis Musicae 56/3 (July-September 2009): 314-325.

Nádas, John and J.H. "The Medici, the Signora, the Pope: sacred polyphony in Florence, 1432-1448." Recercare XX/1-2 (2008): 25-93.

Neal, Jocelyn. "The Reincarnations of Jimmie Rodgers's Songs." Waiting for a Train, ed. by Mary Davis and Warren Zanes. Rounder Books, 2009: 209-234 [ML420.R753 W35 2009].

____. The Songs of Jimmie Rodgers: A Legacy in Country Music. Bloomington: Indiana University Press, 2009 [ML3524.N43 2009].

Neff, Severine. "A Paradoxical: Lou Harrison and Arnold Schoenberg" Music Journal of Hanyang University (2009): 177-242.

____. "Juxtapositing Popular Music in The Second String Quartet,  op.10." Schoenberg's Chamber Music, Schoenberg's World, ed. by James K. Wright and Alan M. Gillmore. Pendragon Press, 2009: 65-96 [ML410.S283 S377 2009].

Nosow, Robert (Ph.D. 1992), ed. Bach, Carl Philipp Emanuel. Violon-Cello Concertos (The Complete Works, ser.3 v.6) Los Altos, Calif.: Packard Humanities Institute, 2005 [M3.B104 ser.3 v.6].

Porcaro, Mark (Ph.D. 2006).  "'We Have Something Going Really Going Between Us Now':  Columbia Record's Influence on the Repertoire of the Mormon Tabernacle Choir, 1949-1992" The Choral Scholar 1/1 (Spring 2009). http://www.ncco-usa.org/tcs/issues/vol1/no1/

Prizer, William (Ph.D. 1974). "The 'Virtue' of Lorenzo Lotto: A Musical Intarsia in the Basilica of Santa Maria Maggiore in Bergamo." Uno Gentile et Subtile Ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn. Brepols, 2009: 617-626 [ML172.G32 2009].

Proksch, Bryan (Ph.D. 2006). "Precedents of Schoenberg's Compositional Practice in the Chamber Works of Haydn." Schoenberg's Chamber Music, Schoenberg's World, ed. by James K. Wright and Alan M. Gillmore. Pendragon Press, 2009: 149-160 [ML410.S283 S377 2009].

____. Review of W.A. Mozart by Hermann Abert; transl. by Stewart Spencer; ed. by Cliff Eisen [ML410.M9 A6613 2007] in Fontes 56/1 (January-March 2009): 85-86.

Russell, Craig H. (Ph.D. 1981). From Serra to Sancho: Music and Pageantry in the California Missions. Oxford University Press, 2009 [ML3011.7.C15 R87 2009].

____. "Serra and Sacred Song at the Founding of California's First Missions." Musical Quarterly 92/2(2009): 365-401. Full Text.

Sewright, Kathleen (Ph.D. 2008). "An Introduction to British Library MS Lansdowne 380." Notes 65/4 (June 2009): 633-736.

Stimeling, Travis (Ph.D. 2007). Review of Doktor Faust by Ferruccio Busoni, DVD. Directed by Philippe Jordan. Notes 65/3 (March 2009): 555-556.

____. Review of Howard Goodall's Big Bangs, DVD. Directed by David Jeffcock and Rupert Edwards. Notes 65/3 (March 2009): 571-572.

Vial, Stephanie. The Art of Musical Phrasing in the Eighteenth Century: Punctuating the Classical "Period." Rochester: University of Rochester Press, 2008 [ML457.V53 2008].

Zeiss, Laurel (Ph.D. 1999). Review of Mozart's Così fan tutte: a compositional history by Ian Woodfield [ML410.M9 W66 2008] in Notes 66/1(September 2009): 72-75.

2008

Alden, Jane (Ph.D. 1999). "Excavating Chansonniers: Musical Archaeology and the Search for Popular Song." Journal of Musicology 25/1 (Winter 2008): 46-87.

Bartig, Kevin (Ph.D. 2008). "Lieutenant Kizhe: New Media, New Means." Sergey Prokofiev and His World. Princeton University Press, 2008: 376-400 [ML410.P865 S47 2008].

____. Review of Sergey Prokofiev Diaries 1907-1947: Prodigious Youth edited and translated by Anthony Phillips [ML410.P865 A3 2006] in Fontes Artis Musicae 55/2 (January-March 2008): 405-406.

Bonds, Mark Evan. Music As Thought: Listening to the Symphony in the Age of Beethoven [ML1255.B68 2006]. Reviewed by Edward Green in International Review of the Aesthetics and Sociology of Music 39/1 (June 2008): 105-111.

____. Music as Thought: Listening to the Symphony in the Age of Beethoven [ML1255.B68 2006]. Reviewed by Stephen Rumph in Journal of the American Musicological Society 61/1 (Spring 2008): 221-224.

Brackett, John (Ph.D. 2003). "Examining Rhythmic and Metric Practices in Led Zeppelin's Musical Style." Popular Music 27/1 (2008): 53-76.

Carter, Tim. Review of Echoes of Women's Voices: Music, Art and Female Patronage in Early Modern Florence by Kelly Harness [NX705.5.I82 F584 2006] in Early Music (February 2008): 117-119.

Fauser, Annegret. Musical Encounters at the 1889 Paris World's Fair [ML270.4.F38 2005]. Reviewed by Jann Pasler in Journal of the American Musicological Society 61/2 (Summer 2008): 438-445.

____. "New Media, Source-Bonding, and Alienation: Listening at the 1889 Exposition Universelle." French Music, Culture, and National Identity, 1870-1939, ed. by Barbara L. Kelly. University of Rochester Press, 2008: 40-57 [ML3917.F8 F74 2008].

____. "Visual Pleasures - Musical Signs: Dance at the Paris Opéra." South Atlantic Quarterly 1041 (Winter 2005): 99-121.

Fitzgerald, Michael. Review of Power, Passion and Beauty: The Story of the Legendary Mahavishnu Orchestra: The Greatest Band that Ever Was by Walter Kolosky in ARSC Journal 39/1 (Spring 2008): 126-127.

García, David F. Arsenio Rodríguez and the Transnational Flows of Latin Popular Music [ML410.R63235 G37 2006]. Reviewed by David-Emil Wickström in Popular Music 27/1 (2008): 159-160.

____. Arsenio Rodríguez and the Transnational Flows of Latin Popular Music [ML410.R63235 G37 2006]. Reviewed in Journal of Popular Music Studies 20/1 (2008): 79-91.

____. Arsenio Rodríguez and the Transnational Flows of Latin Popular Music [ML410.R63235 G37 2006]. Reviewed by Geoffrey Baker in Music & Letters 89/2 (May 2008): 290-292.

____. Review of Music and Revolution: Cultural Change in Socialist Cuba by Robin D. Moore [ML3917.C9 M66 2006] and Cuba Represent! Cuban Arts, State Power, and the Making of New REvolutionary Cultures by Sujatha Fernandez [NX180.P64 F47 2006] in Ethnomusicology 52/3 (Fall 2008): 471-474.

Gibbons, William (Ph.D. student). "Debussy as Storyteller: Narrative Expansion in the Trois Chansons de Bilitis.Current Musicology 85 (Spring 2008): 7-28.

____. "'Yankee Doodle' and Nationalism, 1780-1920." American Music 26/2 (Summer 2008): 246-274.

Hiam, Jonathan (Ph.D. 2006). Review of Music and Urban Geography by Adam Krims [ML3916.K75 2007] in Notes 64/3 (March 2008): 479-481.

Lamothe, Virginia (Ph.D. student). "Dancing at a wedding: Some thoughts on performance issues in Monteverdi's 'Lasciate i monti'(Orfeo, 1607)." Early Music 36/4 (November 2008): 533-545.

Macy, Laura (Ph.D. 1991). The Grove Book of Opera Singers. Oxford University Press, 2008 [Ref ML102.O6 G76 2008].

Mehrens, Christopher (Ph.D. 1998). Review of Deems Taylor: Selected Writings selected and annotated by James A. Pegolotti [ML60.T296 2007] in Notes 64/4 (June 2008): 752-754.

Neal, Jocelyn. "Country-Pop Formulae and Craft: Shania Twain's Crossover Appeal." Expression in Pop-Rock Music, 2nd. ed. Routledge, 2008: 285-311 [ML3534.E985 2008].

____. "When Recollection is All We've Got: Analytical Explorations of 'Catchy' Songs." College Music Symposium 47 (2007): 12-22.

Porcaro, Mark D. (Ph.D. 2006). Review of Les Ornstein: Modernist Dilemmas, Personal Choices by Michael Broyles and Denise Von Glahn [ML410.O67 B76 2007] in Notes 65/1 (September 2008): 78-80.

Press, Stephen. "'I Came too Soon': Prokofiev's Early Career in America." Sergey Prokofiev and His World. Princeton University Press, 2008: 334-375 [ML410.P865 S47 2008].

Proksch, Bryan (Ph.D. 2006). Review of C.P.E. Bach Studies ed. by Annette Richards [ML410.B16 C22 2006] in Fontes Artis Musicae 55/2 (January-March 2008): 395-396.

Stimeling, Travis (Ph.D. 2007). Review of Hangverseny a Pleyel Duplazongorán (The Pleyel Double Grand Piano in Concert) DVD, directed by Anna Mérei in Notes 65/1 (September 2008): 143-144.

Vial, Stephanie D.  The Art of Musical Phrasing in the Eighteenth Century [ML457.V53 2008]. Reviewed by Peter Williams in The Musical Times 149(Winter 2008): 112-115.

Vlhová-Wörner, Hana (ed.). Tropi Proprii Missae (Repertorium troporum Bohemiae medii aevi, Pars 1). Praha: Editio Bärenreiter, 2004 [M2153.2.R47 2004].

Zeiss, Laurel (Ph.D. 1999). Review of The Temple of Night at Schönau: Architecture, Music, and Theater in a Late Eighteenth-Century Viennese Garden by John A. Rice [Davis Q11.P612 v.258] in Notes 64/3 (March 2008): 481-483.

2007

Alden, Jane (Ph.D. 1999). "Reading the Loire Valley Chansonniers." Acta Musicologica 79/1 (2007): 1-31.

Anderson, Allen. Reconstruction and completion of Arnold Schoenberg's My Horses Ain't Hungry. Los Angeles: Belmont Music Publishers, 2007 [M1582.S4 M9 2007].

Bartig, Kevin Michael. Review of Creative Union: The Professional Organization of Soviet Composers, 1939-1953 by Kiril Tomoff [ML3917.S65 T66 2006] in Notes 63/4 (June 2007): 848-850.

Bonds, Mark Evan. Music As Thought: Listening to the Symphony in the Age of Beethoven [ML1255.B68 2006]. Reviewed by Patricia Howard in Musical Times 148 (Summer 2007): 103-105.

____. Music As Thought: Listening to the Symphony in the Age of Beethoven [ML1255.B68 2006]. Reviewed by Patricia Stroh in Beethoven Journal 22/1 (Summer 2007): 45.

____. "Replacing Haydn: Mozart's 'Pleyel' Quartets." Music and Letters 88/2 (May 2007): 201-225.

Carter, Tim. "Crossing the Boundaries: Sacred, Civic, and Ceremonial Space in Late Sixteenth- and Early Seventeenth-Century Florence." Atti del VII Centenario del Duomo di Firenze. Edifir, 2001: 139-146 [NA5621.F5 A88 2001 v.3].

____. "Musical Sources." Cambridge Companion to Monteverdi. Cambridge University Press, 2007: 20-30 [ML410.M77 C36 2007].

____. "The Venetian Secular Music." Cambridge Companion to Monteverdi. Cambridge University Press, 2007: 179-194 [ML410.M77 C36 2007].

____. "Lamento della Ninfa (1638)." Cambridge Companion to Monteverdi. Cambridge University Press, 2007: 195-198 [ML410.M77 C36 2007].

____ (ed.). The Cambridge History of Seventeenth-Century Music [ML194.C23 2005]. Reviewed by Gregory S. Johnston in Early Music 35/2 (May 2007): 293-295.

____. The Cambridge History of Seventeenth-Century Music [ML194.C23 2005]. Reviewed by David Schulenberg in Music and Letters 88/3 (August 2007): 484-487.

____. The Cambridge History of Seventeenth-Century Music [ML194.C23 2005]. Reviewed by Peter Williams in Notes 63/3 (March 2007): 597-600.

Citron, Marcia (Ph.D. 1971). "A Bicentennial Reflection: Twenty-five Years with Fanny Hensel." Nineteenth-Century Music Review 4/2 (2007): 7-20.

____. Review of Composers in the Movies: Studies in Music Biography by John C. Tibbets [Davis PN1995.9.C553 T53 2005] in Music and Letters 88/1 (February 2007): 171-175.

____. Review of Changing Tunes: The Use of Pre-existing Music in Film ed. by Phil Powrie and Robynn Stilwell [ML2075.C46 2006] in Music and Letters 88/4 (November 2007): 698-702.

Cochran, Keith (Ph.D. 1995). "Review of Classical Compact Disc Review Sources on the Web." Notes 64/2 (December 2007): 338-341.

____. Review of Hector Berlioz: Incomplete Operas ed. by Ric Graebner and Paul Banks [M3.B52 v.4] in Notes 63/4 (June 2007): 940-942.

Corneilson, Paul (Ph.D. 1992) (ed.). Christian Cannabich: Ballet Music Arranged for Chamber Ensemble (Recent Researches in the Music of the Classical Era, 73). Madison: A-R Editions, 2004 [M2.R2381 v.73].

Cusick, Suzanne (Ph.D. 1975). Review of Boccherini's Body: An Essay in Carnal Musicology by Elizabeth Le Guin [ML410.B66 L4 2006] in Current Musicology 84 (Fall 2007): 139-146.

____. "Monteverdi Studies and 'New' Musicologies." Cambridge Companion to Monteverdi. Cambridge University Press, 2007: 249-260 [ML410.M77 C36 2007].

Fauser, Annegret. Musical Encounters at the 1889 Paris World's Fair [ML270.4.F38 2005]. Reviewed by Helen Julia Minors in Nineteeth-Century Music Review 4/1: 135-139.

Finson, Jon. Robert Schumann: The Book of Songs. Harvard University Press, 2007 [ML410.S4 F59 2007].

Fitzgerald, Michael. Review of Lee Morgan: His Life, Music and Culture by Tom Perchard [ML419.M68 P47 2006] in ARSC Journal 38/1 (Spring 2007): 117-120.

____. Review of I Know What I Know: The Music of Charles Mingus by Todd S. Jenkins [ML418.M45 J46 2006] in ARSC Journal 38/2 (Fall 2007): 235-237.

García, David F. Arsenio Rodríguez and the Transnational Flows of Latin Popular Music [ML410.R63235 G37 2006]. Reviewed by Susan Thomas in Latin American Music Review 28/2 (Fall/Winter 2007): 306-309.

Haar, James (ed). European Music 1520-1640 [ML 172.E88 2006]. Reviewed by Tina Chancey in Early Music America 13/1 (Spring 2007): 63.

____. European Music 1520-1640 [ML 172.E88 2006]. Reviewed by Alex Fisher in Early Music 35/3 (August 2007): 454-456.

____. European Music 1520-1640 [ML 172.E88 2006]. Reviewed by Peter Phillips in Musical Times (Spring 2007): 116-117.

Haar, James and John Nádas. "Johannes de Anglia (John Hothby): Notes on His Career in Italy." Acta Musicologica 79/2 (2007): 291-358.

Katz, Mark. Capturing Sound: How Technology Has Changed Music [ML3790.K277 2004]. Reviewed by Simon Trezise in Music & Letters 88/3 (August 2007): 539-542.

Kramer, Elizabeth (Ph.D. 2005). Review of E.T.A. Hoffmann's Musical Aesthetics by Abigail Chantler [ML410.H7 C45 2006] in Notes 63/4 (June 2007): 833-836.

____. Review of Ludwig van Beethoven. Sonatas for Piano and Violin, op. 23 and op. 30, no. 2. Andreas Staier, piano and Daniel Sepec, violin [CD-14,078] in Beethoven Forum 14/1 (Spring 2007): 94-99.

Mehrens, Christopher (Ph.D. 1998). Review of So I've Heard: Notes of a Migratory Music Critic by Alan Rich [ML3880.R53 2006] in Notes 63/4 (June 2007): 881-885.

Nádas, John and James Haar. "Johannes de Anglia (John Hothby): Notes on His Career in Italy." Acta Musicologica 79/2 (2007): 291-358.

Neal, Jocelyn. "Narrative Paradigms, Musical Signifiers, and Form as Function in Country Music." Music Theory Spectrum 29/1 (Spring 2007): 41-72.

____. Review of Grand Ole Opry at Carnegie Hall (DVD). Journal of the Society for American Music 1/2 (May 2007): 293-295.

Neff, Severine and Patricia Carpenter (editors and translators). The Musical Idea - and the Logic, Technique, and Art of Its Presentation by Arnold Schoenberg [MT6.S316 M913 2006]. Reviewed by Edward Green in Notes 63/4 (June 2007): 861-863.

Neff, Severine and Sabine Feist. Foreword to Arnold Schoenberg's My Horses Ain't Hungry. Los Angeles: Belmont, 2007 [M1582.S4 M9 2007].

Nosow, Robert (Ph.D. 1992). "Dancing the Righoletto." Journal of Musicology 24/3 (Summer 2007): 407-446.

Oswell, Michelle (MA 2001). Review of Performance and Popular Music: History, Place and Time edited by Ian Ingeis [ML3470.P45 2006] in Notes 63/4 (June 2007): 876-879.

Porcaro, Mark (Ph.D. 2006). "A Polyphonic Type of Listening In and Out of Focus: Berio's Sequenza XI for Guitar." Berio's Sequenzas, ed. by Janet Halfyard. Ashegate, 2007: 255-274 [ML410.B4968 B47 2007].

Powers, Doris (Ph.D. 1995). Review of C.P.E. Bach Studies ed. by Annette Richards [ML410.B16 C22 2006] in Notes 64/2 (December 2007): 271-273.

Press, Stephen (Ph.D. 1998). Prokofiev's Ballets for Diaghilev. Ashgate, 2006 [ML410 .P865 P74 2006]. Reviewed by David Fanning in Music and Letters 88/2 (May 2007): 361-362.

____. Prokofiev's Ballets for Diaghilev. Ashgate, 2006 [ML410 .P865 P74 2006]. Reviewed by Olga Haldey in Notes 63/3 (March 2007): 622-624.

Proskch, Bryan (Ph.D. 2006). Review of The Reception of Bach's Organ Works from Mendelssohn to Brahms by Russell Stinson [ML410.B1 S856 2006] in Fontes Artis Musicae 54/1 (January-March 2007): 150-151.

____. Review of Brass Scholarship in Review: Proceedings of the Historic Brass Society Conference, Cite de la Musique, Paris 1999 ed. by Stewart Carter [ML933.B73 2006] in Fontes Artis Musicae 54/4 (October-December 2007): 605-607.

Schlagel, Stephanie P. (Ph.D. 1996) (ed). Si Placet Parts for Motets by Josquin and His Contemporaries [M2.R2384 v.146] Recent Researches in the Music of the Renaissance is reviewed by Peter J. D. Scott in Early Music 35/4 (November 2007): 641-644.

Stimeling, Travis (Ph.D. student). Review of Moog DVD directed by Hans Fjellestad in Notes 63/3 (March 2007): 674-675.

Warfield, Scott (Ph.D. 1995). Review of Richard Strauss's Orchestral Music and the German Intellectual Tradition: The Philosophical Roots of Musical Modernism by Charles Youmans [ML410.S93 Y68 2005] in Journal of Musicological Research 26/1 (2007): 75-78.

____. Review of Orchestral Music: A Handbook (4th ed.) by David Daniels [Ref ML128.05.D3 2005] in Fontes Artis Musicae 54/4 (October-December 2007): 611-612.

Wörner, Felix. "Form als Wesen des musikalischer Kunstwerkes." Musik Theorie: Zeitschrift für Musikwissenschaft 22/3 (2007): 261-273.

Zeiss, Laurel (Ph.D. 1999). Review of The Cambridge Mozart Encyclopedia ed. by Cliff Eisen and Simon P. Keefe [Ref ML410.M9 C257 2006] in Notes 63/3 (March 2007): 584-586.

 
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