Notes from the Hill

Listed below are citations for publications and recordings of UNC Chapel Hill Music Department faculty, graduate students, and alumni which are held in the Music Library. Citations are displayed for the most recent four years only.  While we do not claim that this is a complete list, we have tried to be as comprehensive as possible within these parameters.  Periodical articles and reviews are listed under the year the issue actually appeared.   Any additions or corrections may be sent to Diane Steinhaus, Public Services Librarian.

---

 

2009 || 2008 || 2007 || 2006

---

2009

Bonds, Mark Evan. Listen to This; with contributions by Jocelyn Neal, Joseph Kaminski, and N. Scott Robinson. Upper Saddle River, N.J.: Peerson Prentice Hall, 2009 [MT90.B63 2009].

____. Music as Thought: Listening to the Symphony in the Age of Beethoven [ML1255.B68 2006] is reviewed by Michael P. Steinberg in Beethoven Forum 14/2 (Fall 2007), pp.182-186.

Brackett, John (Ph.D. 2003). John Zorn: Tradition and Transgression. Bloomington: Indiana University Press, 2008 [ML410.Z75 B73 2008].

Cochran, Keith (Ph.D. 1995). Review of OPERA America (www.operaamerica.org) in Notes 65/4 (June 2009), pp.813-815.

Corneilson, Paul (Ph.D. 1992). ed. Carl Philipp Emanuel Bach, "Passion According to St. John (1772)." Complete works, series IV, vol.7/1[M3.B104]. Reviewed by Stephen Roe in Eighteenth-Century Music 6/2 (September 2009), pp.274-276.

Finson, Jon. Robert Schumann: The Book of Songs [ML410.S4 F59 2007] is reviewed by Heather Platt in Notes 65/4 (June 2009), pp.779-781.

Francis, Kimberly. "Nadia Boulanger and Igor Stravinsky: Documents of the Bibliothèque nationale de France," Revue de Musicologie 95/1(2009), pp.137-156.

Haar, James and J.N. "The Medici, the Signora, the Pope: sacred polyphony in Florence, 1432-1448," Recercare XX/1-2 (2008), pp.25-93.

Harris, Paul (Ph.D. 2007). "U2's Composition Process: Sketching Achtung Baby in sound," Musiktheorie: Zeitschrift für Musikwissenschaft 24/2(2009), pp. 137-162.

Macy, Laura (Ph.D. 1991). The Grove Book of Opera Singers [Ref ML102.O6 G76 2008] is reviewed by Barry R. Ashpole in ARSC Journal 40/1 (Spring 2009), pp.64-65.

____. (Ph.D. 1991). Review of Warrior, Courtier, Singer: Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance by Richard Wistreich [ML420.B7713 W57 2007] in Notes 65/3 (March 2009), pp.498-500.

McClellan, Michael E. (Ph.D. 1994). "Music, Education and Français de Couleur: Music Instruction in Colonial Hanoi," in Fontes Artis Musicae 56/3 (July-September 2009), pp.314-325.

Nádas, John and J.H. "The Medici, the Signora, the Pope: sacred polyphony in Florence, 1432-1448," Recercare XX/1-2 (2008), pp.25-93.

Neal, Jocelyn. "The Reincarnations of Jimmie Rodgers's Songs," in Waiting for a Train, ed. by Mary Davis and Warren Zanes [ML420.R753 W35 2009], pp.209-234.

____. The Songs of Jimmie Rodgers: A Legacy in Country Music. Bloomington: Indiana University Press, 2009 [ML3524.N43 2009].

Neff, Severine. "Juxtapositing Popular Music in The Second String Quartet,  op.10" in Schoenberg's Chamber Music, Schoenberg's World, edited by James K. Wright and Alan M. Gillmore [ML410.S283 S377 2009], pp. 65-96.

Nosow, Robert (Ph.D. 1992),(ed.). Bach, Carl Philipp Emanuel. Violon-Cello Concertos (The Complete Works, ser.3 v.6) Los Altos, Calif.: Packard Humanities Institute, 2005 [M3.B104 ser.3 v.6].

Porcaro, Mark (Ph.D. 2006).  "'We Have Something Going Really Going Between Us Now':  Columbia Record's Influence on the Repertoire of the Mormon Tabernacle Choir, 1949-1992," in The Choral Scholar 1/1 (Spring 2009), http://www.ncco-usa.org/tcs/issues/vol1/no1/.

Proksch, Bryan (Ph.D. 2006). "Precedents of Schoenberg's Compositional Practice in the Chamber Works of Haydn in Schoenberg's Chamber Music, Schoenberg's World, edited by James K. Wright and Alan M. Gillmore [ML410.S283 S377 2009], pp. 149-160.

____. Review of W.A. Mozart by Hermann Abert; transl. by Stewart Spencer; ed. by Cliff Eisen [ML410.M9 A6613 2007] in Fontes 56/1 (January-March 2009), pp.85-86.

Russell, Craig H. (Ph.D. 1981). From Serra to Sancho: Music and Pageantry in the California Missions. Oxford University Press, 2009 [ML3011.7.C15 R87 2009].

Sewright, Kathleen (Ph.D. 2008). "An Introduction to British Library MS Lansdowne 380," in Notes 65/4 (June 2009), pp.633-736.

Stimeling, Travis (Ph.D. 2007). Review of Doktor Faust by Ferruccio Busoni, DVD. Directed by Philippe Jordan in Notes 65/3 (March 2009), pp.555-556.

____. Review of Howard Goodall's Big Bangs, DVD. Directed by David Jeffcock and Rupert Edwards in Notes 65/3 (March 2009), pp.571-572.

Vial, Stephanie. The Art of Musical Phrasing in the Eighteenth Century: Punctuating the Classical "Period." Rochester: University of Rochester Press, 2008 [ML457.V53 2008].

Zeiss, Laurel (Ph.D. 1999). Review of Mozart's Così fan tutte: a compositional history by Ian Woodfield [ML410.M9 W66 2008] in Notes 66/1(September 2009), pp.72-75.

2008

Alden, Jane (Ph.D. 1999). "Excavating Chansonniers: Musical Archaeology and the Search for Popular Song" in Journal of Musicology 25/1 (Winter 2008), pp.46-87.

Bartig, Kevin (Ph.D. 2008). "Lieutenant Kizhe: New Media, New Means" in Sergey Prokofiev and His World [ML410.P865 S47 2008], pp.376-400.

____. Review of Sergey Prokofiev Diaries 1907-1947: Prodigious Youth edited and translated by Anthony Phillips [ML410.P865 A3 2006] in Fontes Artis Musicae 55/2 (January-March 2008), pp.405-406.

Bonds, Mark Evan. Music As Thought: Listening to the Symphony in the Age of Beethoven [ML1255.B68 2006] is reviewed by Edward Green in International Review of the Aesthetics and Sociology of Music 39/1 (June 2008), pp.105-111.

____. Music as Thought: Listening to the Symphony in the Age of Beethoven [ML1255.B68 2006] is reviewed by Stephen Rumph in Journal of the American Musicological Society 61/1 (Spring 2008), pp.221-224.

Brackett, John (Ph.D. 2003). "Examining Rhythmic and Metric Practices in Led Zeppelin's Musical Style" in Popular Music 27/1 (2008), pp.53-76.

Carter, Tim. Review of Echoes of Women's Voices: Music, Art and Female Patronage in Early Modern Florence by Kelly Harness [NX705.5.I82 F584 2006] in Early Music (February 2008), pp.117-119.

Fauser, Annegret. Musical Encounters at the 1889 Paris World's Fair [ML270.4.F38 2005] is reviewed by Jann Pasler in Journal of the American Musicological Society 61/2, pp.438-445.

____. "New Media, Source-Bonding, and Alienation: Listening at the 1889 Exposition Universelle" in French Music, Culture, and National Identity, 1870-1939 [ML3917.F8 F74 2008], pp.40-57.

____. "Visual Pleasures - Musical Signs: Dance at the Paris Opéra" in South Atlantic Quarterly 1041 (Winter 2005), pp.99-121.

Fitzgerald, Michael. Review of Power, Passion and Beauty: The Story of the Legendary Mahavishnu Orchestra: The Greatest Band that Ever Was by Walter Kolosky in ARSC Journal 39/1 (Spring 2008), pp.126-127.

García, David F. Arsenio Rodríguez and the Transnational Flows of Latin Popular Music [ML410.R63235 G37 2006] is reviewed by David-Emil Wickström in Popular Music 27/1 (2008), pp.159-160.

____. Arsenio Rodríguez and the Transnational Flows of Latin Popular Music [ML410.R63235 G37 2006] is reviewed in Journal of Popular Music Studies 20/1 (2008), pp.79-91.

____. Arsenio Rodríguez and the Transnational Flows of Latin Popular Music [ML410.R63235 G37 2006] is reviewed by Geoffrey Baker in Music & Letters 89/2 (May 2008), pp.290-292.

____. Review of Music and Revolution: Cultural Change in Socialist Cuba by Robin D. Moore [ML3917.C9 M66 2006] and Cuba Represent! Cuban Arts, State Power, and the Making of New REvolutionary Cultures by Sujatha Fernandez [NX180.P64 F47 2006] in Ethnomusicology 52/3 (Fall 2008), pp.471-474.

Gibbons, William (Ph.D. student). "Debussy as Storyteller: Narrative Expansion in the Trois Chansons de Bilitis" in Current Musicology 85 (Spring 2008), pp.7-28.

____. "'Yankee Doodle' and Nationalism, 1780-1920" in American Music 26/2 (Summer 2008), pp.246-274.

Hiam, Jonathan (Ph.D 2006). Review of Music and Urban Geography by Adam Krims [ML3916.K75 2007] in Notes 64/3 (March 2008), pp.479-481.

Lamothe, Virginia (Ph.D. Student). "Dancing at a wedding: Some thoughts on performance issues in Monteverdi's 'Lasciate i monti'(Orfeo, 1607)," in Early Music 36/4 (November 2008), pp.533-545.

Macy, Laura (Ph.D.1991). The Grove Book of Opera Singers. Oxford University Press, 2008 [Ref ML102.O6 G76 2008].

Mehrens, Christopher (Ph.D. 1998). Review of Deems Taylor: Selected Writings selected and annotated by James A. Pegolotti [ML60.T296 2007] in Notes 64/4 (June 2008), pp.752-754.

Neal, Jocelyn. "Country-Pop Formulae and Craft: Shania Twain's Crossover Appeal," in Expressions in Pop-Rock Music, Rev. ed. [ML3534.E985 2008], pp.285-311.

____. "When Recollection is All We've Got: Analytical Explorations of 'Catchy' Songs" in College Music Symposium 47(2007), pp.12-22.

Porcaro, Mark D. (Ph.D. 2006). Review of Les Ornstein: Modernist Dilemmas, Personal Choices by Michael Broyles and Denise Von Glahn [ML410.O67 B76 2007] in Notes 65/1 (September 2008), pp. 78-80.

Press, Stephen "I Came too Soon": Prokofiev's Early Career in America" in Sergey Prokofiev and His World [ML410.P865 S47 2008], pp. 334-375.

Proksch, Bryan (Ph.D 2006). Review of C.P.E. Bach Studies edited by Annette Richards [ML410.B16 C22 2006] in Fontes Artis Musicae 55/2 (January-March 2008), pp.395-396.

Stimeling, Travis (Ph.D 2007). Review of Hangverseny a Pleyel Duplazongorán (The Pleyel Double Grand Piano in Concert) DVD Directed by Anna Mérei in Notes 65/1 (September 2008), pp.143-144.

Vial, Stephanie D.  The Art of Musical Phrasing in the Eighteenth Century [ML457.V53 2008] is reviewed by Peter Williams in The Musical Times 149(Winter 2008), pp.112-115.

Vlhová-Wörner, Hana (ed.). Tropi Proprii Missae (Repertorium troporum Bohemiae medii aevi, Pars 1), Praha: Editio Bärenreiter, 2004 [M2153.2.R47 2004].

Zeiss, Laurel (Ph.D. 1999). Review of The Temple of Night at Schönau: Architecture, Music, and Theater in a Late Eighteenth-Century Viennese Garden by John A. Rice [Davis Q11.P612 v.258] in Notes 64/3 (March 2008), pp.481-483.

2007

Alden, Jane (Ph.D., 1999). "Reading the Loire Valley Chansonniers" in Acta Musicologica LXXIX/1 (2007), pp.1-31.

Anderson, Allen. Reconstruction and completion of Arnold Schoenberg's My Horses Ain't Hungry, Belmont, 2007 [M1582.S4 M9 2007].

Bartig, Kevin Michael. Review of Creative Union: The Professional Organization of Soviet Composers, 1939-1953 by Kiril Tomoff [ML3917.S65 T66 2006] in Notes 63/4 (June 2007), pp.848-850.

Bonds, Mark Evan. Music As Thought: Listening to the Symphony in the Age of Beethoven [ML1255.B68 2006] is reviewed by Patricia Howard in Musical Times v.148 (Summer 2007), pp.103-105.

____. Music As Thought: Listening to the Symphony in the Age of Beethoven [ML1255.B68 2006] is reviewed by Patricia Stroh in Beethoven Journal 22/1 (Summer 2007), p.45.

____. "Replacing Haydn: Mozart's 'Pleyel' Quartets" in Music and Letters 88/2 (May 2007), pp.201-225.

Carter, Tim. "Crossing the Boundaries: Sacred, Civic, and Ceremonial Space in Late Sixteenth- and Early Seventeenth-Century Florence" in Atti del VII Centenario del Duomo di Firenze, [NA5621.F5 A88 2001 v.3] pp.139-146.

Carter, Tim (ed.). The Cambridge History of Seventeenth-Century Music [ML194.C23 2005] is reviewed by Gregory S. Johnston in Early Music 35/2 (May 2007), pp.293-295.

____. The Cambridge History of Seventeenth-Century Music [ML194.C23 2005] is reviewed by David Schulenberg in Music and Letters 88/3 (August 2007), pp.484-487.

____. The Cambridge History of Seventeenth-Century Music [ML194.C23 2005] is reviewed by Peter Williams in Notes 63/3 (March 2007), pp.597-600.

____. "Musical Sources," "The Venetian Secular Music," and "Lamento della Ninfa (1638)" in Cambridge Companion to Monteverdi, [ML410.M77 C36 2007] pp.20-30, 179-194, and 195-198.

Citron, Marcia (Ph.D. 1971). "A Bicentennial Reflection: Twenty-five Years with Fanny Hensel" in Nineteenth-Century Music Review 4/2 (2007), pp.7-20.

____. Review of Composers in the Movies: Studies in Music Biography by John C. Tibbets [Davis PN1995.9.C553 T53 2005] in Music and Letters 88/1 (February 2007), pp.171-175.

____. Review of Changing Tunes: The Use of Pre-existing Music in Film edited by Phil Powrie and Robynn Stilwell [ML2075.C46 2006] in Music and Letters 88/4 (November 2007), pp.698-702.

Cochran, Keith (Ph.D. 1995). "Review of Classical Compact Disc Review Sources on the Web" in Notes 64/2 (December 2007), pp.338-341.

____. Review of Hector Berlioz: Incomplete Operas edited by Ric Graebner and Paul Banks [M3.B52 v.4] in Notes 63/4 (June 2007), pp.940-942.

Corneilson, Paul (Ph.D. 1992),(ed.). Christian Cannabich: Ballet Music Arranged for Chamber Ensemble (Recent Researches in the Music of the Classical Period, 73) [M2.R2381 v.73].

Cusick, Suzanne (Ph.D. 1975). Review of Boccherini's Body: An Essay in Carnal Musicology by Elizabeth Le Guin [ML410.B66 L4 2006] in Current Musicology 84 (Fall 2007), pp.139-146.

____. "Monteverdi Studies and 'New' Musicologies" in Cambridge Companion to Monteverdi, [ML410.M77 C36 2007] pp.249-260.

Fauser, Annegret. Musical Encounters at the 1889 Paris World's Fair [ML270.4.F38 2005] is reviewed by Helen Julia Minors in Nineteeth-Century Music Review 4/1, pp.135-139.

Finson, Jon. Robert Schumann: The Book of Songs. Harvard University Press, 2007[ML410.S4 F59 2007].

Fitzgerald, Michael. Review of Lee Morgan: His Life, Music and Culture by Tom Perchard [ML419.M68 P47 2006] in ARSC Journal 38/1 (Spring 2007), pp.117-120.

____. Review of I Know What I Know: The Music of Charles Mingus by Todd S. Jenkins [ML418.M45 J46 2006] in ARSC Journal 38/2 (Fall 2007), pp.235-237.

García, David F. Arsenio Rodríguez and the Transnational Flows of Latin Popular Music [ML410.R63235 G37 2006] is reviewed by Susan Thomas in Latin American Music Review 28/2 (Fall/Winter 2007), pp.306-309.

Haar, James (ed). European Music 1520-1640 [ML 172.E88 2006] is reviewed by Tina Chancey in Early Music America 13/1(Spring 2007), p.63.

____. European Music 1520-1640 [ML 172.E88 2006] is reviewed by Alex Fisher in Early Music 35/3 (August 2007), pp.454-456.

____. European Music 1520-1640 [ML 172.E88 2006] is reviewed by Peter Phillips in Musical Times (Spring 2007), pp.116-117.

Haar, James and John Nádas. "Johannes de Anglia (John Hothby): Notes on His Career in Italy" in Acta Musicologica 79/2 (2007), pp.291-358.

Katz, Mark. Capturing Sound: How Technology Has Changed Music [ML3790.K277 2004] is reviewed by Simon Trezise in Music & Letters 88/3 (August 2007), pp.539-542.

Kramer, Elizabeth (Ph.D. 2005). Review of E.T.A. Hoffmann's Musical Aesthetics by Abigail Chantler [ML410.H7 C45 2006] in Notes 63/4 (June 2007), pp.833-836.

____. Review of Ludwig van Beethoven. Sonatas for Piano and Violin, op. 23 and op. 30, no. 2. Andreas Staier, piano and Daniel Sepec, violin [CD-14,078] in Beethoven Forum 14/1 (Spring 2007), pp.94-99.

Mehrens, Christopher (Ph.D. 1998). Review of So I've Heard: Notes of a Migratory Music Critic by Alan Rich [ML3880.R53 2006] in Notes 63/4 (June 2007), pp.881-885.

Nádas, John and James Haar. "Johannes de Anglia (John Hothby): Notes on His Career in Italy" in Acta Musicologica 79/2 (2007), pp.291-358.

Neal, Jocelyn. "Narrative Paradigms, Musical Signifiers, and Form as Function in Country Music," in Music Theory Spectrum 29/1 (Spring 2007), pp.41-72.

____. Review of Grand Ole Opry at Carnegie Hall (DVD) in Journal of the Society for American Music 1/2 (May 2007), pp.293-295.

Neff, Severine and Patricia Carpenter (editors and translators). The Musical Idea - and the Logic, Technique, and Art of Its Presentation by Arnold Schoenberg [MT6.S316 M913 2006] is reviewed by Edward Green in Notes 63/4 (June 2007), pp.861-863.

Neff, Severine and Sabine Feist. Foreword to Arnold Schoenberg's My Horses Ain't Hungry, Belmont, 2007 [M1582.S4 M9 2007].

Nosow, Robert (Ph.D. 1992). "Dancing the Righoletto," in Journal of Musicology 24/3 (Summer 2007), pp.407-446.

Oswell, Michelle (MA 2001). Review of Performance and Popular Music: History, Place and Time edited by Ian Ingeis [ML3470.P45 2006] in Notes 63/4 (June 2007), pp.876-879.

Porcaro, Mark (Ph.D. 2006). "A Polyphonic Type of Listening In and Out of Focus: Berio's Sequenza XI for Guitar," in Berio's Sequenzas, edited by Janet Halfyard [ML410.B4968 B47 2007], pp.255-274.

Powers, Doris (Ph.D. 1995). Review of C.P.E. Bach Studies edited by Annette Richards [ML410.B16 C22 2006] in Notes 64/2 (December 2007), pp.271-273.

Press, Stephen (Ph.D. 1998). Prokofiev's Ballets for Diaghilev. Ashgate, 2006 [ML410 .P865 P74 2006] is reviewed by David Fanning in Music and Letters 88/2 (May 2007), pp.361-362.

____. Prokofiev's Ballets for Diaghilev. Ashgate, 2006 [ML410 .P865 P74 2006] is reviewed by Olga Haldey in Notes 63/3 (March 2007), pp.622-624.

Proskch, Bryan (Ph.D. 2006). Review of The Reception of Bach's Organ Works from Mendelssohn to Brahms by Russell Stinson [ML410.B1 S856 2006] in Fontes Artis Musicae 54/1 (January-March 2007), pp.150-151.

____. Review of Brass Scholarship in Review: Proceedings of the Historic Brass Society Conference, Cite de la Musique, Paris 1999 edited by Stewart Carter [ML933.B73 2006] in Fontes Artis Musicae 54/4 (October-December 2007), pp.605-607.

Schlagel, Stephanie P. (Ph.D 1996) (ed). Si Placet Parts for Motets by Josquin and His Contemporaries [M2.R2384 v.146] Recent Researches in the Music of the Renaissance is reviewed by Peter J. D. Scott in Early Music 35/4 (November 2007), pp.641-644.

Stimeling, Travis (Ph.D. student). Review of Moog DVD directed by Hans Fjellestad, in Notes 63/3 (March 2007), pp.674-675.

Warfield, Scott (Ph.D. 1995). Review of Richard Strauss's Orchestral Music and the German Intellectual Tradition: The Philosophical Roots of Musical Modernism by Charles Youmans [ML410.S93 Y68 2005] in Journal of Musicological Research 26/1 (2007), pp.75-78.

____. Review of Orchestral Music: A Handbook (4th ed.) by David Daniels [Ref ML128.05.D3 2005] in Fontes Artis Musicae 54/4 (October-Decmeber 2007), pp.611-612.

Wörner, Felix. "Form als Wesen des musikalischer Kunstwerkes" in Musik Theorie: Zeitschrift für Musikwissenschaft 22/3 (2007), pp.261-273.

Zeiss, Laurel (Ph.D. 1999). Review of The Cambridge Mozart Encyclopedia edited by Cliff Eisen and Simon P. Keefe [Ref ML410.M9 C257 2006] in Notes 63/3 (March 2007), pp.584-586.

2006

Bonds, Mark Evan. Music as Thought: Listening to the Symphony in the Age of Beethoven, Princeton University Press, 2006 [ML1255.B68 2006].

Carlson, Rachel Golden (Ph.D. 2000). "Two Paths to Daniel's Mountain: Poetic-Musical Unity in Aquitanian Versus," in Journal of Musicology 23/4 (Fall 2006), pp.620-646.

Carter, Tim (ed.). The Cambridge History of Seventeenth-Century Music [ML194.C23 2005] is reviewed by Peter Williams in Musical Times (Summer 2006), pp.85-90.

Carter, Tim. "The Concept of the Baroque," in European Music, 1520-1640 [ML172.E88 2006], pp.38-57.

____. Monteverdi's Musical Theatre [ML410.M77 C37 2002] is reviewed by Barbara Russano Hanning in in Journal of Seventeenth-Century Music 12/1 (2006); http://sscm-jscm.press.uiuc.edu/v12/no1/hanning.html 

Citron, Marcia (Ph.D. 1971). Reviews of Encyclopedia of Opera on Screen by Ken Wlaschin [Ref. ML102.O6 W55 2004] 2nd ed. and Cinema's Illusions, Opera's Allure by David Schroeder [Davis PN1995.9.O64 S37 2002] in Music and Letters 87/1 (January 2006), pp.157-161.

Corneilson, Paul (Ph.D. 1992). "A Context for Mozart's French Ariettes: The Wendling Family and Friedrich Schiller's Kabale und Liebe," in Current Musicology 81 (Spring 2006), pp.53-72.

Cusick, Suzanne (Ph.D. 1975). "Music as Torture, Music as Weapon," in Revista Transcultural de Música, vol. 10 (2006).

Fauser, Annegret. "Aaron Copland, Nadia Boulanger, and the Making of an 'American Composer'," in Musical Quarterly 89/4 (Winter 2006), pp.524-554.

____. Musical Encounters at the 1889 Paris World's Fair [ML270.4.F38 2005] is reviewed by Richard Langham Smith in Musical Times (Autumn 2006), pp.93-101.

____. Musical Encounters at the 1889 Paris World's Fair [ML270.4.F38 2005] is reviewed by Lesley A. Wright in Notes 63/2 (December 2006), pp.364-366.

____. Musical Encounters at the 1889 Paris World's Fair [ML270.4.F38 2005] is reviewed by Robert Orledge in Music and Letters 87/4 (November 2006), pp.627-630.

Finson, Jon. "Sinfonien" in Schumann Handbuch [ML410.S4 S33 2006], pp.334-360.

Fitzgerald, Michael. Reviews of Chasin' the Bird: The Life and Legacy of Charlie Parker by Brian Priestley [ML419.P4 P72 2006] and Take Five: The Public and Private Lives of Paul Desmond by Doug Ramsey in ARSC Journal 37/2 (Fall 2006), pp.240-242.

Flory, Jonathan Andrew (Ph.D. 2006). I Hear a Symphony: Making Music at Motown, 1959-1979. Ph.D. Dissertation, University of North Carolina at Chapel Hill, 2006.

García, David F. Arsenio Rodríguez and the Transnational Flows of Latin Popular Music, Temple University Press, 2006 [ML410.R63235 G37 2006].

____. "Going Primitive to the Movements and Sounds of Mambo," in Musical Quarterly 89/4 (Winter 2006), pp.505-523.

____. Review of Jazz Consciousness: Music, Race, and Humanity by Paul Austerlitz [ML3918.J39 A97 2005] in Latin American Music Review 27/1 (Spring/Summer 2006), pp.104-108.

Gersh, Jason. Review of William Byrd's Modal Practice by John Harvey [ML410.B996 H38 2005] in Notes 62/4 (June 2006), pp.957-959.

Haar, James. Cittá del Vaticano Ms Urbinas Latinas 1411. Libreria Musicale Italiana, 2006. [ML290.8.F6 H33 2006].

Haar, James (ed.). European Music, 1520-1640. Boydell Press, 2006. [ML172.E88 2006] incl. his articles "The Concept of of the Renaissance," pp.20-37 and "Madrigal," pp.225-245.

Harris, Paul. Review of Neil Young and the Poetics of Energy by William Echard [ML420.Y75 E34 2005] in Notes 63/1 (September 2006), pp.99-101.

Hiam, Jonathan (Ph.D 2006). Review of The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Ashby [ML197.P57 2004] in Notes 62/4 (June 2006), pp.973-975.

Katz, Mark. "Men, Women, and Turntables: Gender and the DJ Battle," in Musical Quarterly 89/4 (Winter 2006), pp.580-599.

____. "Portamento and the Phonograph Effect," in Journal of Musicological Research, vol. 25, no.3-4, 2006, pp.211-232.

____. Review of Echo and Reverb: Fabricating Space - Popular Music Recording, 1900-1960 by Peter Doyle [ML3470.D69 2005] in ARSC Journal 37/2 (Fall 2006), pp.231-232.

Kottick, Edward L. (Ph.D. 1962). A History of the Harpsichord [ML650.K68 2003] is reviewed by John R. Watson in Journal of the American Musical Instrument Society XXXII, 2006, pp.167-172.

Kramer, Elizabeth (Ph.D. 2005). "The Idea of Transfiguration in the Early German Reception of Mozart's Requiem," in Current Musicology 81 (Spring 2006), pp.73-107.

Laurance, Emily (Ph.D. 2003). Review of The Société des Concerts du Conservatoire 1828-1967 by Kern Holoman [ML28.P2 S64 2004] in Nineteenth-Century Music Review, vol. 3, issue 2 (2006), pp.177-180.

MacNeil, Anne. Review of Echoes of Women's Voices: Music, Art, and Female Patronage in Early Modern Florence by Kelley Harris [NX705.5.I82 F584 2006] in Notes 63/2 (December 2006), p.348-349.

Neal, Jocelyn. "Dancing Around the Subject: Race in Country Fan Culture," in Musical Quarterly 89/4 (Winter 2006), pp.555-579.

Predota, George A. (Ph.D. 2000). "Muddying the Waters: Max Kalbeck and the Fifth Symphony by Johannes Brahms," in Fontes Artis Musicae 53/4 (October-December 2006), pp.309-329.

Press, Stephen (Ph.D. 1998). Prokofiev's Ballets for Diaghilev. Ashgate, 2006 [ML410 .P865 P74 2006].

Proksch, Bryan (Ph.D. 2006). Cyclic Integration in the Instrumental Music of Haydn and Mozart. Ph.D. Dissertation, University of North Carolina at Chapel Hill, 2006.

Proksch, Bryan (Ph.D. 2006). Review of The Cambridge Companion to Haydn edited by Caryl Clark [ML410.H4 C17 2005] in Notes 63/2 (December 2006), pp.349-351.

Schlagel, Stephanie P. (Ph.D 1996). "A Credible (Mis)Attribution to Josquin in Hans Ott's Novum et insigne opus musicum. Contemporary Perceptions, Modern Conceptions, and the Case of Veni sancte Spiritus," in Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 56/2 (2006), pp.97-126.

Stimeling, Travis (Ph.D. student). "Bringing the Classics to the Ohio Valley: The Huntington Federal Music Project Orchestra, 1936-1942," in West Virginia History 60 (2004-2006), pp.23-44.

Upton, Elizabeth Randall (Ph.D 2001). Review of The Modern Invention of Medieval Music: Scholarship, Ideology, Performance by Daniel Leech-Wilkinson [ML172.L44 200] in Journal of the American Musicological Society 59/3 (Fall 2006), pp.733-739.

Warfield, Scott (Ph.D. 1995). Review of Opera and Modern Culture: Wagner and Strauss by Lawrence Kramer [ML1700.K715 2004] in Notes 63/1 (September 2006), pp.116-118.

Warfield, Scott (Ph.D. 1995). Review of the Chandos 10236 recording of Symphony No. 2 in F minor, op. 12 by Richard Strauss in Nineteenth-Century Music Review, vol. 3, issue 1 (2006), pp.147-150.

Wissick, Brent. "The Cello Music of Antonio Bononcini: Violone, Violoncello da Spalla, and the Cello 'Schools' of Bologna and Rome" in Journal of Seventeenth-Century Music 12/1 (2006); http://sscm-jscm.press.uiuc.edu/v12/no1/hanning.html 

____. Review of Viola da Gamba Miscellanea edited by Susan Orlando [ML927.V5 V563 2005] in Notes 63/1 (September 2006), pp.86-87.