Notes from the Hill

Listed below are citations for publications and recordings of UNC Chapel Hill Music Department faculty, graduate students, and alumni which are held in the Music Library. Citations are displayed for the most recent four years only.  While we do not claim that this is a complete list, we have tried to be as comprehensive as possible within these parameters.  Periodical articles and reviews are listed under the year the issue actually appeared.   Any additions or corrections may be sent to Diane Steinhaus, Public Services Librarian.

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2013 || 2012 || 2011 || 2010

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2013

Shadle, Doug (Ph.D. 2010). Review of American Orchestras in the Nineteenth Century ed. by John Spitzer [ML1211.4 .A44 2012] in Journal of the Society for American Music 7/1 (February 2013): 97-101. Full Text.

Stimeling, Travis (Ph.D. 2007). Review of I Don't Sound Like Nobody: Remaking Music in 1950s America by Albin J. Zak III [ML200.5 .Z35 2010] in American Music 30/2 (Summer 2012): 256-258. Full Text.

Zeiss, Laurel E. (Ph.D. 1999). "The Dramaturgy of Opera," in The Cambridge Companion to Opera Studies, ed. by Nicholas Till. Cambridge: University Press, 2012 [ML1700 .C166 2012]: 179-201.

2012

Bartig, Kevin (Ph.D. 2008). Translations of Russian-language articles ("Musical Surprises" by A. Azarin and "The Experience of the Composer" by N. Kryukov) in The Routledge Film Music Sourcebook, ed. by James Wierzbicki. New York: Routledge, 2012 [ML2075.R68 2012].

Bonds, Mark Evan. "Ästhetische Prämissen der musikalischen Analyse im ersten Viertel des 19. Jahrhunderts, anhand von Friedrich August Kannes "Versuch einer Analyse der Mozart'schen Clavierwerke"(1821)." Mozart Neu Entdecken: Theoretische Interpretationen Seines Werks, ed. by Gernot Gruber and Siegfried Mauser. Laaber, Germany: Laaber, 2012: 63-82 [ML410.M9 M719 2012].

Carter, Tim, ed. Johnny Johnson: A Play with Music in Three Acts. Play by Paul Green, music by Kurt Weill. The Kurt Weill Edition, ser. I, vol. 13. New York: Kurt Weill Foundation for Music, 2012 [M3.W447 ser.1 v.13].

____. "Monteverdi, Early Opera and a Question of Genre: The Case of Andromeda (1620)." Journal of the Royal Musical Association 137 (2012): 1-34. Full Text.

____. "The Seventeenth Century: An Overview," in The Cambridge History of Musical Performance, ed. by Colin Lawson and Robin Stowell. Cambridge: University Press, 2012 [ML457 .C36 2012]: 377-397.

____. "Two into Three Won't Go? Poetic Structure and Musical Forms in Mozart's Idomeneo." Cambridge Opera Journal 24/3 (2012): 229-248. Full Text.

____. "'E in rileggendo poi le proprie note': Monteverdi Responds to Artusi?" Renaissance Studies 26/1 (2012): 138-155. Full Text.

Citron, Marcia (Ph.D. 1971). Review of Operatic Afterlives by Michal Grover-Friedlander [ML1700.G84 2011] in Music and Letters 93/3 (August 2012): 441-443. Full Text.

____. Review of Towards a Twenty-First-Century Feminist Politics of Music by Sally Macarthur [ML82.M23 2010] in Music and Letters 93/3 (August 2012): 443-445. Full Text.

Corneilson, Paul (Ph.D. 1992), ed. with Peter Wollny. "Eris der Vater, wir sind die Bub'n": Essays in Honor of Christoph Wolff [ML55.W87 2010]. Reviewed by Daniel F. Boomhower in Notes 68/3 (March 2012): 608-610.

____. "Liedersammlung für Kinder und Kinderfreunde: A Context for Mozart's Songs K. 596-598," in Mozart-Jahrbuch 2011. Basel: Bärenreiter Kassel, 2012 [ML410.M9 A525 2011]: 101-118.

Cyrus, Cynthia J. (Ph.D. 1990) and Ann Buckley, eds. Music, Dance, and Society: Medieval and Renaissance Studies in Memory of Ingrid G. Brainard. Kalamazoo, MI: Medieval Institute Publications, 2011 [ML55.B7127 2011].

Fauser, Annegret. "What's in a Song? Camille Saint-Saëns's Mélodies," in Camille Saint-Saëns and His World, ed. by Jann Pasler. Princeton: University Press, 2012 [ML410.S15 C36 2012]: 210-231.

Flory, Andrew (Ph.D. 2006). Review of Soul Music: Tracking the Spiritual Roots of Pop from Plato to Motown by Joel Rudinow [ML3479 .R84 2010] in American Music 30/1 (Spring 2012): 125-126. Full Text.

Franke, Matthew. Review of "Il Trittico," "Turandot," and Puccini's Late Style by Andrew Davis [ML410.P89 D33 2010] in Indiana Theory Review 29/2 (Fall 2011): 105-112.

García, David. "The Afro-Cuban Soundscape of Mexico City: Authenticating Spaces of Violence and Immorality in Salón México and Víctimas del Pecado," in Screening Songs in Hispanic and Lusophone Cinema, ed. by Lisa Shaw and Rob Stone. Manchester: University Press, 2012: 176-188.

Gibbons, William (Ph.D. 2010). "(De)Translating Mozart: The Magic Flute in 1909 Paris." Opera Quarterly 28/1-2 (March 2012): 37-53. Full Text.

Katz, Mark. "The Amateur in the Age of Mechanical Music." The Oxford Handbook of Sound Studies, ed. by Trevor Pinch and Karin Bijsterveld. New York: Oxford University Press, 2012 [QC225.15.093 2012].

____. Groove Music: The Art and Culture of the Hip-Hop DJ. New York: Oxford University Press, 2012 [ML3531 .K37 2012].

____. Review of Creative License: The Law and Culture of Digital Sampling by Kembrew McLeod [Davis KF3035 .M35 2011] in ARSC Journal 43/2 (Fall 2012): 279-280.

____ and Travis D. Stimeling. "Songwriting as Musicological Inquiry: Examples from the Popular Music Classroom." Journal of Music History Pedagogy 2/2 (Spring 2012): 133-152. Full Text.

____, Timothy D. Taylor, and Tony Grajeda, eds. Music, Sound, and Technology in America: A Documentary History of Early Phonograph, Cinema, and Radio. Durham, NC: Duke University Press, 2012 [ML3917.U6 M89 2012].

Kawamoto, Akitsugu (Ph.D. 2006). Review of California Polyphony: Ethnic Voices, Musical Crossroads by Mina Yang [ML200.7.C2 Y36 2008] in Popular Music 31/3 (October 2012): 501-502.

Kramer, Elizabeth (Ph.D. 2005). "Lebewohl, Abwesenhiet, and Wiedersehn: Cyclic Integration in Beethoven's "Grand Characteristic Sonata" in E-flat, op. 81A." Ad Parnassum 10/19 (April 2012): 129-163.

Laird, Paul R. (Ph.D. 1986). Review of South Pacific: Paradise Rewritten by Jim Lovensheimer [ML2054 .L68 2010] in American Music 30/1 (Spring 2012): 103-105. Full Text.

McBride, Renée. Review of Women in Music: A Research and Information Guide by Karen Pendle and Melinda Boyd [ML128.W7 P46 2010] in Fontes Artis Musicae 59/2 (April-June 2012): 192-194.

Neal, Jocelyn. Country Music: A Cultural and Stylistic History. New York: Oxford University Press, 2013 [ML3524 .N42 2013].

Schlagel, Stephanie (Ph.D 1996). "Fortune's Fate. Josquin and the Nürnberg Mass Prints of 1539," in Josquin and the Sublime, ed. by Albert Clement and Eric Jas. Turnhout, Belgium: Brepols, 2011 [ML410.J815 I58 2009]: 191-210.

Shadle, Douglas (Ph.D. 2010). "Nothing Ordinary About It: The Mass Proper as Early Music Jigsaw Puzzle." Journal of Music History Pedagogy 3/1 (Fall 2012): 1-37. Full Text.

Sparks, Timothy W., tenor. Mahler, Gustav. Das Lied von der Erde (Schönberg-Riehn Chamber Orchestra Transcription) [CD-23,404]. Reviewed by Gregory Berg in Journal of Singing 68/3 (January/February 2012): 359-366.

Stimeling, Travis (Ph.D. 2007). "Music, Place, and Identity in the Central Appalachian Mountaintop Removal Mining Debate." American Music 30/1 (Spring 2012): 1-29. Full Text.

____. Review of De-Canonizing Music History ed. by Vesa Kurkela and Lauri Väkevä [ML3890.D43 2009] in Journal of Music History Pedagogy 2/2 (Spring 2012): 193-197). Full Text.

____. Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Music Scene [ML3524.S75 2011]. Reviewed by Kevin E. Mooney in Notes 68/3 (March 2012): 581-583.

____ and Mark Katz. "Songwriting as Musicological Inquiry: Examples from the Popular Music Classroom." Journal of Music History Pedagogy 2/2 (Spring 2012): 133-152. Full Text.

Upton, Elizabeth Randall (Ph.D. 2001). "Apres vos fais: Machaut Reception as Seen through the Chantilly Codex (F-CH 564)," in Music, Dance, and Society: Medieval and Renaissance Studies in Memory of Ingrid G. Brainard , ed. by Ann Buckley and Cynthia J. Cyrus (Ph.D. 1990). Kalamazoo, MI: Medieval Institute Publications, 2011 [ML55.B7127 2011]: 189-210.

Warfield, Scott (Ph.D. 1999). "The Research Paper" in The Music History Classroom, ed. by James A. Davis. Farnham, Surrey: Ashgate, 2012 [MT18.M757 2012]: 125-140.

2011

Alden, Jane (Ph.D. 1999). Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers. New York: Oxford University Press, 2010 [ML93.A46 2010].

____. "Ung Petit cadeau: Verbal and Visual Play in the Wolfenbüttel Chansonnier." Essays on Renaissance music in honour of David Fallows: bon jour, bon mois et bonne estrenne, ed. by Fabrice Fitch and Jacobijn Kiel. Woodbridge: Boydell Press, 2011 [ML172.E773 2011].

____. Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers [ML93.A46 2010]. Reviewed by Kathleen Sewright in Notes 68/2 (December 2011): 337-340.

Baumer, Matthew (Ph.D. 2002). Review of Pop-Culture Pedagogy in the Music Classroom [MT1.P638 2011], ed. by Nicole Biamonte, in Journal of Music History Pedagogy 2/1 (Fall 2011): 107-110. Full Text.

Bonds, Mark Evan. Listen to This; with contributions by Jocelyn Neal, Joseph Kaminski, and N. Scott Robinson, 2nd ed. Upper Saddle River, NJ: Pearson Prentice Hall, 2011 [MT90.B63 2011 c.2].

____. "Symphonic Politics: Haydn's 'National Symphony' for France." Eighteenth-Century Music 8/1 (March 2011): 9-19.

____. "Selecting Dots, Connecting Dots: The Score Anthology as History." Journal of Music History Pedagogy 1/2 (Spring 2011): 77-91. Full Text.

Carter, Tim. Review of Leonard Bernstein: West Side Story by Nigel Simeone [ML410.B566 S56 2009] in Music and Letters 92/3 (August 2011): 508-510. Full Text.

____. "Winds, Cupids, Little Zephyrs and Sirens: Monteverdi and Le Nozze di Tetide." Early Music 39/4 (November 2011): 489-502. Full Text.

____. "Schoenberg, Weill, and the Federal Arts Projects in Los Angeles, Spring 1937." In Eregnis und Exegese--musikalische Interpretation, Interpretation der Musik: Festschrift für Harmann Danuser zun 65. Geburtstag , ed. by Camilla Bork, Tobias Robert Klein, Burkhard Meischein, Andreas Meyer, and Tobias Plebuch. Schliengen (Germany): Edition Argus, 2011: 600-612.

Citron, Marcia (Ph.D. 1971). When Opera Meets Film. Cambridge: Cambridge University Press, 2010 [Davis PN1995.9.O64 C58 2010].

____. When Opera Meets Film [Davis PN1995.9.O64 C58 2010]. Reviewed by Laura Basini in Notes 68/2 (December 2011): 392-394.

Corneilson, Paul (Ph.D. 1992), ed. with Peter Wollny. Er ist der Vater, wir sind die Bub'n: Essays in Honor of Christoph Wolff. Ann Arbor, MI: Steglein Publishing, Inc., 2010 [ML55.W87 2010].

Dahlenburg, Jane (Ph.D. 2001). Review of Antonio Caldara: Life and Venetian-Roman Oratorios by Ursula Kirkendale [ML410.C26 K5713 2007] in Fontes Artis Musicae 58/2 (April-June 2011): 180-181.

Ebright, Ryan. Review of Der Rosenkavalier, DVD, directed by Paul Czinner, in Notes 68/1 (September 2011): 159-160.

____. Review of Songs in Motion: Rhythm and Meter in the German Lied by Yonatan Malin [ML2505.M35 2010] in Notes 68/2 (December 2011): 354-357.

Fauser, Annegret and Mark Everist (ed.). Music, Theater, and Cultural Transfer: Paris, 1830-1914 [ML1727.8.P2 M85 2009]. Reviewed by Valeria Wenderoth in Notes 67/3 (March 2011): 515-517.

Fauser, Annegret. "Presenting a Great Truth': William Grant Still's Afro-American Symphony (1930)." In In Eregnis und Exegese--musikalische Interpretation, Interpretation der Musik: Festschrift für Harmann Danuser zun 65. Geburtstag , ed. by Camilla Bork, Tobias Robert Klein, Burkhard Meischein, Andreas Meyer, and Tobias Plebuch. Schliengen (Germany): Edition Argus, 2011: 644-653.

Feldman, Evan and Ari Contzius. Instrumental Music Education: Teaching with the Musical and Practical ini Harmony. New York: Routledge, 2011 [MT1.F42 2011].

Finson, Jon W. "Schumann, Anti-Semitism and the Drei Gesänge aus Lord Byron's Hebräischen Gesängen, Op. 95," in Robert Schumann: Persönlichkeit, Werk and Wirkung, ed. by Helmut Loos. Leipzig: Gudrun Scröder Verlag, 2011: 126-135.

Flory, Andrew (Ph.D. 2006) and John Covach. What's that Sound?: An Introduction to Rock and its History. 3rd ed. W.W. Norton, 2012 [MT3534.C7 2012].

Francis, Kimberly (Ph.D. 2010). "A Most Unsuccessful Project: Nadia Boulanger, Igor Stravinsky, and the Symphony in C, 1939-45." The Musical Quarterly 94/1-2 (Spring/Summer 2011): 234-270. Full Text.

García, David. Review of Music in Latin America and the Caribbean: An Encyclopedic History. Volume 2: Performing in the Caribbean Experience ed. by Malena Kuss [ML199.M858 2004 v.1-2] in Fontes Artis Musicae 58/1 (January-March 2011): 88-89.

Haar, James. "An Early Example of the Barzellettar Frottola," in Sleuthing the Muse: Essays in Honor of William Prizer (Ph.D. 1974), ed. by Kristine K. Forney and Jeremy L. Smith. Hillsdale, NY: Pendragon Press, 2012 [ML55.P755 2012]: 47-64.

____. "A Suggestion about Fauxbourdon." Essays on Renaissance music in honour of David Fallows: bon jour, bon mois et bonne estrenne, ed. by Fabrice Fitch and Jacobijn Kiel. Woodbridge: Boydell Press, 2011 [ML172.E773 2011].

____ and John Nádas. "I cantori di San Giovanni a Firenze negli anni 1448-1469." Rivista Italiana di Musicologia XLVI (2011): 79-103.

Katz, Mark. "Beware of Gramomania: The Pleasures and Pathologies of Record Collecting." The Record: Contemporary Art and Vinyl, ed. by Trevor Schoonmaker. Durham, N.C.: Duke University Press, 2010: 62-65 [NC1882.5.D587 R436 2010].

Laird, Paul R. (Ph.D. 1986). Wicked: A Musical Biography. Lanham, MD: Scarecrow Press, 2011 [ML410.S42 L38 2011].

MacNeil, Anne. "Music for Margherita Farnese," in Sleuthing the Muse: Essays in Honor of William Prizer (Ph.D. 1974), ed. by Kristine K. Forney and Jeremy L. Smith. Hillsdale, NY: Pendragon Press, 2012 [ML55.P755 2012]: 253-270.

Macy, Laura (Ph.D. 1991). "Geronimo Cavaglieri, the Song of Songs and female spirituality in Federigo Borromeo's Milan." Early Music 39/3 (August 2011): 249-358. Full Text.

McBride, Renée. Review of Songs in Black and Lavender: Race, Sexual Politics, and Women's Music by Eileen M. Hayes [ML82.H42 2010] in Notes 67/3 (March 2011): 517-520.

____. Review of Fanny Hensel: The Other Mendelssohn by R. Larry Todd [ML410.H482 T63 2010] in Fontes Artis Musicae 58/1 (January-March 2011): 92-94.

Nádas, John and James Haar. "I cantori di San Giovanni a Firenze negli anni 1448-1469." Rivista Italiana di Musicologia XLVI (2011): 79-103.

Neal, Jocelyn. "Setting the Scene for Nashville Chrome's Actors." Southern Cultures 16/3 (Fall 2010): 6-9.

Neff, Severine. "Editing Schoenberg's Music-Theoretical Manuscripts: Problems of Incompleteness and Authorship," in Arnold Schoenberg in seinen Schriften Katalog - Fragen - Editorisches, ed. by Harmut Krones. Vienna: Böhlau Verlag, 2011: 193-216.

____. "A Tonal Paradox in Sonata-Allegro Form: Flat-1 in Schoenberg's Second String Quartet, Op. 10." Trans. Ildar Khannanov. Problemy Muzykal'noi Nauki [Issues in Music Scholarship] 1/8(2011): 155-163.

Oswell, Michelle (Ph.D. 2009). Review of Digital Image Archive of Medieval Music (DIAMM) in Notes 68/2 (December 2011): 428-431. DIAMM website.

Proksch, Bryan (Ph.D. 2006). Review of Keys to the Drama: Nine Perspectives on Sonata Form ed. by Gordon Sly [MT62.K48 2009] in Fontes Artis Musicae 58/2 (April-June 2011): 200-201.

____. Review of Coll'astvzia col giudizio: Essays in Honor of Neal Zaslaw ed. by Cliff Eisen [ML55.Z37 2009] in Fontes Artis Musicae 58/4 (October-December 2011): 451-452.

Schlagel, Stephanie (Ph.D. 1996). Review of Josquin by David Fallows [ML410.J815 F35 2009] in Notes 67/3 (March 2011): 506-510.

Sewright, Kathleen (Ph.D. 2008). Review of Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers by Jane Alden [ML93.A46 2010] in Notes 68/2 (December 2011): 337-340.

Shadle, Douglas (Ph.D. 2010). "Louis Moreau Gottschalk's Pan-American Symphonic Ideal." American Music 29/4 (Winter 2011): 443-471. Full Text.

Stimeling, Travis (Ph.D. 2007). Review of Jazz Icons 4, DVD [DVD-432, 434-440] Reelin' in the Years Productions, 2010, in Notes 68/1 (September 2011): 169-170.

____. "'Phases and Stages, Circles and Cycles': Willie Nelson and the Concept Album." Popular Music 30/3 (October 2011): 389-408.

Vandermeer, Philip. Review of I Wonder as I Wander: The Life of John Jacob Niles by Ron Pen [ML420.N694 P47 2010] in Notes 67/4 (June 2011): 765-766.

Wissick, Brent. Concertos, Sinfonias, Sonatas: for Oboe and Oboe d'Amore. Geoffrey Burgess. G. Burgess, 2011. Compact disc [CD-24,955].

2010

Anderson, Stephen R. Nation Degeneration. The Stephen Anderson Trio. Summit Records, 2010. Compact disc [CD-23,213].

____. Concerto for Solo Percussion and Concert Band. Greensboro, N.C.: C. Alan Publications, 2009 [M1206.A56 P4 2009].

____. Profiled in The New Face of Jazz: An Intimate Look at Today's Living Legends and the Artists of Tomorrow, by Cicily Janus. Billboard Books, 2010: 9-10 [ML 385.N534 2010].

Atkinson, Charles M. (Ph.D. 1975). The Critical Nexus: Tone-system, Mode, and Notation in Early Medieval Music [ML174.A85 2009]. Reviewed by Joseph Dyer in Plainsong and Medieval Music 19/2 (October 2010): 201-208.

____. Review of Itinerari e stratificazioni dei tropi: San Marco, l'Italia settentrionale e le regioni transalpine: testi d'un convegno ed di sessioni di studio negli anni 1992-1995 presso La Fondazione Ugo e Olga Levi, ed. by Wulf Arlt and Giulio Cattin in JAMS 63/3 (Fall 2010): 641-647.

Bartig, Kevin (Ph.D. 2008). "Restoring Pushkin: Ideology and Aesthetics in Prokofiev's Queen of Spades." Journal of Musicology 27/4 (Fall 2010): 460-492.

Bonds, Mark Evan. "The Spatial Representation of Musical Form." Journal of Musicology 27/3 (Summer 2010): 265-303.

Brackett, John (Ph.D. 2003). John Zorn: Tradition and Transgression [ML410.Z75 B73 2008]. Reviewed by Kent Underwood in Notes 66/2 (December 2009): 316-318.

____. John Zorn: Tradition and Transgression [ML410.Z75 B73 2008]. Reviewed by Brett Boutwell in American Music 28/4 (Winter 2010): 514-516.

____. "Some Notes on John Zorn's Cobra." American Music 28/1 (Spring 2010): 44-75.

Breckling, Molly M. (Ph.D. student). Review of Mahler's Voices: Expresson and Irony in the Songs and Symphonies by Julian Johnson [ML410.M23 J65 2009] in Notes 66/3 (March 2010): 535-537.

Carter, Tim. "Another Monteverdi Problem (and Why It Still Matters)." Fiori Musicali: Liber amicorum Alexander Silbiger, ed. by Claire Fontijn with Susan Parisi [ML55.S65 F56 2010]: 83-94.

____. Oklahoma! The Making of an American Musical [ML410.R6315 C37 2007]. Reviewed by Elizabeth A. Wells in JAMS 63/1 (Spring 2010): 159-168.

____. Review of Ancient Rome in Early Opera by Robert C. Ketterer [ML1700.K47 2009] in Music and Letters 91/3 (August 2010): 422-424. http://muse.jhu.edu/journals/music_and_letters/toc/mal.91.3.html

____. "Some Notes on the First Edition of Monteverdi's Orfeo (1609)." Music and Letters 91/4 (November 2010): 498-512. http://ml.oxfordjournals.org/content/91/4/498.full.pdf+html?etoc

Fauser, Annegret. "Carmen in Khaki: Europäische Oper in den Vereinigten Staaten während des Zweiten Weltkrieges." Oper im Wandel der Gesellschaft. Kulturtransfers und Netzwerke des Musiktheaters im modernen Europa. Vienna: Oldenbourg and Böhlau, 2010: 303-329.

____. "Cette musique sans tradition: Wagner's Tannhäuser and Its French Critics." Music, Theater, and Cultural Transfer: Paris, 1830-1914, ed. by Annegret Fauser and Mark Everist. University of Chicago Press, 2009: 228-225 [ML1727.8.P2 M85 2009].

____. "'Dixie Carmen': War, Race, and Identity in Oscar Hammerstein's Carmen Jones (1943)." Journal of the Society for American Music 4 (2010): 127-174.

____ and Mark Everist (eds.). Music, Theater, and Cultural Transfer: Paris, 1830-1914. University of Chicago Press, 2009 [ML1727.8.P2 M85 2009].

____ and Mark Everist (eds.). Music, Theater, and Cultural Transfer: Paris, 1830-1914. [ML1727.8.P2 M85 2009] Reviewed by Rebekah Ahrendt in Cambridge Opera Journal 22/3 (November 2010): 353-364.

Finson, Jon. Robert Schumann: The Book of Songs [ML410.S4 F59 2007]. Reviewed by Yael Braunschweig in JAMS 62/3 (Fall 2009): 726-736.

____. Robert Schumann: The Book of Songs [ML410.S4 F59 2007]. Reviewed by Claudia MacDonald in Ad Parnassum 8/15 (April 2010): 138-142.

Flory, Andrew (Ph.D. 2006). "Marvin Gaye as Vocal Composer." Sounding Out Pop: Analytical Essays in Popular Music, ed. by Mark Spicer and John Covach. University of Michigan Press, 2010: 63-98 [ML3470.S635 2010].

Francis, Kimberly (Ph.D. 2010). "A Dialogue  Begins: Nadia Boulanger, Igor Stravinsky, and the Symphonie de psaumes." Women & Music 14 (2010): 22-44.

Garcia, David. "Contesting That Damned Mambo: Arsenio Rodríguez, Authenticity, and the Puerto Rican and Cuban Music Cultures of El Barrio and the Bronx, 1950s." The Afro-Latin@ Reader: History and Culture in the United States. Durham: Duke University Press, 2010: 187-198 [Davis E185.615.A37 2010].

Gibbons, William (Ph.D. 2010). "Music of the Future, Music of the Past: Tannhäuser and Alceste at the Paris Opéra." 19th Century Music 33/3 (Spring 2010): 232-246.

Gillespie, Don (Ph.D. 1977). "Chou Wen-Chung on Varèse: An Interview." American Music 27/4 (Winter 2009): 441-460.

Jones, Brian (Ph.D. student). "Finding the Avant-Garde in the Old-Time: John Cohen in the American Folk Revival." American Music 28/4 (Winter 2010): 402-435.

Laird, Paul R. (Ph.D. 1986). "Catholic church music in Italy, and the Spanish and Portugese Empires." The Cambridge History of Eighteenth-Century Music, ed. by Simon P. Keefe. Cambridge University Press, 2009: 29-58 [ML195.C35 2009].

____. The "Chichester Psalms" of Leonard Bernstein. (CMS Sourcebooks in American Music, 4) Pendragon Press, 2010 [ML410.B566 L35 2010].

Lamothe, Peter (Ph.D. 2008). "Questions of Genre: Massenet's Les Érinnyes at the Théâtre-National-Lyrique." Music, Theater, and Cultural Transfer: Paris, 1830-1914, ed. by Annegret Fauser and Mark Everist. University of Chicago Press, 2009: 276-290 [ML1727.8.P2 M85 2009].

Levin, Alicia C. (Ph.D. 2009). "A Documentary Overview of Musical Theaters in Paris, 1830-1900." Music, Theater, and Cultural Transfer: Paris, 1830-1914, ed. by Annegret Fauser and Mark Everist. University of Chicago Press, 2009: 379-402 [ML1727.8.P2 M85 2009].

Meredith, William (Ph.D. 1985). "The Berlin Wall Remembered on the Twentieth Anniversary of Its Fall." The Beethoven Journal 24/2 (Winter 2009): 73-81.

Neal, Jocelyn. The Songs of Jimmie Rodgers: A Legacy in Country Music [ML3524.N43 2009]. Reviewed by Edward Komara in Notes 66/4 (June 2010): 770-772.

____. The Songs of Jimmie Rodgers: A Legacy in Country Music [ML3524.N43 2009]. Reviewed by Morris S. Levy in ARSC Journal 41/2 (Fall 2010): 288-290.

____ (ed.). Country Music, U.S.A. 3rd rev. ed. Austin, TX: University of Texas Press, 2010 [ML3524.M34 2010].

Neff, Severine. "Cadence after thirty-three years: Schoenberg's Second Chamber Symphony, Op. 38." The Cambridge Companion to Schoenberg, ed. by Jennifer Shaw and Joseph Auner. Cambridge University Press, 2010: 209-225 [ML410.S283 C36 2010].

Proksch, Bryan (Ph.D. 2006). Review of Bach's Cycle, Mozart's Arrow: An Essay in the Origins of Musical Modernity by Karol Berger [ML195.B47 2007] in Fontes Artis Musicae 57/1 (January-March 2010): 126-128.

____. Review of Communication in Eighteenth Century Music ed. by Danuta Mirka and Kofi Agawu [ML195.C66 2008] in Fontes Artis Musicae 56/4 (October-December 2009): 423-424.

____. Review of Josef Mysliveček, "Il Boemo": The Man and His Music by Daniel E. Freeman [ML410.M99 F74 2009] in Notes 66/4 (June 2010): 784-786.

Russell, Craig (Ph.D. 1981). From Serra to Sancho: Music and Pageantry in the California Missions [ML3011.7.C15 R87 2009]. Reviewed by Louis Welcher in Choral Journal (May 2010): 55-57.

____. From Serra to Sancho: Music and Pageantry in the California Missions [ML3011.7.C15 R87 2009]. Reviewed by Drew Edward Davies in Notes 66/4 (June 2010): 791-793.

Sewright, Kathleen (Ph.D. 2008). Review of Young Choristers, 650-1700 ed. by Susan Boynton and Eric Rice [MT898.Y69 2008] in Choral Journal (May 2010): 53-55.

Sparks, Timothy W., tenor.  Mahler, Gustav.  Das Lied von der Erde (Schönberg-Riehn Chamber Orchestra Transcription).  Duraleigh Chamber Players conducted by Scott Tilley.  Centaur Records CRC3044, 2010. Compact disc [CD-23,404].

Stimeling, Travis (Ph.D. 2007). "The Sons of the Pioneers' Lucky "U" Ranch and the Singing Cowboy in Cold War America." American Music 28/1 (Spring 2010): 76-96.

____. Review of Johnny Cash and the Paradox of American Identity by Leigh H. Edwards [ML420.C265 E48 2009] in Notes 67/2 (December 2010): 305-306.

Upton, Elizabeth Randell (Ph.D. 2001). "Aligning words and Music: Scribal Procedures for the Placement of Text and Notes in the Chantilly Codex." A Late Medieval Songbook and Its Context: New Perspectives on the Chantilly Codex, ed. by Yolanda Plumley and Anne Stone. Brepols, 2009: 115-132 [ML93.P58 2009].

Vandermeer, Philip. Review of Natural Acts: Gender, Race, and Rusticity in Country Music [ML 3524.F73 2009] in ARSC Journal 41/2 (Fall 2010): 286-288.

Warfield, Scott (Ph.D. 1995). Review of Sibelius: The Orchestral Music: An Owner's Manual by David Hurwitz [MT92.S63 H87 2007] in Fontes Artis Musicae 57/1 (January-March 2010): 128-130. Wörner, Felix. Review of Music as Discourse: Semiotic Adventures in Romantic Music by Kofi Agawu [MT6.A286 2009] in Musiktheorie 24/1 (2010): 89-91.