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This is a finding aid. It is a description of archival material held in the Wilson Library at the University of North Carolina at Chapel Hill. Unless otherwise noted, the materials described below are physically available in our reading room, and not digitally available through the World Wide Web. See the FAQ section for more information.
Daguerreotype depicting Mr. Hand James seated for portrait P0008/0014, in the Daguerreotype Collection (P0008), North Carolina Collection Photographic Archives, The Wilson Library, University of North Carolina at Chapel Hill.
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Collection Overview
| Size | 13 encased and 1 framed daguerreotypes (3 linear feet in 3 boxes) |
| Abstract | Daguerreotypes were in production from the late 1830s into the early 1860s. This photographic format is considered to be the first method that resulted in images that could be made widely available to the public due to the relative simplicity of the process and high quality of the images produced. The resulting images were typically encased and brought photography into the general public marketplace. The Daguerreotype Collection contains 14 images taken of individuals and couples seated or standing for portraits, circa 1839-1860. Individuals appearing in the images have been identified whenever possible. Known individuals are listed as subject access points. All of the images in this collection are encased with the exception of one framed item. Included are images of John Calvin McNair, who endowed a lecture series on science and religion at the University of North Carolina and an image of a painting of Richard Bennehan of the Cameron family of Orange County, N.C. |
| Language | English |
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Information For Users
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Subject Headings
The following terms from Library of Congress Subject Headings suggest topics, persons, geography, etc. interspersed through the entire collection; the terms do not usually represent discrete and easily identifiable portions of the collection--such as folders or items.
Clicking on a subject heading below will take you into the University Library's online catalog.
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Related Collections
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Historical Information
Daguerreotypes are considered to be the first photographic process that produced images that could be made widely available to the general public, due to the relative simplicity of the process and high quality of the images produced. The process was originally developed in France by Louis M. Daguerre in 1839 and was improved upon until the process was superseded by other simpler photographic processes that produced higher quality images (such as ambrotypes and tintypes). At the base of the daguerreotype is a silver-coated copper plate that has been coated with a light-sensitive iodine residue. The plate is then exposed to light via a camera and captures an image of what is in front of the camera. The image becomes visible after further processing. These types of images were typically encased in glass to protect them and to make the copper plates more decorative. This format was in use around the world from 1839 into the early 1860s.
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Scope and Content
The Daguerreotype Collection contains 5 images taken of individuals and couples seated or standing for portraits, circa 1839-1860. Individuals appearing in the images have been identified whenever possible. Known individuals are listed as subject access points, as are identified locations. Included are images of John Calvin McNair, who endowed a lecture series on science and religion at the University of North Carolina and an image of a painting of Richard Bennehan of the Cameron family of Orange County, N.C. When the plates have been measured, their size is also listed. The materials came from various donors.
Daguerreotypes are typically described using the following terms:
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Series Quick Links
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Series 1. Daguerreotypes: From the Miscellaneous Pictures Collection, circa 1839-1860.
Arrangement: Accession number.
Includes images of unidentified men and women seated for portraits.
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Series 2. Daguerreotypes: From Various Donors, circa 1839-1860.
Arrangement: Accession number.
Includes images of Sara Jane Kollock, John Calvin McNair, James Hand, and an unidentified man and woman pictured together.
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Special Format Box
02
Special Format Image P0008/0010 |
Kollock, Sara Jane (portrait), circa 1855 #P0008, Series: "2. Daguerreotypes: From Various Donors, circa 1839-1860." Sfbox 02, Sfimage P0008/00101 encased image 1/9 plate; Accession number: 3402. |
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Special Format Box
02
Special Format Image P0008/0011 |
Nash, Mary (?) (portrait), circa 1855 #P0008, Series: "2. Daguerreotypes: From Various Donors, circa 1839-1860." Sfbox 02, Sfimage P0008/00111 encased image 1/9 plate; Accession number: 3401. Originally labeled as Sara Jane Kollock, but is Mary Nash according to description found with original; written by Olivia Kollock. |
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Special Format Box
02
Special Format Image P0008/0012 |
McNair, John Calvin (portrait), circa 1855 #P0008, Series: "2. Daguerreotypes: From Various Donors, circa 1839-1860." Sfbox 02, Sfimage P0008/00121 encased image Donated to University by Mrs. J.R. Boyd; Accession number: 4045. |
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Special Format Box
02
Special Format Image P0008/0013 |
Unidentified man and woman (portrait), circa 1839-1860 #P0008, Series: "2. Daguerreotypes: From Various Donors, circa 1839-1860." Sfbox 02, Sfimage P0008/00131 encased image 1/9 plate; Accession number: 31048. |
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Special Format Box
02
Special Format Image P0008/0014 |
James, Hand (portrait), circa 1839-1860 #P0008, Series: "2. Daguerreotypes: From Various Donors, circa 1839-1860." Sfbox 02, Sfimage P0008/00141 encased image Accession number: 31048 |
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Special Format Box
03
Special Format Image P0008/0015 |
Richard Bennehan, circa 1844 #P0008, Series: "2. Daguerreotypes: From Various Donors, circa 1839-1860." Sfbox 03, Sfimage P0008/00151 framed image This image was taken of a painted portrait of Richard Bennehan, a founder of the library at the University of North Carolina. |
Processed by: North Carolina Collection Photographic Archives, 1997 and Patrick Cullom, 2011
Encoded by: Patrick Cullom, January 2011
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